The Last Sin Eater

2007
PG-13
1h 57m

IMDb RATING

5.6/10

YOUR RATING

Home Video Trailer from 20th Century Fox Home Entertainment

Play trailer1:26

2 Videos

21 Photos

Drama

In seeking her own redemption from the man of whom she is most afraid, ten-year-old Cadi Forbes discovers a secret sin haunting her community of Welsh immigrants in 1850s Appalachia.In seeking her own redemption from the man of whom she is most afraid, ten-year-old Cadi Forbes discovers a secret sin haunting her community of Welsh immigrants in 1850s Appalachia.In seeking her own redemption from the man of whom she is most afraid, ten-year-old Cadi Forbes discovers a secret sin haunting her community of Welsh immigrants in 1850s Appalachia.

See production info at IMDbPro

IMDb RATING

5.6/10

YOUR RATING

See production info at IMDbPro

Awards
- 1 win total

Videos2

Photos20

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Storyline

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Did you know

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Trivia
Liana Liberato's debut.

Goofs
Contrary to what is shown with the immigrant Welsh as superstitious pagans, the Welsh of the early 1800s had a strong Christian background, with the Church of England and an early Methodist movement being the most common denominations. Christianity, the bible, and Jesus would have been well known to anyone from Wales.

Soundtracks
The Last Sin Eater
Composed by Mark McKenzie
Released by WORD Records

User reviews33

Featured review

8/10

Small but excellent

First off the budget is small so be kind. Its a pretty solid story although it probably could have been fleshed out and feels a little disjointed in places. It is still a solid film and an excellent addition for fans of Christian films, unlike many Christian films it does not whitewash its message.

The best part of the film is the performance of Peter Wingfield as the Sin Eater. While he is almost a minor character as far as screen time his performance makes the film. His voice is so sorrowful in his scenes (he is hidden for the majority of the movie) that you could just sob for him. His pathos is spot on. He is not overly dramatic but succeeds in selling the believability of the film.