Mange, prie, aime

Liz Gilbert (Julia Roberts) is a modern woman with a husband, a job, and a house. Then she divorces her husband. Confused and lost, she sets off on a quest for enlightenment.

Ryan Murphy wrote and directed this film based on the popular book. I don't know if there's anything especially offensive to me (moviewise) in this movie, but I don't find it involving. It feels very bourgeois. And it goes so slowly. She's so full of herself. Julia Roberts just doesn't give a sense of somebody in crisis. Can boredom be a crisis? That's what it seems to be. If there is one movie thing that I object to, it's the narration. There's nothing more boring than being told how unfulfilled you are in narration. It doesn't make the movie any better.

I loved the book. I thought Julia Roberts as Liz was fantastic casting. The trailer looked awesome. I smiled every time I saw it. Turns out, I loved everything about this movie except the movie.

Long story short, it's all of the arc of the book, without any of the passion. While never horrible, this film simply made me feel nothing.

I found the book soulful, moving, even transformative at times. The greatest emotion I felt from the film was hunger (for Italian pizza), thirst (for Italian wine), and an occasional dizziness due to director Ryan Murphy's apparent recent discovery of how to "pan." It was laughable camera-work throughout the first 45 minutes, and occasionally throughout.

The first 1/2 hour of the film was almost unbearably bad, even though the first section of the book was amongst my favorites. Perhaps someone who did not read the book could enjoy this movie, but I somehow doubt it. One time Liz made a joke, that was a nice break from the feeling of being in a lukewarm bathtub for 2 1/2 hours. Not unpleasant, just meh.

Instead of finding Liz intelligent and thoughtful, she seemed selfish, boring, and obsessed with men. Instead of finding spirituality, she seemed vapid. When the character becomes shallow, a film centered around that character becomes a throw away. Maybe I'll just watch the trailer again.

All the pieces were here, great actors, beautiful cinematography, a fun storyline... but it didn't feel authentic, there was no heart, no chemistry. Very mediocre.

I think this was the first Julia Roberts film that I ever hated. I wanted to leave the theater before she left Rome, but was with my wife. After the film I found out she hated it as much as me. We did chat a little and thought it would make wonderful parody film--- picture Will Ferrell as a husband who is fed up and decides to travel to three cities... and visit The New York Yankees; The Dallas Cowboys; and the Los Angeles Lakers, as a way to get in touch with his inner man. Along the way there could be lots of drinking, cheering and preying on women in bars and cheerleaders. My favorite seen in the film was the end photo where it showed her former husband looking happy in his new family!

Most people I know are going to see this film for Julia Roberts. It is that mysterious link that film stars create with their audiences. We develop a sort of craving to see them again. So a new Julia Roberts movie? Sure. Absolutely. I'm only a few years younger than Julia Roberts which means we have grown together. So, to see her play a woman facing a sort of middle age crisis makes you look inwards with a smile, the nervous kind. I must also say I'm a guy, heterosexual, but not fanatically so. I don't have the fears that, Jay Leno for instance, shows, when confronted by a "chick flick" If anything "Eat Pray Love" proves that men and women are not that far apart, we simply deal with the same problems in different ways. Here, the filmmakers don't shy away from the conflict and the balance is real. Julia's husband, played beautifully by Billy Crudup, accuses her of leaving the marriage without an explanation. He is the one with the broken heart. In Italy, Julia eats and our own gastric juices start to do their thing. I glanced at my watch, I was ready to run into the nearest Italian restaurant and have a relationship with a pizza myself. Italy, Rome and even Naples look so clean that I hardly recognized it. CGI? Luca Argentero plays Julia's tutor/tourist guide. He is a good looking guy that after appearing in the Italian version of the Big Brother reality show, he became a sort of local movie star and shows promising acting chops. Here, strangely enough, he looks small but charming all the same. India brings the wonderful Richard Jenkins and a solid piece of advise: "don't give up on love" Bali, well, Bali is something else and it is there that Javier Bardem comes into the picture and provides us with the best scene in the film. I'm not going to tell you what it is but let me just say that involves his son and gives us, finally, a side of Julia we didn't know how much we missed. Empathy. Feeling something for somebody else's feelings. I think I may see the film a second time just to see that scene again. I also should mention that James Franco plays a young actor - not what I call a stretch - considering he is my favorite of the young actors around. I will challenge other members of my sex to go and see it. Not to be afraid to feel identified or even chocked up. I can assure you it's not going to diminish you manliness in any way and will awake your appetites, big time.