How About You...

How About You is an uplifting little film about human interaction, but shouldn't be taken too seriously.

The film centres on the relationship between a young girl left in charge of an old people's home run by her sister. Sweet, funny moments occur, although many are predictable and overdone. The characters transform themselves far too swiftly, so the film loses in credibility. It is, nonetheless, a pleasant watch and an agreeable alternative to typical American romantic comedies.

Redgrave and Staunton deliver excellent performances as usual, but this film definitely wasn't a challenge to either. Atwell (the younger sister) was very much lacking in subtlety, although the fault may lie with the director or writer rather than the actress.

How About You should be watched as a fun way to wind down the day, but not as an example of Vanessa Redgrave and Imelda Staunton showing what they're truly capable of.

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Greetings again from the darkness. Based on a short story by Maeve Binchy, this film is prevented from going too deeply thanks to the TV direction of Anthony Byrne. This one really has the feel and pace of a Hallmark Movie of the Week ... only with a really nice cast.

Hayley Atwell (The Duchess) plays Elle, the black sheep of the family, who shows up unannounced at the private retirement center her big sis owns. The home is struggling due to the rude behavior exhibited by four of the residents played by Brenda Fricker and Imelda Staunton (as sisters), Vanessa Redgrave (a former performer who longs for the spotlight again) and grumpy, lonely widower Joss Ackland (from the EverReady Bunny commercials, and for his line "Diplomatic Immunity" in Lethal Weapon 2). These four don't much like each other and certainly don't care for any others. Until ... you guessed it ... Elle reminds them what living is all about.

Must also mention a terrific supporting turn by Joan O'Hara, who brings a little wisdom and a twinkle in the eye to Elle. Sadly Ms. O'Hara passed not long after filming. I really thought Ms. Staunton stood out for her interesting portrayal of the co-dependent sister with a dark family secret. Well, at least it is dark for this film, which again, just doesn't dig too deeply into anything.

A message film with the simple message that loneliness should be avoided and don't stop living until you have taken your last breath. The title song is played at least 3 different ways in the film.

A story of four spiteful nursing home residents spending Christmas with a young hippie type of girl as their caregiver.

This overlooked holiday movie gives us some fairly memorable characters, sort of like Grumpy Old People who are stuck in a nursing home during Christmas. The young, pothead caregiver watching over them goes from apathetic to ticked off when they pull their curmudgeon routines on her.

The acting is good, atmosphere and cinematography are spot on, the whole production is as good as any large budget feature. The characters get developed during the movie, from the young girl learning to live her own life and accept some responsibility, to the old folks who learn that they can live a little while they are waiting to die.

There's a lot to like in this movie. It has some genuine holiday spirit and a decent ending. It's hard to say why more people haven't seen it because it is worth watching.

I really found this story touching and heart warming; every actor is confident and seems to be suitable for the setting and ambiance. Joan O'Hara's role, as Alice - a woman on the verge of death - is probably the more moving but Hayley Atwell as well is truly confident and easy going. Overall the mood and atmosphere are lighter than expected, with humor and also some energetic parts. The beauty of the countryside and an intelligent music choice add a gentle touch to the earnestness of the characters; there are also many lyrical moments and a lively ending. Nevertheless I'd say that heartfelt performances are the best of the movie.

I have just seen How About You at its U.S. premiere as part of the 2008 Palm Springs International Film Festival. Although there are, as we've grown to expect, beautifully judged performances from Joss Ackland, Brenda Fricker, Imelda Staunton and Vanessa Redgrave, to say nothing of the up-and-coming younger actors, the highlight for me was the performance of Irish actress Joan O'Hara, whom I did not know. Ms O'Hara gave us the most beautiful, sensitive, intelligent face of a very mature woman I have ever seen, a face which the camera seemed to caress in closeup. I was saddened to learn that Joan O'Hara herself died in July 2007 and this may have been her final performance.