Brothers
While on tour in Afghanistan, Sam's helicopter is shot down and he is presumed dead. Back home, it is his screw-up brother who looks after the family. Sam does return, but with a lot of exce... Read allWhile on tour in Afghanistan, Sam's helicopter is shot down and he is presumed dead. Back home, it is his screw-up brother who looks after the family. Sam does return, but with a lot of excess baggage.While on tour in Afghanistan, Sam's helicopter is shot down and he is presumed dead. Back home, it is his screw-up brother who looks after the family. Sam does return, but with a lot of excess baggage.
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- 4 wins & 16 nominations total
Patrick John Flueger
- Private Joe Willis
- (as Patrick Flueger)
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Featured reviews
What drew me to this movie was the cast of Jake Gyllenhaal and Natalie Portman, two phenomenal actors in their own regards. The only expectation that I had going into see this film was that I would be unimpressed by Tobey Maguire. Having seen him in several films (including Spider-Man), I must say that I wasn't prepared for the incredible performance he provided.
This movie was very simplistic. Nothing flashy, no real special effects, small amounts of simple guitar music as a soundtrack. But it conveyed a whole roller coaster of emotions from the beginning. The growth of Jake Gyllenhaal's character, the anguish displayed by Natalie Portman, the palpable pain and suffering by Tobey Maguire, and the fear and anger displayed by the eight-year-old Bailee Madison all combine for a very gripping tale.
Many regard this movie as anti-war. I simply do not see it as such. Soldiers are praised for their heroism on the battlefield (which they completely deserve), but all too often the wounds they suffer physically and mentally are disregarded. This movie illustrates the very real problem of the mental health of our service men and women, and the problems it causes in family dynamics.
This movie was very simplistic. Nothing flashy, no real special effects, small amounts of simple guitar music as a soundtrack. But it conveyed a whole roller coaster of emotions from the beginning. The growth of Jake Gyllenhaal's character, the anguish displayed by Natalie Portman, the palpable pain and suffering by Tobey Maguire, and the fear and anger displayed by the eight-year-old Bailee Madison all combine for a very gripping tale.
Many regard this movie as anti-war. I simply do not see it as such. Soldiers are praised for their heroism on the battlefield (which they completely deserve), but all too often the wounds they suffer physically and mentally are disregarded. This movie illustrates the very real problem of the mental health of our service men and women, and the problems it causes in family dynamics.
Marine Capt. Sam Cahill (Tobey Maguire) is going to Afganistan on another tour leaving behind his wife Grace (Natalie Portman) and their two young daughters. He picks up his brother Tommy (Jake Gyllenhaal) getting out of prison after serving his time for armed robbery. The family gathers for a dinner before Sam leaves. Tommy fights with their military father Hank (Sam Shepard). The family is stunned when Sam is reported killed in a helicopter crash. In reality, he's been captured by the Taliban along with Private Joe Willis. At home, Tommy cleans up his act while getting closer to Grace. Captivity turns horrific and when Sam is rescued, he returns home psychologically damaged.
This cast is stacked and they all bring it. Director Jim Sheridan is able to nurture some amazing work especially from Tobey Maguire. Portman, Gyllenhaal, Shepard, and even little Bailee Madison show their acting muscles. The story does feel a little melodramatic like a broad Greek tragedy. That's par for the course. This is big time acting.
This cast is stacked and they all bring it. Director Jim Sheridan is able to nurture some amazing work especially from Tobey Maguire. Portman, Gyllenhaal, Shepard, and even little Bailee Madison show their acting muscles. The story does feel a little melodramatic like a broad Greek tragedy. That's par for the course. This is big time acting.
"Brothers" is an American remake of an excellent Danish drama from 2004. As the title suggests, the story centers on two male siblings who are essentially polar opposites of one another. Sam (Tobey Maguire) is an upright family man and lifelong Marine who has already served one tour in Afghanistan and is all set to embark on a second. Tommy (Jake Gyllenhaal) is a ne'er-do-well ex-con who's released from prison on the very same week Sam is being re-deployed to the battlefield, leaving a wife (Natalie Portman) and two young daughters (the delightful Bailee Madison and Taylor Grace Geare) behind at home. When news comes that Sam has been killed in a helicopter crash, Tommy is there to help pick up the pieces, leading to some potential romantic complications between him and his brother's grieving widow, Grace. But that turns out to be only half the story, as anyone familiar with the Danish version already knows.
Written by David Benioff and directed by Jim Sheridan, "Brothers" follows the original fairly closely in terms of outline and incident, focusing on one man's attempts to turn his life around after making a mess of things, and another's efforts to come to terms with an action he performed under duress that his conscience will clearly never allow him to live with. The complex relationships among the three principal players - along with Sam's Post-Traumatic Stress Disorder - are dealt with in an adult and thoughtful fashion, with a minimum of melodrama and nary a hint of sensationalism. The conflicts are further exacerbated by the men's father (Sam Shepherd), a hardnosed Vietnam vet whose personal preference for Sam over Tommy has been evident to both boys from very early on in their lives.
"Brothers" reveals its European roots in its more deliberate pacing, its emotional complexity, its lack of judgment towards its characters, and its willingness to leave some loose ends hanging at the end. Maguire and Gyllenhaal are both excellent as the two torn brothers trying to stay close despite their differences - as are Portman, Shepherd and Mare Winningham as the boys' loving and conciliatory step mom whose calming influence over her husband goes a long way towards ameliorating some otherwise potentially volatile situations.
Written by David Benioff and directed by Jim Sheridan, "Brothers" follows the original fairly closely in terms of outline and incident, focusing on one man's attempts to turn his life around after making a mess of things, and another's efforts to come to terms with an action he performed under duress that his conscience will clearly never allow him to live with. The complex relationships among the three principal players - along with Sam's Post-Traumatic Stress Disorder - are dealt with in an adult and thoughtful fashion, with a minimum of melodrama and nary a hint of sensationalism. The conflicts are further exacerbated by the men's father (Sam Shepherd), a hardnosed Vietnam vet whose personal preference for Sam over Tommy has been evident to both boys from very early on in their lives.
"Brothers" reveals its European roots in its more deliberate pacing, its emotional complexity, its lack of judgment towards its characters, and its willingness to leave some loose ends hanging at the end. Maguire and Gyllenhaal are both excellent as the two torn brothers trying to stay close despite their differences - as are Portman, Shepherd and Mare Winningham as the boys' loving and conciliatory step mom whose calming influence over her husband goes a long way towards ameliorating some otherwise potentially volatile situations.
The standout performances, especially Maguire's portrayal of a man burdened by PTSD, are a highlight, which is in sharp contrast to Gyllenhaal's portrayal of a man who finds himself again as Tommy. Natalie Portman does get added as such a emotional character as Grace, is also lost between grief and confusion.
Even though the plot can appear to be fairly predictable, the emotional impact and outstanding acting are the reasons why Brothers is a powerful exploration of the psychological damages of war and the complexities of familial love. The movie does not really aim at the lighter sides of these motifs. On the contrary, it provides a raw and disturbing portrayal of the traumas, guilt, and redemption.
Even though the plot can appear to be fairly predictable, the emotional impact and outstanding acting are the reasons why Brothers is a powerful exploration of the psychological damages of war and the complexities of familial love. The movie does not really aim at the lighter sides of these motifs. On the contrary, it provides a raw and disturbing portrayal of the traumas, guilt, and redemption.
Based on the Danish film, Brødre, Tobey Maguire plays Sam Cahill, a marine who goes off to Afghanistan and allegedly is killed in action. His brother Tommy, played by Jake Gyllenhaal, an ex-con, winds up looking after Sam's wife, Grace (Natalie Portman) and her daughters. As the story moves on, Tommy's negative attitude toward her and his outlook changes and their relationship develops. When Sam, who is found to be alive, returns home, there's a mixture of both joy and resentment among the characters, but to add, Sam has returned a changed and psychologically-damaged man.
The film mainly focuses on the family drama and relationships of the characters, inter-cut with scenes of Sam in action and imprisoned/tortured in Afghanistan. The progression of the plot takes its time to develop, but it feels organic. The characters feel real. While one could see the film as a criticism of war and the negative effects that war has on the family of veterans, the film is more a character-driven drama, and doesn't touch much into politics.
Admittedly, the plot itself isn't anything drastically new and one may imagine a plot like this in a made-for-TV drama if not for the emotional depth, intensity, and solid performances from Tobey Maguire, Jake Gyllenhaal, and Natalie Portman. One of the interesting plot points involve the brothers' father's (in a fine performance from Sam Shepard) favoritism for Sam, while looking down on Tommy as the "failure." The love/hate dynamics between the three are interesting and believable even as the two brothers go through drastic character changes.
Tobey Maguire's performance is particularly noteworthy as Sam, a marine and a loving husband who comes back transformed into a physically emaciated, psychologically-scarred, ticking time bomb. My image of Tobey as Spider-Man now feels like a distant memory especially in comparison to what he portrays here. The two children who play the two daughters of Sam in this film give very natural performances in their varied reactions to difficult situations around them. Jake Gyllenhaal does strong work as Tommy, whose character transformation makes us want to root for him, despite his shady beginnings and flaws. To top off, Natalie Portman is radiant here, turning in a poignant, complex performance as a mother of two, who must deal with the initial mourning of her husband, the joy of his return, and the messy aftermath. Ultimately, her nuanced performance is the glue that holds the film together and make the other characters matter, and one can't help but marvel at the maturity of her performance.
Directed by Jim Sheridan (The Boxer), this film is a great showcase for all performances involved, while portraying an engaging, intense story about familial loyalty, redemption, and difficult relationships. In the wrong hands, this film could've gone the route of the by-the-numbers Hollywood cliché, but as it is, it remains a solid drama. I give Brothers *** out of **** stars.
More of my reviews are update on http://twitter.com/d_art
The film mainly focuses on the family drama and relationships of the characters, inter-cut with scenes of Sam in action and imprisoned/tortured in Afghanistan. The progression of the plot takes its time to develop, but it feels organic. The characters feel real. While one could see the film as a criticism of war and the negative effects that war has on the family of veterans, the film is more a character-driven drama, and doesn't touch much into politics.
Admittedly, the plot itself isn't anything drastically new and one may imagine a plot like this in a made-for-TV drama if not for the emotional depth, intensity, and solid performances from Tobey Maguire, Jake Gyllenhaal, and Natalie Portman. One of the interesting plot points involve the brothers' father's (in a fine performance from Sam Shepard) favoritism for Sam, while looking down on Tommy as the "failure." The love/hate dynamics between the three are interesting and believable even as the two brothers go through drastic character changes.
Tobey Maguire's performance is particularly noteworthy as Sam, a marine and a loving husband who comes back transformed into a physically emaciated, psychologically-scarred, ticking time bomb. My image of Tobey as Spider-Man now feels like a distant memory especially in comparison to what he portrays here. The two children who play the two daughters of Sam in this film give very natural performances in their varied reactions to difficult situations around them. Jake Gyllenhaal does strong work as Tommy, whose character transformation makes us want to root for him, despite his shady beginnings and flaws. To top off, Natalie Portman is radiant here, turning in a poignant, complex performance as a mother of two, who must deal with the initial mourning of her husband, the joy of his return, and the messy aftermath. Ultimately, her nuanced performance is the glue that holds the film together and make the other characters matter, and one can't help but marvel at the maturity of her performance.
Directed by Jim Sheridan (The Boxer), this film is a great showcase for all performances involved, while portraying an engaging, intense story about familial loyalty, redemption, and difficult relationships. In the wrong hands, this film could've gone the route of the by-the-numbers Hollywood cliché, but as it is, it remains a solid drama. I give Brothers *** out of **** stars.
More of my reviews are update on http://twitter.com/d_art
Did you know
- TriviaJake Gyllenhaal learned of the death of his close friend Heath Ledger while he was in the middle of shooting a scene for this film. Gyllenhaal immediately walked off set, and returned to finish the scene two days later. He then took a longer bereavement leave before he was ready to continue with the rest of his scenes.
- GoofsThe movie gives the location of the Marine Base as "Fort Mahlus". Only the US Army begins their bases with "Fort" (i.e. Fort Benning, Fort Bragg, etc). The US Marines begin their bases with "Camp" (i.e. Camp Pendleton, Camp Lejeune, etc).
- Quotes
Sam Cahill: I'm drowning, Tommy.
- ConnectionsFeatured in Late Show with David Letterman: Episode #17.52 (2009)
- SoundtracksRocky Mountain Man
Written by David Manzanares
Performed by David James
Published and Recorded by David Manzanares (BMI)
- How long is Brothers?Powered by Alexa
Details
Box office
- Budget
- $26,000,000 (estimated)
- Gross US & Canada
- $28,544,157
- Opening weekend US & Canada
- $9,527,848
- Dec 6, 2009
- Gross worldwide
- $43,474,578
- Runtime1 hour 45 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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