What Goes Up

There were a lot of very negative reviews of this film. Here are some of the positive ones you may have missed:

"A 2009 Sleeper. A complete original and definitely not your typical teen comedy. It's a darkly funny, wonderfully twisted story that marches to its own surprising beat. The entire cast is superb!"

• Pete Hammond, Hollywood.com

"A wonderful little film!"

• Jeffery Lyons, NBC

"A nifty little tragicomedy. Director and co-writer Jonathan Glatzer handles his talented cast well, and the movie is dark, droll and sentimental in roughly the correct proportions."

• Andrew O'Hehir, Salon

"Glatzer and (co-writer) Lawson show a deep understanding of how common ideals can hold even a community of outsiders together. And it has a one-of-a-kind character in Coogan, a cynic with a savior complex, who lies partly out of convenience, and partly because he knows – as Glatzer and Lawson know – that even a messy story can still inspire."

• Noel Murray, The AV Club / The Onion

"The wit is sharp and the performances are amazing. Hilary Duff will definitely get more and more 'real' acting roles thanks to this. And Molly Shannon has rarely been more manic and hilarious… If you like your comedies pitch black… you will enjoy this dark little jewel."

• Alex Dorn, UGO.com

It's wonderful because it's so true to life. It's exactly what WHAT GOES UP strives to be – a funny movie about death, a sad movie about life… It works. Olivia Thirlby exceeds all expectations lending her performance a gutsy rawness…"

• Kate Erbland, Gordon and the Whale

"The performances were incredible. I was blown away by them."

• Ted Ott, Real Talk LA

"The film is touching, truthful, and, more importantly, an absolute blast to watch, thanks in part to smart performances from Coogan, Molly Shannon, and Hilary Duff in a role that might rub some of her loyal fans the wrong way. What Goes Up is about the lies we tell and the truths we keep hidden deep inside, a theme I'm sure most of us can relate to on one level or another. Thoroughly impressive stuff." – The Film Fiend

worked on it, great talent, great script, great crew. i wish that there wasn't as much ego involved with this project! it had so much potential and I have to say that steve coogan, josh peck and molly shannon were out of this world! what a pleasure. some of the local talent were fantastic as well. our two favourite misfits "the girls" you know who you are, were wonderfully quirky and adorable to say the least.

production was a nightmare.

local crew were treated as second class.

what is with the director not thanking the local crew?

not so nice my fine flying friend.

I was privileged enough to see this film with one of the producers tonight in Las Vegas. I went with some trepidation as I had heard from my DIL, who's the producer's niece, that while she thought the first cut was good, it had some issues. And unfortunately, I am very critical when it comes to movies due to my writing background.

I have to say I was truly amazed at the quirkiness and depth of this story. Yes, it did have some issues. There were places where I would have liked to have more in-depth characterization, there were places I thought the pacing was slow. The acting was good and dead on with what characters had on their plates. And in all honesty, this is the type of movie that comes out of the blue and ends up a cult favorite. It is that good in some strange way.

Maybe part of this is because I can remember this week so well myself. I was just out of college and worked for Lockheed. We were on top of the world and it just came crashing down on us all that Thursday morning. I can't imagine having the whole week being that bad. LOL!

Then again, maybe it's the part about being adult enough to understand when you've done something wrong yet there is no way to ever take it back. I remember this lesson well.

Or maybe, it's just that the misfits are so true to life that I can empathize with what is going on in their lives. I know that I would have been devastated if my favorite teacher had died during my high school years no matter what the cause.

Still, it would have been worse if said teacher had committed suicide. I was angsty enough then to have wondered if it were my fault in any way at all.

Adding all these elements up, you have one heck of a story that can appeal to the masses. I have to say, I liked it.

This movie is hard to describe without possibly wrecking the viewing experience, but as this is not for everyone, I will try to talk around it, without giving away too much. At its core it is a strikingly realistic mystery, involving the death of a special education teacher. The people in this story are misfits, realistically portrayed, but very unusual people. Taken in total their strangeness makes the entire situation feel unreal, as real things often feel when you know enough of the truth about them.

Do not expect the people and events in this story to make some statement about people or events in general. This is about specific people and specific events. Do not look for comedy or jokes here. Do not expect a great deal of violence or a high body count. Though the sexual activity of some of these people may be disturbing to some viewers, do not come looking to see a lot of naked bodies, this is not a skin flick. In short, this is not designed to appeal to any mass audience, leave your expectations at the door - whatever they are - they are very likely to be disappointed.

The excellent script, by Jonathan Glatzer and Robert Lawson, leads us through the discovery that a mystery exists, why we should care about finding out the truth, who are the people involved, and what is the truth about them and their role in what happened. Marvelous direction by Jonathan Glatzer and an extraordinary cast (including Steve Coogan, Hilary Duff, Josh Peck, Olivia Thirlby and others) produce an almost flawless film. Makes me really wonder why 9 out of 10 critics gave this film negative reviews. I think that says something about why so many terrible movies keep being made.

If you are wondering why anyone should bother with this movie when it only concerns what happens to a bunch of misfits that you might not relate to - the answer is that this movie is about the nature of truth. How illusory, how dangerous, and how hard to deal with, truth can be. It is about how difficult finding out the truth can be and how careful one must be with what one finds out. Actions have consequences and real truth is seldom purely good, or satisfactory or pleasing, and one must always filter what they reveal to others lest they do more harm than good.

Perhaps that is why so many do not care for this film - it is not going to leave you satisfied or pleased, do not expect to feel like cheering afterwards, but if you want to see something that may give you something to think about this film is well worth your time.

I really thought this film was made with an honesty few teen centered films usually possess. Intriguing performances and slightly surreal situations make the film well worth the watch. Coogan is delightfully flawed and the surrounding cast truly resonates. Although I was prepared to be distracted by Hilary Duff, I thought she shined brightly and held her own quite well. The truth is that most filmmakers when tackling tougher issues as ones presented in What Goes Up tend to talk down and diminish their audience while the makers of this film seem undaunted by the regular Hollywood mission of going for cheap humor and glamorized sexuality. There is a gravity here that hangs like a thick cloud over this cast and I suspect this movie will be looked upon later as having more layers than it would initially seem.