Duane Earl Poole, a writer and producer for Aaron Spelling, Hanna-Barbera and Sid & Marty Krofft whose credits include Hart To Hart, The Love Boat, The Smurfs and Electra Woman and Dyna Girl, died of cancer on April 1 in Studio City, California. He was 74.
His death was announced by his husband, Frank V. Bonventre.
Born in Prescott, Arizona, Poole was raised in Kennewick, Washington, Poole began working for King World Productions in Seattle after graduating from the University of Washington. He relocated to Los Angeles in 1975 to work for Hanna-Barbera, and soon became a prolific writer of such Saturday morning cartoon fare as The Great Grape Ape, Scooby’s Laff-a-Lympics, The All-New Super Friends Hour and The Smurfs, among others.
Poole also wrote for Sid and Marty Krofft, whose bizarre, colorful live-action shows rivaled Hanna-Barbera in Saturday morning popularity. Far Out Space Nuts, Electra Woman and Dyna Girl, The Krofft Supershow and...
His death was announced by his husband, Frank V. Bonventre.
Born in Prescott, Arizona, Poole was raised in Kennewick, Washington, Poole began working for King World Productions in Seattle after graduating from the University of Washington. He relocated to Los Angeles in 1975 to work for Hanna-Barbera, and soon became a prolific writer of such Saturday morning cartoon fare as The Great Grape Ape, Scooby’s Laff-a-Lympics, The All-New Super Friends Hour and The Smurfs, among others.
Poole also wrote for Sid and Marty Krofft, whose bizarre, colorful live-action shows rivaled Hanna-Barbera in Saturday morning popularity. Far Out Space Nuts, Electra Woman and Dyna Girl, The Krofft Supershow and...
- 4/21/2023
- by Greg Evans
- Deadline Film + TV
DVD Playhouse: May 2011
By
Allen Gardner
Blow Out (Criterion) Brian De Palma’s greatest Hitchcock homage, with a dash of Antonioni thrown in for good measure. John Travolta gives one of his best turns as a sound-effects engineer who unwittingly records a political assassination, then finds himself hunted by a ruthless hitman (John Lithgow, a memorably creepy psycho) after saving the life of the kindly, albeit dim-witted call girl (Nancy Allen, excellent) who was with the deceased. Terrific blend of suspense and very black humor, perhaps De Palma’s finest hour as an auteur. Beautifully shot by Vilmos Zsigmond. Also available on Blu-ray disc. Bonuses: Interviews with De Palma, Allen, cameraman Garrett Brown; Photo gallery; De Palma’s 1967 feature Murder a la Mod; Trailer. Widescreen. Dolby and DTS-hd 2.0 surround.
Kes (Criterion) Ken Loach’s landmark 1970 film is both a heart-rending portrait of adolescence, and a pointed socio-political commentary on life in the North of England.
By
Allen Gardner
Blow Out (Criterion) Brian De Palma’s greatest Hitchcock homage, with a dash of Antonioni thrown in for good measure. John Travolta gives one of his best turns as a sound-effects engineer who unwittingly records a political assassination, then finds himself hunted by a ruthless hitman (John Lithgow, a memorably creepy psycho) after saving the life of the kindly, albeit dim-witted call girl (Nancy Allen, excellent) who was with the deceased. Terrific blend of suspense and very black humor, perhaps De Palma’s finest hour as an auteur. Beautifully shot by Vilmos Zsigmond. Also available on Blu-ray disc. Bonuses: Interviews with De Palma, Allen, cameraman Garrett Brown; Photo gallery; De Palma’s 1967 feature Murder a la Mod; Trailer. Widescreen. Dolby and DTS-hd 2.0 surround.
Kes (Criterion) Ken Loach’s landmark 1970 film is both a heart-rending portrait of adolescence, and a pointed socio-political commentary on life in the North of England.
- 5/9/2011
- by The Hollywood Interview.com
- The Hollywood Interview
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