IMDb RATING
6.0/10
6.8K
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The near future. Like tomorrow. In a world marked by closed borders, corporate warriors, and a global computer network, three strangers risk their lives to connect, break through the barrier... Read allThe near future. Like tomorrow. In a world marked by closed borders, corporate warriors, and a global computer network, three strangers risk their lives to connect, break through the barriers of technology, and unseal their fates.The near future. Like tomorrow. In a world marked by closed borders, corporate warriors, and a global computer network, three strangers risk their lives to connect, break through the barriers of technology, and unseal their fates.
- Awards
- 6 wins & 8 nominations total
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Well, the above reviewer beat me to my warning: If you are some god forsaken film student, or "Hollywood" film buff, you will hate this film. The structure is open and allows for a great deal on viewer interpretation that most US film goers hate, and even fear. But I love, I love the director giving me images and direction, and then letting fill in some inferences and this not clearly delineated.
The film makes excellent cinematic use of cultural and social cyphers, and (I hate to say this almost for fear of "tainting" it; a slight magical realism to cast a wide net of meaning, not to tell some stupid plot arc formula. It is a brilliant, exciting, deeply satisfying movie (finally some one is talking abt these issues cinematically, and making a great movie), and I even found it fun. A well crafted daring film.
The film makes excellent cinematic use of cultural and social cyphers, and (I hate to say this almost for fear of "tainting" it; a slight magical realism to cast a wide net of meaning, not to tell some stupid plot arc formula. It is a brilliant, exciting, deeply satisfying movie (finally some one is talking abt these issues cinematically, and making a great movie), and I even found it fun. A well crafted daring film.
Science fiction as a genre exposes two things about a culture: our hopes for the future, and our fears for the future. What foreign science fiction does for us then is tap directly into the hopes and fears of a culture that is alien to us.
The story of Memo mixes the Mexican condition with a cautious approach to an exciting technology. While "nodes" allow people to directly connect their brains to an Internet of sorts, "sleep dealers" construct cheap, unsafe sweatshops where noders can perform dirt-cheap labor for developed nations, without leaving home.
There are plenty of eye-opening layers of apprehension for the future that are taken straight from the Mexican psyche: the construction of the authoritarian Del Rio Dam in Memo's village echoes the ongoing "water rights" controversies throughout Central America; the closed border with America echoes isolationist fears; the ability of an American corporation to send warships into Mexican villages not only with impugnity but complete openness echoes fears of American corporate-driven hegemony.
Flag-wrapped Americans will deride this movie as Anti-American at worst; cultural ignorance at best. But it is a different sort of cultural ignorance that remains ignorant of the sentiments illustrated in this well-done foreign film.
The story of Memo mixes the Mexican condition with a cautious approach to an exciting technology. While "nodes" allow people to directly connect their brains to an Internet of sorts, "sleep dealers" construct cheap, unsafe sweatshops where noders can perform dirt-cheap labor for developed nations, without leaving home.
There are plenty of eye-opening layers of apprehension for the future that are taken straight from the Mexican psyche: the construction of the authoritarian Del Rio Dam in Memo's village echoes the ongoing "water rights" controversies throughout Central America; the closed border with America echoes isolationist fears; the ability of an American corporation to send warships into Mexican villages not only with impugnity but complete openness echoes fears of American corporate-driven hegemony.
Flag-wrapped Americans will deride this movie as Anti-American at worst; cultural ignorance at best. But it is a different sort of cultural ignorance that remains ignorant of the sentiments illustrated in this well-done foreign film.
This is one of those movies that you watch and slowly "connect" to its reality. Many people disliked that. It was either to slow compared to most of the movies today or too intense an experience to people that don't like the feeling of immersion into something else. However, from what I am sitting, it was a great movie.
First of all, one must take a step back from the usual reviewer practice and take into account that all the actors in the movie are Mexican and so is the writer/director. I don't know what budget the movie had, but it was well done in acting, atmosphere, plot, details and special effects. Winning the Sundance festival (and not being about crazy people) should also count in its favor.
Second of all, I really enjoyed the movie. It has the feel of films like Blade Runner, only it hits really closer to home. Luis Fernando Peña was a real good choice for the main role, even if it wasn't a very challenging one. As in many good movies, the main character was the idea, the plot, and the actors were just slipping into their niche.
Bottom line: this is a sci-fi movie that needs to be seen. Whatever faults it has, they are far surpassed by its qualities. The social message is just as important as the vision of a future where we can have whatever we wish for, only that we wished wrong. See it. It is worth it.
First of all, one must take a step back from the usual reviewer practice and take into account that all the actors in the movie are Mexican and so is the writer/director. I don't know what budget the movie had, but it was well done in acting, atmosphere, plot, details and special effects. Winning the Sundance festival (and not being about crazy people) should also count in its favor.
Second of all, I really enjoyed the movie. It has the feel of films like Blade Runner, only it hits really closer to home. Luis Fernando Peña was a real good choice for the main role, even if it wasn't a very challenging one. As in many good movies, the main character was the idea, the plot, and the actors were just slipping into their niche.
Bottom line: this is a sci-fi movie that needs to be seen. Whatever faults it has, they are far surpassed by its qualities. The social message is just as important as the vision of a future where we can have whatever we wish for, only that we wished wrong. See it. It is worth it.
In the US we are inured to dealing with corporate service centers with call takers that speak barely understandable English. This form of remote cross border servicing is one of the characteristics of globalization of work made possible by the internet. What this film does is imagine the next logical step: the similar globalization of manual labor. By means of robotics and the WWW, the film depicts a world where robotic drones in the US do all kind of menial and dangerous work while the brains that control the drones sit or stand in a third world country. It's the ultimate dreamworld for the US of A: work without the annoyance of immigrants.
While the near-reality sci-fi concept is clever, the film itself screens as an Hollywood B-movie. The acting and plot development styles will be familiar to the popcorn-eating crowd that populates the local shopping mall multiplex. The special effects are not that impressive (not surprising considering a 2.5 million dollar budget). There is a dated Star Wars bit with planes shooting at each other while flying through a canyon. It's tiresome if you don't dig this kind of infantile action scenes.
On the positive side, the film is peppered with clever manipulation of language, satirical takes on American impressions of foreigners, jabs at the excesses of capitalism, and inspired blending of present and future. The "coyotes" of today have been replaced by "coyoteks" who will, for a fee, pierce your skin with the appropriate hardware plugs (called nodes) that will enable you to directly connect your body to the internet and to vie for a job at a cyber "maquiladora". If you get such a job, you will send some of your salary to poor relatives back home in the countryside. Money transfers have been simplified, but there are so many fees and surcharges (think of your cell phone bill) that one third of the principal is pilfered by corporations and the government.
You can read more about this subject of remote work at the faux website www.cybracero.com (read cyber plus "bracero"). Check it.
On the net, users have gone beyond sharing personal data. Now they upload memories (yes, sucked out of one's brain) to the TruNode central database and sell them to interested readers. While plugged in -- literally -- TruNode will even sense if you are lying. More interesting or juicy memories, more money. It's the hyper-commercialization and surrender of the human soul.
The ultimate target is the privatization of water. Alas a sad development currently in progress. In good Hollywood fashion, a successful attack is gathered against that idea. The dream of revolt is not dead. Cyber poor of the world, rise up!
While the near-reality sci-fi concept is clever, the film itself screens as an Hollywood B-movie. The acting and plot development styles will be familiar to the popcorn-eating crowd that populates the local shopping mall multiplex. The special effects are not that impressive (not surprising considering a 2.5 million dollar budget). There is a dated Star Wars bit with planes shooting at each other while flying through a canyon. It's tiresome if you don't dig this kind of infantile action scenes.
On the positive side, the film is peppered with clever manipulation of language, satirical takes on American impressions of foreigners, jabs at the excesses of capitalism, and inspired blending of present and future. The "coyotes" of today have been replaced by "coyoteks" who will, for a fee, pierce your skin with the appropriate hardware plugs (called nodes) that will enable you to directly connect your body to the internet and to vie for a job at a cyber "maquiladora". If you get such a job, you will send some of your salary to poor relatives back home in the countryside. Money transfers have been simplified, but there are so many fees and surcharges (think of your cell phone bill) that one third of the principal is pilfered by corporations and the government.
You can read more about this subject of remote work at the faux website www.cybracero.com (read cyber plus "bracero"). Check it.
On the net, users have gone beyond sharing personal data. Now they upload memories (yes, sucked out of one's brain) to the TruNode central database and sell them to interested readers. While plugged in -- literally -- TruNode will even sense if you are lying. More interesting or juicy memories, more money. It's the hyper-commercialization and surrender of the human soul.
The ultimate target is the privatization of water. Alas a sad development currently in progress. In good Hollywood fashion, a successful attack is gathered against that idea. The dream of revolt is not dead. Cyber poor of the world, rise up!
Sleep Dealer takes place in tijuana,Mexico, in a not so distant future.The world is heavily militarized, the boarders are closed and there's a global computer network to which people connect(trough nodes in their skin) that makes several kind of experiences possible like upload of memories and cyber labor.When Memo, a young man, accidentally gets his father killed; he decides to go to the city and look for a job. Soon he decides to get nodes implanted...Sleep Dealer is a very legitimate take on the future by the director Alex Rivera and at the same time it deals with some interesting issues like globalization,immigration and the coexistence of humans and technology.Obviously since this is a low-budget movie, the special effects are not impressive and a bit dated but that shouldn't keep you from enjoying this flick.The acting is average, what is truly great here is the premise,the inspiration behind all of it and the very smart concept of the movie. With a big budget and more resources this movie could had been truly amazing. Having said that, if you're a fan of sci-fi movies this is definitely a must-see.
7/10
7/10
Did you know
- TriviaWilhelm Scream - When man falls off of horse in the first sequence where Memo is watching TV (after "Are Your Nodes Dirty?")
- GoofsWhen Memo, at work operating the robot, helps the worker next to him who collapses, he is not wearing the contact lenses that he needs to operate the robot. (He did not have time to take them out.)
- ConnectionsReferenced in Film Junk Podcast: Episode 238: Zombieland (2009)
- How long is Sleep Dealer?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Торговець сном
- Filming locations
- Metepec, Mexico(location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $2,500,000 (estimated)
- Gross US & Canada
- $80,136
- Opening weekend US & Canada
- $35,050
- Apr 19, 2009
- Gross worldwide
- $107,559
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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