Heartbreak Hotel

This is simply awful. A load of sloppy dildo-humor and incoherent lines of dialog. The movie lacks definite focus to a point where you wonder if the film ever had a script, the ending is by far the most idiotic resolution I have ever seen. Stay away, or you might have nightmares; this movie is simply the definition of a "failed comedy" film... The acting is decent and the directing is OK, but this does not save it from being extremely painful to watch, I would rather burn alive than see this piece of crap again. The obvious targeted costumer here is a middle aged Swedish old lady who thinks movie like "Shindlers list" and "The Godfather" is too serious and violent. Conclusion: Swedish films generally suck. I know, I'm a swede.

In Stockholm, the gynecologist Elisabeth "Lisa" Staf (Helena Bergström) receives a ticket from the car-park attendant Gudrun Nyman (Maria Lundqvist) when she parks her car in a forbidden place. Lisa justifies telling that she is going to the wedding of her son and she is late; however Gudrun does not accept the excuse and they offend each other. In the dinner party, Elisabeth's husband tells to the guests that they are divorcing.

Gudrun is a shy widow that stays at home, and her daughter Liselotte (Erica Braun) convinces her to go to her gynecologist; surprisingly she is Lisa and they become friends. Lisa is independent and likes to dance and the nightlife, and she convinces Gudrun to go out with her to the Heartbreak Hotel to drink and dance. When Gudrun meets her former husband Åke Nyman (Claes Månsson), the relationship between the two women is affected.

"Heartbreak Hotel" is a silly but entertaining Swedish comedy about the friendship of two forty and something year-old women with different temperaments. The plot is a kind of combination between "Sex and the City" with "Thelma & Louise" and the result is a pleasant comedy. My vote is six.

Title (Brazil): "A Vida Começa aos 40" ("The Life Begins at 40")

The premise is a Thelma and Louise style film about friendship between mature, but different women. We need films like that, but this one hasn't got the depth (even though it tries with a serious piano score and all). It treats heavy themes like divorce very lightly, but doesn't go fully into lighthearted comedy either. There's too much conflict and shouting for that. A conflict between a mother and her supportive daughter arise out of nowhere and gets resolved out of the blue later on. The writer shows little insight in why the characters behave the way they do.

The plot doesn't have any strong direction or development, it just meanders and throws in a couple of surprises. The film would have been etter as a full-fledged comedy like Smala Sussie. (It treads the waters, so why not dive all in?)

I'm a 29 years male but still found this movie one of the better ones I've seen lately. I must say I'm really surprised. It touches your heart and u really feel joy and pain with these two people like I very rarely feel watching movies. Seldom have I laughed so much in a movie without jokes. U can tell its a director that knows what hes doing. So even though older women will get the most out of this movie, don't think for a moment the rest of us cant enjoy it.

So don't be afraid to say, hey guys, lets go and watch Heartbreak Hotel! And any1 with a mother, buy a ticket as a present and get her to the movies right this moment!

Colin Nutley is back with a film that finds a big audience. I think maybe it's his best film since his big success Änglagård. Many (divorced) middle-age women will surely love the film. Anyway they did in the audience I watched the film in.

Marie Lundqvist is as usual a magnificent actor. She can act any feeling in a very convincing way and her appearance makes you somewhat forget the obvious weaknesses in the script. On the whole the acting is god and the scenes seems to be improvised in usual Colin Nutley - manner. This makes most scenes very authentic if often surrealistic.

The film makes you laugh at a lot of funny and embarrassing situations, but offers little but confusion about how to handle your life likewise with the people in the film. It's just quite good entertainment for the moment. Women and sisterhood is at the center of the film. Men don't get much credit and Nutley also takes the opportunity to make a friendly? attack on the film icon Ingmar Bergman.