Arn, chevalier du temple

Once I heard about this movie I felt pride for my country for making such a big production, hoping for it to be able to challenge big productions such as Troy, King Arthur and maybe even 300. I hoped so, but I expected otherwise. I know my epic movies pretty well, and in the trailer some months before release I notices some bass tones of the music score were identical to a part of the Gladiator music. I feared a cheap American epic movie ripoff with flawed actors and fake-looking special effects. Luckily, I did not see what I expected.

Arn has one big difference from the epic movies we know - it is made in a country where an epic movie of this size has never been made before. Naturally, many will expect to see the same of what we've seen in epic movies so far. Many will expect to see a hero or a group of heroes slaughtering hordes of enemies for the pure obsession of it that they call glory, but they won't. What they will see is the tale of the medieval life told in the most simple way. A mother promising away her son to God to serve him. The obsession of power between kings. To get to know your worst enemy and respect him as a man, and to meet anguish of having to kill him on the battle field without really knowing why.

During the first half of the movie at some point the storytelling got a little over hand, which is understandable while the balancing between being informative and entertaining is a hard thing to perfect. Though, it would be a shame going to the theater to see this film waiting for the heads to start rolling to the right and to the left, missing out the whole experience of having an honest story about the medieval life being told right in front of your eyes by common people.

This is the first part of the story of Arn. Now I have my hopes up for the second movie to round up this tale as well as or better than this first part started it.

I must admit I am pleasantly surprised by this project. The scope of the story and the cinematic achievement were quite good. It's true, the story had some holes, big holes in it, but considering the time of the story it covered and the multitude of sub-plots I think they made quite a good job at it. Take into account that the story starts somewhere in rural Gothland, a kingdom before the formation of Sweden, then stretches for many years.. and distance, all the way to the Holy Land and the fall of Jerusalem. It is a story about the coming of age of a true knight, his unfortunate love story, sibling betrayal and it's consequences, military rivalry among those who should be united and an unexpected friendship with an honorable enemy. I was also pleased with some of the acting (good on the part of Joakim Nätterqvist, good enough for Sofia Helin) although I cannot understand the choice of an actress that looks much older than her characters' love interest. But the fight scenes where decent enough, the battles were made to look quite realistic, even though you can tell there probably weren't enough money for lots of extras to have. What I did not like at all was how much religion was added, but, I guess it all adds to the flavor of the times, supposedly. All in all, a movie I would recommend for anyone who likes historical films and.. Swedish cinema.

Sweden in the 1100s is the backdrop for the troubled love story between nobleman boy-turned monk-turned-knight templar Arn and neighboring girl Cecilia- before he is sent off to Jerusalem in the crusades and she into a convent- plus the rivaling royal clan struggles for power in the nation. I haven't read the bestselling books which this is based on, and knowing this is a part-saga and soon TV-series to be, I can somewhat overlook the gaps in storytelling.

What I do enjoy is a sound, intriguing (especially the scheming between the church and royal clans) and reliable medieval tale - with heavy doses of romance, monastery/convent dramatics and a little touch of "Kingdom of heaven"-battling in the end - that unfortunately never quite peaks. As a cinephile Swede, I know the country's market a bit, and notice that the filmmakers are SO focused on keeping a safe, steady course not to fail with such a big production ship like this, that they end up with no real climactic cinematic highlights to speak of. Rougher camera-work and sets might've heightened things a bit?

For that reason it's very evenly paced, never boring and quite nicely produced. But with a major flaw: Arn remains very stiff and sketchy as an adult character. We never personally get to know him (he has SO few lines!) as to really understand why Cecilia loves him.

All in all, 6 out of 10 from Ozjeppe

I'm sorry I can't think of a better title for my comments. I thought of comparing it to "Kingdom of Heaven", the film trend in Hollywood, and a bunch of other things. But the one thing that really stands out for me is that it's just a good movie.

But the film's history reminds me of a personal anecdote regarding one of my former managers early in my film career, and his effort to get a medieval epic off the ground in the late 80s regarding Robert the Bruce. Without going into too much detail he lost control of the project, and the film that eventually came out of his efforts was "Braveheart", only "Braveheart" was the market competitor that was designed to compete with my manager's film, which never got made.

So it is with "Arn the Templar" in regards to "Kingdom of Heaven", only unlike my old boss's film "Arn the Templar" got off ground, and flourished into an impressive medieval Nordic epic. There's little to criticize about this film, other than the drama itself never really hits a high point. But perhaps that's as it should be, because it seems a bit more real. There's little in the way of over dramatizing the characters, which obviously holds back a more emotional film. This in turn allows the background itself to become a character.

We're taken to medieval Europe and Outremar. The landscape is barren, harsh, and most of all for the audience, real. The north is rich when love is in bloom, but cold when violence reigns. In the wastes of Jerusalem all is hot, parched, and full of death. The desert runs with blood.

The other plus in regards to this film are the costumes. The actors are made to look of the land. Those who trudge the desert are covered in dust, dirt, and caked mud via perspiration. And the costumes look to be of the period. Unlike another film I reviewed, "1066", the armor in this film looks like armor of the period as with the rest of the costumes. Such authenticity helps offset some of the notable lack of energy in the drama. In fact this film's art direction is perhaps superior to "Kingdom of Heaven".

Why is that? Because there is no CGI in this film. SFX for this film go back to golden era Classic Hollywood; i.e. no miniatures and no CGI. Everything you see is real. Which would help explain why this film was so expensive to make for Scandinavian film makers.

Negatives, and there're a couple. There's maybe two, possibly three oddly cut sequences where the alleged 180-degree camera rule is violated, and shots are put together in an unconventional way. But it's so minor that you hardly notice it. The only other criticism I'd make is that the film feels like a Scandinavian effort to make a Hollywood film. Not that that in itself is a bad thing, after all Europes Scandinavian types are finally mining their culture and history for some quality films.

All in all I liked what I saw. In fact I liked it better than "Kingdom of Heaven" for a number of reasons. First and foremost there are no real villains as such, and therefore unlike Ridley Scott's film this movie doesn't present us with one-dimensional sociopaths as the cause of main emotional propellant for the action. That is to say we don't need individual characters to help push the geo-politics. Outremar is there, and so is Saladin's army and the political forces driving both. We know this. Nations fight. They always have. They always will. The collective mind that nations create will always vie for power. It's the story of the individuals that are caught up in the maelstrom that we're interested in. This is what Arn the Templar is all about.

So, in the end does this film deliver? I think it does, but it does lack that extra bit of emotional muscle to really push it into the classic film category. That, and it does get somewhat reminiscent of classic films in the end. Still, this is a very solid piece of commercial cinema that should entertain.

Enjoy :-)

NEW SCREENING 12/13/2010

I ordered a DVD import of the entire mini-series, and all I can say is ... my god, no wonder this thing was so expensive. The producers essentially shot an 8+ hour feature film for was supposed to be a TV series. Mini-series or no, if you spend this much time and care setting up the shots and getting all the particulars right, then is it any wonder this project cost so much?

From Arn's child hood to his eventual death, we look at his life and that of his love interest. But in a movie of the week format, not even a regular dramatic TV format, but a series that took the care and production values of a feature film, and injected them into an epic that makes the old epics pale in length. Imagine taking Coppola's "Godfather" and making a TV series out of it where every shot and prop was tended to with extra care. Well, that's what the mini series is.

Good stuff... even if I can't understand Swedish :-)

Check it out.

I must say this one surprised me, it was better than i thought it would be. Joakim Nätterqvist did an awesome performance, i've met him several times since he's my cousins ex so i know him personally and this just what he needed, might this be a new start for a career for Jocke? who knows.

To the movie now...

When title shows up and the beautiful music is being played in the background i'm getting a good felling about it. But then the narrator starts to talk and i have to say he didn't fit in any good, it was just like watching Animal planet. The narrator didn't fit in at all, in fact some people in the audience actually started to laugh, that's rare.

I've heard that some have said that this is the best Swedish movie ever made. For me that's not true, i say that Evil is the best Swedish film. But Arn is just what we in Sweden needed. For all the shitty movies that have been made this was a lift. Perhaps now Sweden will be marked on the map again in film making. Since Bergman died it has been rough for us to get attention in movie making. So i hope Arn goes internationally, due to the fact that they speak more English than Swedish.

But when i've heard from Joakim Nätterqvist that they were gonna re-cut the movie to suit a more younger audience i was a bit worried, i didn't want it to be an Astrid Lindgren movie. But it didn't turn out that way, some parts were actually pretty violent and contained some gore. I've seen worse though but that's something i would like to warn all the sensitive audience's for.

The music for the movie was perfect in my opinion, i don't know who wrote it but my hat goes of for that person.

Arn Tempelriddaren- "Turned out to be surprisingly good!" 8/10