You Kill Me

This little dark comedy is made a real treat by the professional, understated acting by all of its stars and direction that has produced pure entertainment rather than a silly mess.

The plot of the film couldn't be any more far-fetched. Frank Falenczyk, a hit man for a low-level crime family in Albany, New York, is not performing well because he has an alcohol problem. He is sent to kill the boss of a crime group who is muscling in on the territory. Instead of doing his job, he passes out from drink in his car while waiting. What follows is probably the weirdest family intervention scene ever filmed in which Frank's boss and other members of the crime family tell him that he must go to San Francisco to seek rehabilitation.

Frank is packed off to San Francisco, but it is clear his heart is not into the rehabilitation idea for his first two purchases are a gun and a bottle of vodka. He goes to an AA meeting and views the whole process with disdain. After leaving the meeting early, he is approached by Dave the realtor who arranged for Frank's apartment and a job as an undertaker's assistant. Dave has some sort of connection with Albany, and Frank is told in no uncertain terms that this is his last chance. Dave assures Frank that he will be reporting regularly to the head of the crime family back East.

With no other choice, Frank starts going to the meetings where he meets Tom. Tom is a gay toll booth attendant at the Golden Gate Bridge who is wise to the ways of AA. One of the elements that impressed me about the script of this film is how Tom's character is handled. Yes, he is gay, but there is no gay angst associated with his character, and there no Gay Tom subplot. Tom is just a normal guy who just happens to be gay - a refreshing change to the way most gay characters are dealt with in films.

Laurel shows up at the funeral parlor with a pair of bowling shoes for her dead stepfather, and Frank is immediately attracted as it is clear that she is no shrinking violet when it comes to the harsher realities of life. They begin dating.

Putting all of these elements together could have easily produced an over-the-top mess of absurdity, but You Kill Me is not. Instead - as alluded to regarding the character of Tom - it is a perfect blend of excellent acting and subtle direction that produces unadulterated entertainment.

The cast is headed by Ben Kingsley playing Frank, and Kingsley gives us a man we can believe can murder in cold blood, yet possess the weaknesses of a man addicted to alcohol and smitten by a sassy woman.

As for that sassy woman, Téa Leoni is perfect in the part. Her voice and facial expressions convey worlds of irony mixed with amazement when it comes to her character's relationship with a killer.

Luke Wilson gives a wonderfully understated performance as Tom. Dave is played to his quirky best by Bill Pullman, and the respective leaders of the "good" and "bad" crime families are given credible umph by Philip Baker Hall and Dennis Farina.

Add numerous other distinctive character types revolving around these main characters and tons of incredibly witty lines delivered by Frank and his friends, and you have an extremely entertaining - although very dark - comedy.

You Kill Me is a cute entertainment. John Dahl, whose atmospheric noir thrillers Kill Me Again, Unforgettable and The Last Seduction fascinated me with their coziness and whose Rounders absorbs me to watch it repeatedly and never grow tired of it, directs a film that, despite not bearing the familiar climate his other films have, still has that tucked up warmth that they all have, even his lesser ones like Red Rock West.

This movie has a very dry sense of humor that works even when it isn't a punchline, which makes it consistent. For instance, Ben Kingsley, a Polish hit man who is sent to an AA in San Francisco, nonchalantly and laconically tells the group that he is a hired killer and that his goal is to overcome his drinking problem so he can return to being a competent murderer. The group, as dry and morbidly apathetic as he is, simply applaud him and welcome him with support, which very much taps into my own personal sense of black humor.

Dahl's early noirs always had a similar sense of humor that never detracted from their darkness or their moodiness or their seamless noir home video or late-night movie-going feel. However, You Kill Me is a straight comedy yet it has the same degree of black tongue-in-cheekness, thus it isn't a gem like the others. You Kill Me is a light amusement that one enjoys and passes. Dahl's direction is tight and laid back and the story is very preoccupying.

There's a sleepiness to this movie. The cast is very secure and likable, especially Kingsley and Dennis Farina, who returns to the gangster comedy like a highly anticipated guest at a reunion. Even before the gorgeous San Francisco locale, the Buffalo, NY bookends are very gladdening and infused well. We don't often get movies that showcase organized crime in smaller cities, much less the scant Polish mob. You Kill Me is not electric. It's a movie to watch curled up in bed at night or in the morning to get lost in. And it's done by one of the best craftsmen of that plain-and-simple family of cinema.

When my mom and I were at Blockbuster the other day, I noticed You Kill Me, I kinda remember it being released in the theater and hearing a good review from a friend of mine. So I rented it and watched it the other night, I didn't know what to expect, I didn't even really know what it was about. Now, we have such a trend in Hollywood, the hit-man comedies, there are quite a few, why not? Something so serious and scary, you can't help but just have fun with it. But for the most part, it's starting to get old and some movies are just trying to upstage the classics like The Whole Nine Yards and such, so You Kill Me is just nothing new, so it doesn't stand out. While it's worth the watch, it has some fun moments here and there, it's just that I expected something new or fresh, and the funny drunk hit-man isn't working for me.

Frank is a hit man for his "family business", but when he sleeps right through the biggest hit, due to his drinking, he's messing up left and right, so his boss tells him get sober or get killed. So they send him to rehab away from home. There he gets a new job as a make up artist for corpses at a funeral home. He meets a new friend at rehab, Tom, who is Frank's sponsor as well. He also meets a new girl, Laurel, who becomes the unexpected love of his life, and helps him out with the biggest hit of his life.

You Kill Me isn't a bad movie by any means, it is worth the look, but just trust me, it's nothing special. But both Kingsley and Leoni pull in good and solid performances that make the film worth watching. I don't know if their kissing exactly "sizzled" the screen, but it's all good, their last scenes together during the big hit were great and really pulled off well. So if you have the opportunity to see it, go ahead and watch it, it's a decent enough film with some fun laughs and good actors.

6/10

Quite uneven and rather heavy treatment of some topics meant to be amusing, but still, a pleasant change of pace from slasher or crasher movies. Kingsley is a drunken mobster somewhat unconvincingly told to attend AA by his godfather or boss or whatever.

In the end, this is the sort of pleasing yet non-filling confection of a movie which is suitable for couple to go to without compromise - or perhaps it's the perfect compromise.

It has enough guys running around with firearms to suit the men. It has Tea Leoni as a strange beautiful woman so there's some romance for the women. It has Ben Kingsley who looks 40 years older than Leoni involved in a romance with her which should satisfy something in most people, even if I'm unsure what.

Like most movies today, this one demands a huge suspension of disbelief not only about the gangster snow plow wars of Buffalo, but why Chinese want in on a piece of that action, how mobsters care for each other and if some homely old grunt can really get and hold a very hot Hollywood star girl.

Still, I'll take it over the current clash or crash offerings.

Hollywood loves assassins. You can't go more than a few weeks without a new hit-man movie hitting (sorry) the multiplexes. Hell, later this year, there's a movie coming out literally called "Hitman".

The new trend seems to be putting comedic twists on the assassin film. I guess we can thank Tarantino for that. Within the past few years, stuff like "Mr.& Mrs. Smith", "The Whole Nine Yards", "The Matador", "Grosse Pointe Blank", and "Lucky Number Slevin" gave us clever little plays on the assassin genre. If you're at all familiar with those films, you'll feel right at home with "You Kill Me".

Ben Kingsley plays Frank Falenczyk, a hit-man for the Polish Mob out of Buffalo, New York. Frank's an alcoholic, and recently it's been affecting his work. As a result, his superiors send him to San Francisco to attend Alcoholics Anonymous until he can sober up.

The movie doesn't win any points for originality, but it does have a lot to offer. Kingsley puts on a capable, sympathetic show - pretty impressive for a guy who spends the majority of the film getting hammered. Téa Leoni does well enough as the obligatory love interest. The age difference took a little getting used to. Dennis Farina and Philip Baker Hall are a treat to watch playing essentially the same roles they've been playing forever. Hall is the soft spoken head of the Polish Mob Family, while Farina is the loudmouth villain heading up the Italians. Bill Pullman also has a small role as a sleazy real estate agent. Anyone who's seen "Lucky Numbers" knows that Pullman has a talent for quirky lowlifes, and he shines here.

This is a very light movie. It won't blow you away in any regards, but it is a solid 90 minutes of easy entertainment. The script is essentially Frank's struggle to fight his habit. We also get a light love story and a touch of crime thriller. It's a strange juggling act, but Kingsley and director John Dahl pull it off. Don't get discouraged by the bland name. With just enough laughs, drama, and action – this is a small movie than just about anybody can have fun with.