Eternal Summer

A brave effort…

Director Leste Chen has ventured into an unlikely genre with a brave heart, but the results are another matter. It is a film that attempts to be compelling, emotional and consequential, but ultimately it fails to connect with the audience. The film itself is like a beautiful image, filled with daring performances, outstanding direction and lighting, but somehow it falls short and perhaps ending up being quite lacking. Putting together two relatively unknown male leads enhance the credibility of the film by being more believable and surprisingly they handed their respective roles with suitable bravery and emotionally performed. Coming from the lush of fame from the arty 20:30:40, Kate Yeung is suitably nature and a potential filled performance worthy of noting.

The movie goes like this: The film opens with elementary school kid Jonathan (Bryant Chang), ordered by the teacher to befriend his classmate Shane (Joseph Chang). Since then, they have shared every episode in their lives until Carrie (Kate Yeung) becomes their high school classmate...

It is still a mystery, as to the prime reason why the movie never seem to connect to Neo, perhaps it is the subject matter it is dealing with, but the film is ultimately distant and leaving far too many stones unturned in the process. Some twists like the controversial sex scene is far more shocking and brave than actually affecting and connecting. It is probably safe to say that the script is really a let down, as everything else seems like the product of good cinema. There is no doubt that the filmmaker here is daring and is not afraid to expose edgy issues and there are even scenes that reminds us of a far superior –Wong Kar Wai's film – Happy Together. Unfortunately this flick never reaches those heights and the effect is more like experimental cinema than actual accomplished cinema.

Still, with all the criticisms the performances of the trio is without doubt the core saviour for the film as they are able to create believable characters and act beyond the material they are given. Byrant Chang handles his role in an outright sympathetic manner with his heart torn between his love for his best friend and his duty to maintain his friendship. He is expressive and subtle at times, creating a performance that is worthy of some recognition. Likewise, Joseph Chang performs extremely well in a complex role, but in a way his performance may well be enhanced by the sudden shocks within the scripts, rather than his actual performance. Nonetheless, he remains a fine young talent. Of the trio, Kate Yeung is given the filling parts or perhaps what Neo calls "a paper thin role", but somehow, Yeung is able to act beyond her material and resulting in the most natural performance of the trio. She is a bright young talent and despite not being an outright beauty, her talents by far outweigh that minor physical flaw.

All in all, Eternal Summer is by no means a bad movie, and in fact it almost has all the ingredients to set it up as an outright award winning arty film. Unfortunately the film failed to connect and affect to the audience's emotions, resulting in a finale that is more emotional and tense for the people on screen, rather than the ones looking on. It is ultimately a trying and brave effort and for that alone, it is worthy of giving some sort of credit to. Nonetheless, it is an interesting look into the lives of three tormented souls and the daring performances are alone worthy of a pat on the shoulders for their efforts… (Neo 2006)

I rate it 7.5/10.

• www.thehkneo.com

Most say Eternal Summer is a gay movie. But I would rather call it a movie about relationships.

Newbies Bryant Chang and Joseph Chang play two best friends who come a long way from primary school after they were paired off as motivational buddies by their form teacher. As the 'third party' Carrie (Kate Yeung) enters the scene, the relationship becomes more complicated. All three struggle with love and friendship – a line that can seem so clearly divided but is not.

With 4 nominations at the Golden Horses, this movie caused a stir in Taiwan, both in terms of theme and story. Fortunately, it did not sink into typical Taiwanese melodramatic mode. The director takes his time to unfold, filled with awkward yet genuine moments. Note the parallels that he draws, and the subtle contrast between scenes reveal more than what is said.

Many times, the audience may feel frustrated with the slow pacing, and wished that the characters would just acknowledge what they feel. Perhaps this is a reflection of individuals being unaccepted and different in society, whether you are a gay, migrant or loner. You may just identity with the 3 characters' suppression and lack of ability to communicate.

With Lan Yu winning the Golden Horse, and Brokeback Mountain the Golden Globes paving the way, homosexual themed movies have started arriving to the shores of Singapore (with some censorship). Just a few years before, it would almost seem impossible that movies like Eternal Summer would be screen here. Liberation of the authorities or sophistication of the audience? To emphasize, this is not just another 'gay' movie, and may disappoint those going for the wrong reasons. With the tagline "No One Wishes To Be Lonely, Neither Do We", it can be viewed as a beautifully shot movie on the pains of growing up, friendship and love.

This film is about the friendship and relationship of 2 schoolboys and a schoolgirl in rural Taiwan.

This film is slow, but it is beautifully made. The characters are developed very well. The plot is touching and intense. The psychological turmoil of Jonathan is portrayed well through his expressions and his behaviour. The film successfully portrays teenage identity confusion, jealousy, passion and love. It is a beautiful portrayal of same sex feelings.

Only one comment though, I think the director uses too much mirrors. I can think of at least five scenes that uses a mirror (and nothing else can be seen apart from the mirror) to reflect what is going on in the other side of the room. The technique can add depth and can offer great composition of the shot, but I think it really is overused in the movie.

Movie Review: Eternal Summer (2006) By Ken Lee

This movie was a box office success in its native Taiwan when it was released late last year, garnering 4 nominations in Taiwan's Golden Horse Award along the way, and an eventual win for one of its male leads (Bryant CHANG Jui-chia, or ZHANG Ruijia in pinyin, who plays Jonathan KANG Zhenxing in a nuanced performance repletes with all the requisite repressed troubled mood), though a nod for its other male lead (Joseph CHANG Hsiao-chuan, or ZHANG Xiaoquan in pinyin, who plays the other-worldly Shane YU Souheng with tremendous vigour and enough *bling*), for the role of the high school jock and the object of desire of Jonathan, will be just as pleasing.

But the movie's success is less sterling in HK, where it just opens, presumably because movie-goers here typecast it with yet-another-melodramatic-Taiwanese-film association, and one with GLBT-theme at that, which is a shame, for it deserves a wider audience, even as it's one that isn't without minor flaws of its own, as befits the fate of most coming-of-age films helmed by relatively young directors (in this case, Leste CHEN, all of 25).

The plot is decidedly simple, and the narrative mostly linear, tracking the friendship and love of its 3 main protagonists ("best friends" Jonathan, Shane, and Carrie, played by Kate Yeung who shines in limited screen time) in their youth, from age 11 in a school in rural Hualian (in 1991) to age 18 (1998) to the college year in Taipei (2005), with all of their ensuing majesty, glory, anxiety, complicity, confusion, pang, angst, and a dreamy quality thrown in.

The film will benefit from some minor editing for a more even pace. Original music by Jeffrey CHENG is intrusive at best. These minor quibbles aside, cinematographer Charlie LAM's rendering of the rural locations is thing of pure magic and the theme song by Ah Xin (of the "May Day" rock band fame) blends in magnificently with the direction to which the film eventually takes.

A friend asked if this is a tear-jerker to avoid at all costs. My answer to which is that hot and bitter tears may flow, not necessarily because of the inherent sadness of the human conditions, but may be because it deepens our understanding of those who are perceived to be "different" and living on the fringe.

And if the measure of a film lies in whether the audience connects with the characters towards the end, and whether it leaves you with the sudden urge to be young and fell in love all over again, then it isn't to be missed; and so it seems "Eternal Summer" is a welcome addition to the growing list of Taiwanese films with GLBT content.

Recommended.

This movie unfortunately is a mess for me. I can see this really cute movie in here somewhere but it is tangled up in so much issues.

The script feels like half of it is missing. It doesn't have any "connective tissue" holding the scenes together. Random scenes will just follow each other with no rhyme or reason how we got there. I don't need to be led around by the nose but it would be nice to have some sort of idea why/how things happened.

This is also hot helped by the fact this movie moves at a breakneck pace.

The message in here was also a little muddy for me. I honestly don't know what it was trying to say. But I appreciate the effort to tell a story like this in 2006 and in countries where these stories are not common.