User reviews

Doggett and Reyes investigate Professor Josef Kobold, an inmate at a mental institution, whom is linked to several ritualistic deaths.

I really did enjoy this episode, it is a good old fashioned monster of the week episode, a battle of good an evil, with the regulars sticking to their guns, unwavering and resolute.

Great visuals, dark and twisted, with some really chilling theories, it does have the horror vibe, and that's the side of The X Files that I have always enjoyed.

We've generally had episodes where Doggett has rightly been the focus, with storylines that felt specific for his character, and those have been great, this time, it's very much a Reyes story, it fits her background and her expertise, Gish has absolutely nailed it, she's great.

The frustrations, there are a few of them, Agent Doggett, I feel there are quite a few inconsistencies to his character here, in one episode he's coming round to believing, in the next he's steadfast against believing, he's softer, then he's harsh again. Scully.....her presence feels intrusive somehow, she's like a guest that's wandered into the wrong wedding, but is too polite not to leave.

James Remar was terrific as Kobold, analmost Hannibal Lecter type of character, he gave me the creeps.

Overall, this was a cracking episode, 8/10.

"Dæmonicus," the third episode of the ninth season of The X-Files, directed by Frank Spotnitz, marks a notable entry in the series as it delves into themes of demonic influence and psychological manipulation. This episode stands as a "monster-of-the-week" narrative, unconnected to the overarching mythology of the series, yet it effectively explores the darker aspects of human nature and the potential for evil within.

The episode opens with a gruesome double murder in Weston, West Virginia, which exhibits ritualistic elements. Agents John Doggett (Robert Patrick) and Monica Reyes (Annabeth Gish) are assigned to investigate the case. They soon discover that the murders may be linked to Josef Kobold (James Remar), a patient at a nearby mental institution who exhibits unsettling behavior and claims to have insights into the supernatural. As the investigation unfolds, Doggett remains skeptical about the possibility of demonic possession, while Reyes is drawn into the idea that something truly sinister is at play. The tension escalates as they race against time to prevent further killings orchestrated by Kobold, who seems to be playing a deadly game.

Visually, "Dæmonicus" employs a dark and atmospheric aesthetic that enhances its themes of horror and suspense. The cinematography effectively captures the eerie settings of both the crime scenes and the mental institution, using shadows and dim lighting to create a sense of dread. Director Spotnitz maintains a brisk pace throughout the episode, balancing moments of action with quieter scenes that allow for character development. Notable sequences include intense confrontations between Doggett and Kobold, showcasing both psychological tension and physical danger.

The performances in this episode are generally strong, particularly Robert Patrick's portrayal of Doggett as he grapples with his skepticism while confronting the bizarre events surrounding them. His character's determination to uncover the truth is compelling, and his interactions with Reyes reveal a growing partnership built on mutual respect. Anderson's Scully is somewhat sidelined in this episode; her character feels underutilized as she primarily serves as a supporting figure rather than taking an active role in the investigation. However, Gish's Reyes brings an infectious enthusiasm to her role, embodying both curiosity and intuition.

Thematically, "Dæmonicus" explores issues of belief, control, and the nature of evil. It critiques how individuals can become pawns in larger games played by those with malicious intent. The episode raises questions about what constitutes true evil-whether it is inherent within individuals or influenced by external forces. Doggett's skepticism serves as a counterpoint to Reyes' more open-minded approach, highlighting differing perspectives on belief and reality. The notion that Kobold orchestrated these events as part of a twisted game adds an unsettling layer to the narrative.

The episode stands out as an engaging installment in The X-Files series that successfully blends suspenseful storytelling with character exploration. While it may not fully capture the essence of earlier seasons due to its reliance on familiar tropes and pacing issues, it effectively engages viewers with its mix of horror and psychological depth. Ultimately, this episode invites audiences to reflect on their beliefs about good and evil in an uncertain world while setting up significant stakes for future narratives within the series.

This episode was a waste of money, electricity, and anything else used to make it.

None of the characters act with any intelligence whatsoever, and for the most part do not behave in line with how they behave in previous episodes.

The plot was predictable. The writing was terrible. If you told me this was a middle school fan fiction I would believe you. The theme is old and full of tropes. Every hospital and law enforcement procedure imaginable was violated by the imbeciles in the story.

I suspect the actors were forced to do this episode against their wills, as no one would look at this drivel and voluntarily act this out.