The Nines

I saw it yesterday and, too much different of what I've read here, I simply saw a housewife completely slaved by the crack. Her pain and dreams are so intense that she creates another world, where she is important, famous and mother at the same time. But all of this has a high cost, each price showed in each chapter. Ryan is the crack itself: he is her best friend, her lover and her husband. When he goes away her imaginary world comes to an end: she is cured. The movie just shows us what her mind creates while she tries to get rid of the power of the drug, the crack. What does Ryan think of all this? He is God, such is the power of the drug. He created Melissa's world and He has the power to destroy it when she is cured.

I will begin with the admission that this is not a boring film. It succeeds in holding one's interest, as it might be one of the very least predictable movies I can recall. Essentially, without giving anything away, although you won't be missing much, it's divided into three vignettes. The first one acquaints us with a distressed Hollywood actor, Gary, under house arrest living in another person's house because he burned down his own. While confined, he is taken care of by both a chubby P.R. 'handler' and the sexy single mom next door, who may or may not be interested in him sexually. Over this time, Gary becomes convinced that he is being haunted by the number nine.

Then comes the next segment while we are reeling with curiosity. It follows a gay television writer, Gavin, played by Ryan Reynolds, who played Gary before, trying to get his pilot made. We raise an eyebrow when we find that the house he lives in is the house Gary later stays in. Hm. At some stage in the course of post-production, a television executive pushes for Gavin to ditch the unconventional (chubby) lead actress of his project, played by the same actress who played the PR rep before.

And then in the third act, a video game designer, again Ryan Reynolds and again a name beginning with "Ga," is lost when his car breaks down, a situation shown in Gavin's pilot. He leaves his wife and daughter with the stranded vehicle and meets a mysterious woman. By the time this act reaches its revelation, the wide-eyed look of curiosity on your face becomes an empty expression, a time void for your muscles, as the big surprise that binds these bizarre fragments and concludes. You will have been led on a wild goose chase and once you catch the goose, the filmmaker, John August, has been pandering to his own wishful fantasies of spiritual grandeur, under the oh-so-impressive guise of a film that explores the concept of simulated reality.

In any case, the film has no atmosphere, the cast surrounding Reynolds has no charisma in spite of decent deliveries, and when it's over, one only wants to forget about it. The only props I give are for its aforementioned success with its lack of probable expectations, even if it's all for the least satisfying pay-off. Imagine Sharon Stone flirting with you, playing footsie, offering you a ride home, putting her hand on your lap, then going to her place and finding that she enticed you there only to show off her collection of china patterns. On a smaller scale, that is what you will experience if you see The Nines.

I recently rewatched The Nines (2007) on Tubi. The storyline follows an actor on house arrest after a dramatic episode. His publicist helps him settle into a house and find some hobbies to keep his mind busy until his troubles blow over. Unfortunately, he becomes obsessed with the number 9, its meaning, and a neighbor next door. Will he start to lose his mind again, or can his publicist help him keep his sanity?

This film, written and directed by John August in his directorial debut, and stars Ryan Reynolds (Deadpool), Melissa McCarthy (The Heat), Hope Davis (American Splendor), Elle Fanning (Super 8), and Octavia Spencer (Hidden Figures).

The Nines features a great cast, an interesting premise, and just enough content to keep you intrigued about where the story goes. The science fiction elements are smart, the child storyline subplot is interesting, and there is also a unique love story. The acting is solid, although Melissa McCarthy's character is intentionally a bit annoying. The film concludes with a nice twist ending.

In conclusion, The Nines is an average movie overall, but its unique elements make this thriller worth a viewing. I would score it a 5.5/10 and recommend seeing it once with the appropriate expectations.

The film is divided in to three acts: "The Prisoner" tells of a troubled actor, Gary, under house arrest living in another person's house because he burned down his own. While living in the house he is befriended by both a P.R. 'handler', Margaret, and the single mom next door, Sarah, who may or may not be interested in him romantically. Over the course of his house arrest, Gary becomes convinced that he is being haunted by the number nine.

"Reality Television" tells of a television writer, Gavin, trying to get his pilot made. The house he lives in is the house Gary later stays in. During the process of post production and the 'upfronts', a television executive, Susan, pushes for Gary to ditch the unconventional lead actress of his project, Melissa. This segment was somewhat inspired by writer/director John August's own experiences in the television industry.

"Knowing" tells of an acclaimed video game designer, Gabriel, who is lost when his car breaks down, a situation shown in Gavin's pilot. Gabriel leaves his wife and daughter with the stranded vehicle and meets up with Sierra, a mysterious woman.

"The Nines" is a film definitely worth watching, just for the weirdness of it and how thought-provoking and unlike any film you've ever seen. It's in the vein of, let's say, "Being John Malkovich" and "Eternal Sunshine of the Spotless Mind." This is the film where you won't stop thinking about it and that you'll talk about it with the people who have seen it.

It's not a film that you'll forget after the credits start rolling. Now that you get the point, it's time to talk about the movie. Even so, it's hard to describe this movie in words. When you ask people if this movie is good or not, they'll either like it or not, but it's hard to explain their reason and it's hard to explain why I love this.

The performance by the three main characters from the three stories, Ryan Reynolds, Melissa McCarthy, and Hope Davis, were all fantastic, having themselves to change their personality so much. It's pretty amazing. But of course, the movie will arise more questions than answering them. It's like "Donnie Darko," per se. This should be a cult hit, even though it isn't right now.

This is a really weird film and it's hard to explain anything, as you can tell. All I can say is watch it because the way the stories are told, the thought put into all of this, and the strong performances are already some reasons to watch it.

I wrote this without reading any of the other reviews, mostly cos i didn't want them to influence my own, and partly cos i'm lazy. This was a very interesting film that left some to the imagination and a lot to interpretation (but not too much).

The film consists of 3 stories: the first about a house-arrested destructive TV star, the second a TV show writer with a new show in the works and the third a computer game creator stuck in the woods with his family. All three are played expertly by Ryan Reynolds. He is supported by two women, Hope Davis and Melissa McCarthy, who are also very good at enforcing the bizarre yet irresistible vision of John August, who has a good track record of writing screenplays, most notably with Tim Burton (it's worth ignoring the Charlie's Angels jobs though). The three leads play different parts in each. That alone should prepare you for the world he has created in The Nines.

It is difficult to talk of the story without giving too much away, John August has found a great concept and worked it brilliantly into a interpretable screenplay and image. The world he has created seems very real, with characters that operate in abnormal situations, but ones in which i think we all can relate, given our excessive access to reality TV and celebrity.

The direction is good, you know from the very start that the green woollen wristband holds significance, and the witty, experienced, inflective screen writing is a joy (though at times August gives a little more away than is necessary).

The film is a fantasy and the nines are a mystery, both collaborating in a way that captures the imagination. The three stories intersect and overlap with themes that confuse and inspire, which will leave many audiences pondering for awhile. But it is not as confusing as it may appear as the plot unfolds fairly intricately to those paying attention. All of the stories hold explanations, and the last explains it all.

I saw this with a friend who i wasn't expecting to enjoy it, but surprisingly they did. I giggled, guffawed and gasped, while we exchanged plot ideas and interpretations, throughout. Sometimes it became a little dry, but on the whole this a very well thought out drama mystery thriller with an excellent philosophy.