IMDb RATING
7.2/10
9.4K
YOUR RATING
All Thomas wants is a normal adolescence but his autistic brother, Charlie, thwarts his every opportunity. Will Thomas, with the help of his girlfriend, Jackie, accept his brother?All Thomas wants is a normal adolescence but his autistic brother, Charlie, thwarts his every opportunity. Will Thomas, with the help of his girlfriend, Jackie, accept his brother?All Thomas wants is a normal adolescence but his autistic brother, Charlie, thwarts his every opportunity. Will Thomas, with the help of his girlfriend, Jackie, accept his brother?
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Jim Maxwell
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Featured reviews
Life isn't easy for Thomas. Living as the younger brother in a family of four, with a fifth on the way is hard enough to begin with. It's even worse when the older brother is severely autistic and unable to care for himself in any way. So, quite naturally, Thomas struggles with growing up.
Films dealing with family lives like this only work when they show all the sides to a story and this one does it well. All the members of the family are properly introduced and their interaction is done well enough to give the impression that it is a perfectly normal family, which has a specific difficulty added to it.
The complexities of living with a mentally handicapped person are brought out well enough without ever being overly sentimental and, as far as I know from the interaction I have had with several autistic people, real enough.
All in all it is a real good film about growing up and growing up with a tremendous challenge making it harder on you. I loved it, and even more so because I know what Thomas went through from personal experience.
Films dealing with family lives like this only work when they show all the sides to a story and this one does it well. All the members of the family are properly introduced and their interaction is done well enough to give the impression that it is a perfectly normal family, which has a specific difficulty added to it.
The complexities of living with a mentally handicapped person are brought out well enough without ever being overly sentimental and, as far as I know from the interaction I have had with several autistic people, real enough.
All in all it is a real good film about growing up and growing up with a tremendous challenge making it harder on you. I loved it, and even more so because I know what Thomas went through from personal experience.
It's a pity this film will not be more widely seen. It is an authentic demonstration of what it's like to live with one of the most enigmatic of mental disorders, autism, which afflicts about one person in 1000 (the more common and milder Asperger's syndrome affects about 6 in every thousand). Elissa Down, the maker of the film, has personal experience – two of her brothers are autistic – and with the aid of some truly accomplished acting she avoids cheap dramatics and conveys some genuine feeling.
The family portrayed has its eccentricities but you could not describe it as dysfunctional. Dad (Eric Thompson) and Mum (Tony Collette) not only have a strong love for their autistic teenager Charlie (Luke Ford) but they have learned to cope with his behaviour. The dramatic tension comes from younger brother Thomas (Rhys Wakefield) who loves the brother he has grown up with but finds the effect Charlie's' behaviour has on other people hard to take. Charlie has a few less than endearing habits like throwing tantrums at supermarket checkouts and bursting into other people's houses to use their toilet. The general adolescent horror of people who are different doesn't help much either – having a "spastic" as a brother is not good for the image. Yet Thomas's developing relationship with neighbour and fellow lifesaving squad member Jackie (Gemma Ward) gets a positive push from his situation.
As director, Elissa Down has a nice light touch, and the prejudice and distaste the family have to deal with are neatly sketched in. There are plenty of amusing moments; when a fight breaks out in a bus queue outside a high school several male teachers try ineffectually to stop it and it is the tiny but determined female lifesaving coach who, furiously blowing her whistle, restores order. Tough army NCO Dad holds conversations with his teddy bear and the two brothers wind up on stage together as dancing monkeys after Charlie's original partner throws a tantrum.
It has been suggested that autism, which has a strong genetic component, is a variation on normal rather than a defect, but its severely disabling nature means it has to be regarded as a malfunction. Autistic savants with freakish mathematic powers a la "Rainman" are extremely rare. People with mild forms of autism can function quite well in society, but Charlie is not one of those and will require care for the rest of his life. All this film is asking is for a little understanding of the pressures on families who have to support people like Charlie. I wish one of the commercial channels would show this in prime time instead of the usual reality show crap.
The family portrayed has its eccentricities but you could not describe it as dysfunctional. Dad (Eric Thompson) and Mum (Tony Collette) not only have a strong love for their autistic teenager Charlie (Luke Ford) but they have learned to cope with his behaviour. The dramatic tension comes from younger brother Thomas (Rhys Wakefield) who loves the brother he has grown up with but finds the effect Charlie's' behaviour has on other people hard to take. Charlie has a few less than endearing habits like throwing tantrums at supermarket checkouts and bursting into other people's houses to use their toilet. The general adolescent horror of people who are different doesn't help much either – having a "spastic" as a brother is not good for the image. Yet Thomas's developing relationship with neighbour and fellow lifesaving squad member Jackie (Gemma Ward) gets a positive push from his situation.
As director, Elissa Down has a nice light touch, and the prejudice and distaste the family have to deal with are neatly sketched in. There are plenty of amusing moments; when a fight breaks out in a bus queue outside a high school several male teachers try ineffectually to stop it and it is the tiny but determined female lifesaving coach who, furiously blowing her whistle, restores order. Tough army NCO Dad holds conversations with his teddy bear and the two brothers wind up on stage together as dancing monkeys after Charlie's original partner throws a tantrum.
It has been suggested that autism, which has a strong genetic component, is a variation on normal rather than a defect, but its severely disabling nature means it has to be regarded as a malfunction. Autistic savants with freakish mathematic powers a la "Rainman" are extremely rare. People with mild forms of autism can function quite well in society, but Charlie is not one of those and will require care for the rest of his life. All this film is asking is for a little understanding of the pressures on families who have to support people like Charlie. I wish one of the commercial channels would show this in prime time instead of the usual reality show crap.
As my folks both worked in mental health care facilities, this movie reminded me of visits to their workplace. The audience at my screening were very quiet, yes I know it is a drama, but some aspects of Charlie behavior and reactions of others is quite funny. I felt guilty laughing in some scenes, hopefully it is not a sign of underlying mental issues!
It does make you feel for those who care and live with people with special needs. A movie such as should be a real wake up call, love your family, it's the only one you have got.
A good movie overall.
7/10
It does make you feel for those who care and live with people with special needs. A movie such as should be a real wake up call, love your family, it's the only one you have got.
A good movie overall.
7/10
Thomas (Rhys Wakefield) has just started at a new high school. His father serves in the armed forces and the family has to relocate regularly. His brother Charlie (Luke Ford) has severe Autism and Attention Deficit Disorder. He's not able to speak and because he's the size of an adult, caring for him is not easy. At the start of the film we see him grunt with delight as he tramples a newly-bought carton of eggs into the kitchen floor.
While Thomas's mother (Toni Collette) has accepted her son's condition, Thomas has not. He wants to keep his brother a secret from his new schoolmates but when one student (Gemma Ward) learns of his sibling, she's not put off.
It's been a number of years since I've connected with an Australian film to the extent that I did with THE BLACK BALLOON. From the interesting title sequence at the start, we're drawn into the challenges of life with a family member suffering a developmental disability. While, I suppose, an outsider could never fully appreciate just how demanding such a life could be, the film gives us a very good idea.
One of the film's many accomplishments is its successful blend of drama and comedy. It could quite easily have been a depressing affair but many of the brother's outrageous acts prove most amusing. On other occasions, they're heartbreaking.
Equally fine is the performance by Luke Ford. Playing a handicapped character is a challenge for any actor, but Ford is totally convincing as Charlie. Never do we consider he's an actor playing a role.
Toni Collette is first-rate as the ever-loving mother. She's heavily pregnant and when complications arise from her pregnancy, we can't help but wonder if the third child will be like Thomas or Charlie.
The most likable of the characters is Thomas's classmate and later girlfriend, Jackie, played by Gemma Ward. Her acceptance of Charlie and her solid support for Thomas makes her most appealing. It's interesting to note that while Thomas sees Charlie as a burden, his formal introduction to Jackie and the development of their relationship has much to do with his brother.
THE BLACK BALLOON is the work of first-time director Elissa Down, who studied film-making in Perth. She has done a sterling job. Having grown up with two Autistic brothers, it must be a profoundly personal work. The screenplay, by Down and Jimmy the Exploder, is honest and moving and the photography by Denson Baker is fine. I particularly appreciated his low- angle wide shots.
THE BLACK BALLOON won the Crystal Bear at this year's Berlin Film Festival. It's an important film and deserves to be seen. The Australian Film Industry, sadly, does not have a good reputation, at home or overseas. But if we make films like this one, that's sure to change.
While Thomas's mother (Toni Collette) has accepted her son's condition, Thomas has not. He wants to keep his brother a secret from his new schoolmates but when one student (Gemma Ward) learns of his sibling, she's not put off.
It's been a number of years since I've connected with an Australian film to the extent that I did with THE BLACK BALLOON. From the interesting title sequence at the start, we're drawn into the challenges of life with a family member suffering a developmental disability. While, I suppose, an outsider could never fully appreciate just how demanding such a life could be, the film gives us a very good idea.
One of the film's many accomplishments is its successful blend of drama and comedy. It could quite easily have been a depressing affair but many of the brother's outrageous acts prove most amusing. On other occasions, they're heartbreaking.
Equally fine is the performance by Luke Ford. Playing a handicapped character is a challenge for any actor, but Ford is totally convincing as Charlie. Never do we consider he's an actor playing a role.
Toni Collette is first-rate as the ever-loving mother. She's heavily pregnant and when complications arise from her pregnancy, we can't help but wonder if the third child will be like Thomas or Charlie.
The most likable of the characters is Thomas's classmate and later girlfriend, Jackie, played by Gemma Ward. Her acceptance of Charlie and her solid support for Thomas makes her most appealing. It's interesting to note that while Thomas sees Charlie as a burden, his formal introduction to Jackie and the development of their relationship has much to do with his brother.
THE BLACK BALLOON is the work of first-time director Elissa Down, who studied film-making in Perth. She has done a sterling job. Having grown up with two Autistic brothers, it must be a profoundly personal work. The screenplay, by Down and Jimmy the Exploder, is honest and moving and the photography by Denson Baker is fine. I particularly appreciated his low- angle wide shots.
THE BLACK BALLOON won the Crystal Bear at this year's Berlin Film Festival. It's an important film and deserves to be seen. The Australian Film Industry, sadly, does not have a good reputation, at home or overseas. But if we make films like this one, that's sure to change.
This film is an effective coming-of-age drama with the backdrop of autism. Erik Thomson plays a shy 16 year old who's constantly embarrassed by his severely autistic brother, an excellent Luke Ford. Toni Collette plays the pregnant mother and is solid as usual. The drama never becomes morose and there's a playful tone running through the film. Some events are predictable (like the taunting by class-mates and social awkwardness) but they are probably part and parcel of every coming of age drama. The film shows in harrowing detail what it's like to take care of someone with severe autism. Informative and worth watching.
Overall 7/10
Overall 7/10
Did you know
- TriviaAt the river, Jackie says "Kieren Perkins, watch out!". Kieren Perkins is an Australian swimmer who won Gold medals at the 1992 and 1996 Olympics and a Silver medal at the 2000 Olympics, swimming in the 1500 metre event.
- Goofs44:00 shows a traffic light (which is for cars) turn green while the audio indicating pedestrians being 'safe to walk' plays.
- Quotes
Maggie Mollison: Your brother will never be able to do the things you can Thomas, He will live with us for the rest of his life.
- Crazy creditsDuring the opening credits which appear over a montage of the Mollison family moving into a new home, the names of things, objects, and people in the frame are superimposed over them--such as "sky" and "lace curtains" and "brother"--in the same typeface and type size as the credits. The responsible staff person from the company that designed the opening credits was inspired by what he learned about autism because of involvement in this film, namely, what he came to understand of how people with autism see things, and by the way the film's character with autism, Charlie, uses sign language to identify things.
- ConnectionsFeatured in At the Movies: Episode #6.1 (2009)
- SoundtracksFor He's A Jolly Good Fellow
Traditional
Performed by the Mollison family and Jackie
Details
- Release date
- Country of origin
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- Also known as
- Bong Bóng Đen
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Box office
- Budget
- A$5,000,000 (estimated)
- Gross worldwide
- $2,136,663
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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