Canvas

I had great expectations before seeing this movie, and it fell far short of those expectations. I think the acting and cinematography were well done, and I liked the music, but the story didn't convince me of the actual anxiety and angst people in these situations feel. The father has less time and energy to work and mounting medical bills, yet he has money for supplies to build a boat and the time and energy to build it? I would also expect to see a little more anger on the father's part, but I guess Joe Pantoliano is such a nice guy, we couldn't expect him to be angry.

The movie was okay. When I see these glowing reviews, however, I wonder if I was watching the same movie. It came across to me like a Hallmark movie or one of those after-school specials they used to show on TV in the '80s. I live in a family struggling with mental illness, and I like to feel hope, but not false, sailing-into-the-sunset hope.

Canvas, based on the life of first-time writer-director Joseph Greco, is a film so powerful it should be required viewing in schools and universities around the world. Rarely has the issue of mental illness been so realistically tackled on the screen. The subject was touched upon in such recent classics as Girl, Interrupted and A Beautiful Mind, but Canvas takes a stance of advocacy that is so startlingly refreshing that it will bring shivers up your spine.

Marcia Gay Harden plays mother and wife Mary Marino, afflicted with paranoid schizophrenia. Her husband John, played brilliantly by veteran Joe Pantoliano, is the glue that keeps the family from crumbling during Mary's frequent breakdowns and hospitalizations. Caught in the middle of it all is young Chris Marino, played by the adorably talented Devon Gearhart. The 11 year-old boy is firsthand witness to the ultimate frustration inflicted on a family by mental illness. Confused yet resilient, Chris takes up the unusual hobby his mother handed down to him -- sewing. After some practice, he is the talk of the school for creating unique garments (fetching $40 per shirt, to boot). A Gucci book, given as a birthday gift from a friend, cemented his interest in the craft.

Meanwhile, during her many hospitalizations, John feverishly constructs a wooden sailboat for Mary. He takes an extended leave of absence from his day job to work on his project and is reported to the building inspector by a nosy neighbor. And as if having sewing as a hobby wasn't enough, young Chris is bullied for his mother's "craziness" as well as for his father's sailboat obsession. As confused as his life is, Chris carries himself with pride. He is a survivor.

The emotional core of this film is so profound that it is destined to change minds and lead to more mental health advocacy. Kudos to Joseph Greco for bringing this serious but still taboo issue to the forefront of cinema. He is a true champion of social good. And bravo to Marcia Gay Harden, Joe Pantoliano, and star on the horizon Devon Gearhart for their heartfelt performances.

This film is really one of the few which touches deep in your heart. Each of the characters have rightly justified their roles. The husband the Kid and the mother. I really appreciate the work of the kid in this film. As I don't know much about the actors and directors but I would really like to say that they have done a really great job.

The films revolves around a family which has a Mother who is mentally ill, the father who is a carpenter and their son who really copes up with everyone the neighbours, his friends and mainly with his mom.

Even though he is sacred of his mom sometimes. Because she might embarrass him in-front of his friends.

I would recommend this film to everyone who likes serious films.

Thats all folks.... Watch it.....

CANVAS should get at least a couple Academy Award nominations. Don't wait for it to come out in DVD.

Inspired by the true story of director Joe Greco's family) the film will touch audiences even more than A BEAUTIFUL MIND, because it's about an ordinary family confronting schizophrenia, rather than a Nobel Prize-winning mathematician. People identify with it--in part because it's not simply about mental illness. It is dramatic, heart-breaking, frightening at times, but also heart-warming, with moments of humor and a bottom-line message of hope. As a small, independent film, CANVAS probably is the LITTLE MISS SUNSHINE of 2007. Sailing, oil painting, and a light house provide key metaphors. Some angles of special interest:

•Award winner Marcia Gay Harden plays Mary Marino, the mother, who becomes ill with schizophrenia. It's a difficult role for any actor to play. I want to hear her talk about it when she accepts her Oscar (it will be her second).

•Emmy winner Joe Pantoliano delivers a powerful, sensitive performance that is a dramatic contrast to the tough guy, wise guy, bad guy roles he played in "The Sopranos" and movies like RISKY BUSINESS and the MATRIX. Play the role personally affected him--he told a NAMI audience this summer that he now realizes that his mother probably suffered from undiagnosed, untreated, mental illness that shaped his own turbulent childhood. He's a sweetheart in the movie, much like he is in real life (surprise).

•10-year old Devon Gearhart plays the son, Chris Marino, whose coming of age comes early. Here's an interesting fact. When he was six, he appeared with Ray Charles, teaching him to play "Chopsticks," in a television commercial for the Georgia State Lottery (He's from Atlanta). He practically stole the show during the NAMI questions and answers.

If you come from a family in which there's a history of schizophrenia, take a few uninitiated friends to see it--or send them DVDs as gifts once they go on sale. CANVAS is the real deal, without stereotypes or gloom and doom. It's educational, but most of all, it's dramatic entertainment.

A very touching, low-key drama dealing with the instability of mental illness inside a southern Floridian families household. As viewed through the saddened lens of this up and coming, very good child actor Devon Gearhart, Canvas tries hard to pull at our heartstrings and often succeeds, especially in the first half of this family odyssey. What cooled the film down a bit for me however was a sappy conclusion, leaving viewers with a pleasant enough aftertaste but ultimately betraying some of the honesty and raw emotion portrayed in the first two acts.

Even as the nuanced performances of Joe Pantoliano and Marcia Gay Harden as the struggling couple dig deep into our hearts, writer-director Joseph Greco chooses to go the safe route when wrapping up his small, mildly powerful family film. Although the final twenty minutes or so were somewhat disappointing for it's matter-of-fact, afternoon school special triumph in the face of uncertainty, the movie is undoubtedly emotionally strong in spots, producing quite a few profoundly poignant, tear-jerking moments that will have many running for the hankies.