Spearhead from Space: Episode 1

Although my earliest recollections of first watching Dr Who are of Patrick Troughton, Jon Pertwee's was the first I watched regularly and so I consider him "my Dr Who". Although almost as eccentric as the memorable Troughton, he brought more stylishness, scientific nous, physicality (his famous karate chops would develop in time) and, through his travels in his vintage car "Bessie", sheer mobility to the part. I was so disappointed when he left in 1973 (plus I was incidentally growing up at the time), that I never watched a single Tom Baker episode and still haven't to this day, only catching up again for the Peter Davison regeneration.

This first Pertwee adventure made for a great introduction with the memorable menace of the Autons, it's little wonder that their breaking out of shop windows as activated mannequins rates so highly in the list of scariest scenes in the whole history of the show. At 10 years of age, it scared me and obviously resonated with Steven Moffat who since has created danger out of other inanimate "human" objects, such as statues and most recently, snowmen.

It would have been nice to see an actual regeneration scene between the two Docs, plus it takes a while for Pertwee to appear and dominate scenes, but given that this afforded us time to get reacquainted with the redoubtable Brigadier Lethbridge Stewart and new assistant Liz Shaw, it's not a great loss.

The story is well-paced and the idea of replacing politicians in power with alien copies is one that would be used again in the Moffat era. Yes, the climax with Pertwee engaging (I'm being polite) with a rubber octopus is about as realistic as Adam Batman West's similar encounter with a shark in the 1966 movie, but everything else is good and boded well for the new Doctor's more earthbound adventures for the next few years at least.

A strange set of meteorites has landed on Earth, and so has a newly regenerated Doctor.

The Black and White era has ended, Doctor Who begins in colour, with a brand new Doctor, Jon Pertwee has taken the reins, and spends most of the episode in bed.

It looks so fresh, not just because it's in colour, but it's beautifully shot, being on film makes a difference. No flimsy sets or dodgy costumes, this looks impressive.

This is a brilliant episode, a new Doctor's first story can be tricky, think of Robot, Castrovalva, Twin Dilemma and Mark of The Rani, none of them are brilliant, Spearhead from Space is.

We have the intrigue of the flashing ball, we have the introduction of the fabulous Liz Shaw, and of course the arrival of Jon Pertwee, it doesn't get much better than this, 10/10.

Review of all 4 episodes:

Spearhead From Space marks perhaps the biggest combination of changes in Doctor Who history:

• the change from the Patrick Troughton era to the Jon Pertwee era.

• the change from black and white to colour.

• the change from constant time and space travelling to an exile leaving The Doctor stranded in contemporary Earth.

• the change from two or three traditional companions to a whole organisation (UNIT) regularly working with The Doctor.

These changes are made even more striking by the fact that Pertwee's Doctor, having been forced to regenerate as a punishment from the Time Lords and subsequently getting injured, spends much of the early part of the story inactive in a hospital bed. Yet the story manages to be interesting enough and contains enough action, humour and thrills to make this big transition go very successfully.

The story involves the new Doctor finding himself stranded on Earth and suffering from his regeneration then having to deal with an invasion attempt by the Nestene Consciousness using their power to control plastic and creating armies of shop dummies.

The production is a peach with a superb look (recorded beautifully on film rather than the usual video), excellent direction by Derek Martinus and thrilling special effects (shop dummies coming to life and attacking through shop windows etc.) believably and excitingly executed.

The story is brilliantly written by Robert Holmes with superb plotting and dialogue. The acting from Pertwee and the whole cast is impeccable. Nicholas Courtney (Brigadier Lethbridge Stewart) and Caroline John (Liz Shaw) do fantastically well in their roles beginning already to get audiences to strongly sympathise and relate to them.

It is not absolutely perfect but it is perfectly entertaining and interesting with thrilling, scary moments. All 4 Episodes 10/10.

Obviously listings like this on here are for fans, so these are just personal thoughts.

I wasn't aware of this being shot on film, I just kept thinking how great it looked. Now I know of the technician strike. I'm sure they got their issues worked out, but certainly a wonderful side effect.

It appears the strike itself was referenced in the episode in this dialog:

"HIBBERT: We're turning over to automation, General. It means we can keep staff down to a minimum. SCOBIE: Splendid. Don't get machines going on strike, eh?"

I've watched a lot of Who, starting with PBS in the 80s, and rather liked Pertwee, but never saw this one. It's comical to me personally that my reaction to Tennant's intro was that he was knocked out most of his first episode. Well, there certainly was precedent-- this very serial, where Pertwee is in a coma for half of it!

"Spearhead from Space" marked several firsts in "Doctor Who" history. It was the first serial to be made in colour. It introduced the Doctor's new assistant, the scientist Liz Shaw, and marked Brigadier Lethbridge-Stewart becoming a regular character. (He had previously appeared in two of the Second Doctor's adventures). It was the first serial to be shot entirely on location rather than in a studio (for reasons connected with a strike by BBC staff). Most importantly from my point of view, it also marked the debut of Jon Pertwee's Third Doctor, my own favourite incarnation. Objectively speaking, I have to admit that his successor Tom Baker was just as good, but I have a special affection for Pertwee because he was the incumbent when I first started to take a serious interest in the series.

All of the serials in the seventh season of "Doctor Who", and most of those in the eighth, are set on Earth, with the Doctor acting as scientific advisor to UNIT, the international taskforce set up to combat alien threats. (Lethbridge-Stewart is the commander of UNIT's British contingent). Apparently this was done by the BBC for financial reasons, but the in-series explanation is that the Doctor has been banished to Earth by the Time Lords as a punishment, for reasons set out in the final serial of the sixth season.

The Doctor's exile was eventually to come to an end. Again in-series reasons were found for this development, but the real reason was that the scriptwriters found his earthbound existence too limiting. One complained that with the Doctor on Earth he was restricted to two basic plot lines, "alien invasions and mad scientists". "Spearhead from Space", as the title suggest, is an example of the "alien invasion" type of plot.

On this occasion, however, the invasion is not carried out by an alien race like the Daleks, Cybermen or Ice Warriors. The villain is the Nestene Consciousness, an incorporeal intelligence. Now you might wonder why an incorporeal intelligence would want to conquer Earth; surely wealth, natural resources and all the normal spoils of conquest would mean nothing to such an entity. It is, however, a recurrent science fiction trope that extra-terrestrial intelligences, be they corporeal or incorporeal, are all possessed of a Nietzschean Wille zur Macht, or Will to Power, and therefore regard conquering the Earth as a matter of principle. It is another science fiction trope, at least in Britain, that any alien invasion of Earth will start with the English Home Counties; H G Wells's Martians landed near Woking, Surrey, and the Consciousness's first target is Epping, Essex.

An incorporeal entity, however, still needs foot-soldiers to do its conquering for it, and the Nestene Consciousness has the Autons, plastic human replicas which normally masquerade as shop-window mannequins but which become lethal killers when activated. A more advanced model of Auton can duplicate the appearance and voice of any individual, and the Consciousness plans to use these to impersonate key figures in the British political and military Establishment. The Autons, however, are not autonomous individuals in the same way as, say, individual Ice Warriors, but robots remotely controlled by the Consciousness- and it is this feature which is to prove their weakness.

The main weakness of the serial is that it takes too long setting the scene and introducing the Doctor's new personality. (Some of his character traits, such as a dandyish dress sense and a love of vintage cars, were established from the beginning). The first half is rather dull and slow-moving, with all the thrills coming towards the end. This would have been more obvious in 1970 than it is now. When we watch classic "Doctor Who" serials today, whether on video or on one of their rare television outings, we treat them effectively as feature films, although they were first broadcast in several weekly parts. Normally the scriptwriters tried to introduce a note of tension from the start so that each episode could end on a cliff-hanger, but this does not seem to have been done with "Spearhead from Space".

The Television Companion opined that "It is the terrifying and well-realised concept of killer shop dummies that makes "Spearhead from Space" one of the most horrific Doctor Who stories ever". I would probably have agreed in 1970, but then I was only a young child at the time. Today the idea of murderous shop dummies seems more surreal than scary. Pertwee was to star in some excellent serials, but this is not really one of them.