Frame of Mind

Frame of Mind is a by the numbers conspiracy thriller with not one twist you cannot see from miles ahead if you have seen one conspiracy thriller in your life. (If you haven't, do yourself a favour and don't make it your first one.) One episode of '24' has ten times more "surprising" reveals and the level of intelligence is comparable too. This film is insulting to the viewer on many levels.

Every character, every plot point is like coming from a box labelled "conspiracy thriller clichés" down to the James Bond-type moustachioed, "sophisticated" villain (it turns out he has grandkids - wow, he is human too!). Writing is so lazy, it's like the whole story was penned for a high school creative writing assignment. The first 45 minutes are basically spent on establishing stuff one already knows going in (for instance from reading the synopsis on the DVD box). Lots of unnecessary verbal exposition is going on and many scenes are there seemingly for the reason to hit home the fact that the hero and his wife love each other. Their cutesy scenes being lovey-dovey are stomach churning. You can hear better honed dialogues on an afternoon Hallmark movie.

The most frustratingly bad aspect of the story is the fact that if the conspirators weren't reacting to the threat of disclosure, most probably they would never be in any danger of getting caught, as everyone would just let it die. As soon as they start pulling strings to intimidate people, they confirm all the suspicions. They are incredibly stupid, which begs the question how they can keep deceiving the whole world.

Acting is abominable throughout - then again, the actors have nothing to work with. The ridiculous effort to cash in on Chris Noth's Sex and the City fame by putting his face on all artwork is a blatant deceit - he is a secondary character at best. The film is obviously a vanity project for Carl T. Evans, actor, co-writer and producer of this silly film, but he fails in every role.

Tech credits are good, lensing is especially great. Editing is fine too, as is sound. It's just a pity these are supporting an inferior product.

Rather surprised by the downside comments I read in these reviews, but then I think one's evaluation has a lot to do with whatever credibility one may have towards the idea of conspiracy in the JFK assassination. After all, if the Warren Report was a gross cover-up, what does that say about a lot of things? Americans are very resistant to the notion that the system they live in may be one of lies, corruption, and cover-up at the highest level. Popping a huge bubble can have serious consequences. If you think little of talk of conspiracy, whether the JFK assassination or other notable events, you may do well to spare yourself this film, which is likely to appear a b-level production, confusing with mediocre acting, or downright terrible. If on the other hand you lie on the other end of the spectrum as I do (note I state other end), I suggest you see it and by all means avoid reading any synopsis in advance. You will enjoy it more without spoilers. So being biased towards conspiracy I found the film very entertaining, credible, and well-casted. Well written and I could not guess how it turned out.

one of films for who the high expectations about a delicate subject represents its basic vulnerability. because it does not propose revelations. only a decent script about a plot, mysteries, search to the truth and obstacles. all - in decent manner, inspired in few scenes, realistic in many. the film is not a revelation and not a competitor against the classic films about same file, like J.F.K. . but it gives an interesting story. and this represents a real good thing.

Notwithstanding the credibility of the whole JFK assassination conspiracy theory, if you just take this as a standard cop thriller, you should be moderately entertained as detective inadvertently discovers unexposed photo frames which may prove the existence of another shooter on the grassy knoll.

Evans is sufficiently relaxed as he eases into the unfolding intrigue, clues starting to mount that the CIA may be somehow involved in the assassination. Veterans Barrie and LoBianco appear in small but significant supporting roles, whilst SITC alumni Noth co-stars as an academic and conspiracy theorist Evan's befriends as he tries to unravel the dangerous riddle. And then in some truly bizarre casting, KISS drummer Peter Criss appears in a minor incidental cameo as a desk cop.

Evans (who also directs) manages to compose a reasonably taut and coherent mystery despite some obvious budgetary limitations and occasional plot lapses that threaten to overblow the production scale. Limited action and virtually no on-screen violence stifles what could've been, instead we're left with a largely existential threat that rarely seems real to the scale of its source material. Sufficient tension holds the interest, but the high profile storyline needed the higher production values to really succeed.

I thought that this was a well made low budget "b" movie . excellent acting,, premise,, well done for something that's been overdone in so many different ways for so many years.. I mean think about it,, it's actually plausible for someone who died many years ago,, to have saved something,, and an ancestor finds it after they die,, heck I found Kennedy Newspapers from 63,, Life Magazine,, right after he died,, I never knew my parents kept all that stuff, so yea I can totally buy that part. as for the movie itself,, it's definitely more than likely possible,, after watching the Marathon on the History Channel about 5 weeks ago,, I totally buy there was a conspiracy based on the open mike radio from the patrolmen from the motorcade,, tapes have been gone over and analyzed and proved that there were up to 5 shots that happened that day.. but the movie is very good,, I loved it because I'm an assassination buff,, and I love a good mystery,, and am a student of History,, if we don't learn from the past we are doomed to repeat it.