Honeydripper

Good movie to watch on the anniversary of our involvement in Korea, and a new base opens down the road to prepare troops to be sent to the war that will apparently never end. But, this movie is worth watching for the music alone. If you like blues and early rock and roll, this is the film for you.

But, it isn't just about music. It is also about relations between Black and White in the 1950s South. There are some powerful performances by some powerful actors like Danny Glover, Charles S. Dutton, and Stacy Keach; and interesting new faces like Yaya DaCosta (Take the Lead).

A good story with an great backdrop. Maybe just a little long.

So is this guy who gets off the train and carries a guitar in fact the famous man himself? Hardly. And Sonny is advised by the fantastic and friendly blind dobro player that he is on the wrong side of town.

Let me put it this way: There's good rockin' tonight! Yes, I said rock. Five years before white people discovered rock and roll, these people were doing it and doing it quite well.

There are outstanding performances from just about everyone. Danny Glover has some scenes that I wouldn't be surprised to see as Oscar clips. Charles Dutton does his usual fine work and makes us laugh. Stacy Keach also does great work. Mary Steenburgen has a good scene as the employer of one of the black women.

Keb Mo' gives what may the best performance of all, and not just as an actor. He can play that dobro!

The musicians are very talented, particularly Gary Clark.

Even those young boys give good performances, however brief. You have to watch them again at the end, after their pretend musical instruments have improved.

It's an outstanding effort you just have to see.

The movie was enjoyable. Only complaint would be that it moved slowly, and with a two-hour length ... made it seem quite long. Reasonable plot, well composed, well acted & directed. The supporting actress for the character of China Doll had some very good moments. Tighter editing and better pacing would have made it much much better. It is not the best film in the world, but of good quality and very much worth watching - it will probably fall under the radar for Hollywood and the general populace.

The really outstanding thing was the music. While not a musical, it does stop whole-heartedly to focus on the performers and the music. Think "Black Snake Moan" but without repeated cuts/editing. Those who love blues, six-count blues and early rock-and-roll will likely enjoy the film. I intend to get the soundtrack. It apparently includes Ruth Brown's final recording, as well as work by Dr. Mable John & Keb' Mo. Newcomer Gary Clark Jr., a Texan actor and musician shows good potential. Although this performance at Chicago and New Your music festivals last year (with the "Honeydripper All-Stars" promoting the film) have larger dynamic and vitality to them. His performance of the song China Doll, which John Salyes apparently wrote/co-wrote, is on the other hand quite entertaining.

John Sayles, never one to avoid a political focus in movies, now brings us "Honeydripper". The movie is set in 1950 Alabama. The Jim Crow laws are still in effect, and black-white relations are limited to African-Americans performing only the most menial jobs: a number of people work in a cotton field for practically nothing (slavery has risen again!). Tyrone "Pinetop" Purvis (Danny Glover) owns a restaurant and often has singers come and play. Business hasn't been doing too well recently. Pinetop has worked hard his whole life and barely gotten by...but the possible arrival of a New Orleans singer might change things.

Aside from the great music, one can also see this movie as a look at the pivot era in the South. It's set during the Jim Crow era, around the start of the Korean War, just a few years away from the civil rights movement. One notices that even though this is still the age of institutionalized racism, many of the characters do what they can to try and have civil relationships with white people: Sheriff Pugh (Stacy Keach) is on pretty good terms with Pinetop, and Pinetop's wife Delilah (Lisa Gay Hamilton) manages to carry on a conversation with her employer (Mary Steenburgen). The music, of course, is really the best part. I certainly recommend this movie, as I have recommended every John Sayles movie that I've seen.

Also starring Yaya DaCosta, Charles S. Dutton, Vondie Curtis Hall, Keb' Mo', Kel Mitchell and Gary Clark Jr. I think that I saw John Sayles in a bit part.

I tuned into this one while trolling for a film and became immediately absorbed. The film interlocks several plots, as 'The Waltons' used to do -- the problem of keeping the night spot out of the hands of the criminal creditors, the issue of the unfulfilled wife (nicely mirrored by the alcoholic white woman for whom she is a servant), young love developing between the guitar player and lovely China Doll, a dispute between two cotton pickers (one a city slicker, the other a local field hand), the sheriff who, of course, is a racist but who loves un-spiced fried chicken, the inevitable tug of fundamentalist religion on the underclass of a rural town, and two waifs who end the film with a mime of the musicians they hope to be. I confess that I was stationed in southern Georgia a little after the time of this film and found my own experiences coming back vividly. It is a warm film, drawing on an ominous set of possibilities lurking behind the action, and it doesn't cheat with its interlocking happy endings. What a surprise!