A look at the state of the global environment including visionary and practical solutions for restoring the planet's ecosystems.A look at the state of the global environment including visionary and practical solutions for restoring the planet's ecosystems.A look at the state of the global environment including visionary and practical solutions for restoring the planet's ecosystems.
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- Self - Author & Science Reporter, New York Times
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So far, the process can still be slowed, perhaps reversed--but not for long. We have the technology, though nature itself rather than any man-made "thing" is the greatest resource, and the solution is in harmonizing ourselves with it, not further dominating it. In a few years, we will have reached the point of no return. This is not just the 11th hour, but the last few seconds of the sixtieth minute of that hour. Within this new century, if nothing effective is achieved, planetary damage will be dramatic and total in every area. It's impossible to predict, but extreme disaster could come very rapidly, once the balance is decisively tipped in the wrong direction, and it will happen everywhere. Nowhere is safe from it.
As one reviewer has said, if we don't slit our throats after hearing the first half of this story, some "intriguing options" are suggested in the last third Various speakers believe that while humanity may not survive, without a reversal of the trend, life on earth probably will. (Welcome to Insectopia.) But surprisingly enough, though everything we do has to be changed radically and totally, things won't necessarily look wholly different. The difference will be inside. An 85% efficient train car looks just like a little old train car, only its interior works will have changed. A wholly self-sustainable skyscraper still looks on the outside just like a skyscraper: the new Bank America building in New York resembles the Transamerica Pyramid in San Francisco, only with more glass.
Not only are the technologies all available, but there are many plans about how to use them, and doing so can be immensely profitable even for existing businesses, if they alter their products and raw materials. The obstacle is resistant mindsets, and above all a lack of leadership. There's another obstacle--well, many; and they're mostly in the United States. The large corporations in whose interest it is to go on gobbling fossil fuel (or as writer Thom Hartman calls it, "ancient sunlight"), rule our world, and our American leaders are their marionettes. The average working guy doesn't think beyond the morning traffic report. We all need to learn to care. Dippy as it sounds, all we need is love. And we can act fast when we want to--look at the American performance in WWII.
Al Gore has greeted The 11th Hour as a sequel to An Inconvenient Truth. In a sense it is that. In David Guggenheim's Oscar-winning film Gore demonstrates why and how global warming is a reality and a cause of grave concern. The 11th Hour sets this event in a larger context, warns further of the urgency of acting now, and, unlike Inconvenient Truth, goes into detail about practical solutions. The 11th Hour, unfortunately, isn't as polished and effective as An Inconvenient Truth. The latter is unified by Gore's personality. DiCaprio provides an appealing sort of youthful everyman voice (even a Hollywood superstar becomes an everyman in this context), but he doesn't hold The 11th Hour together. Though the range of expertise is impressive and valuable, structurally there is a dauntingly rapid succession of different faces. Even during the 11th hour of 11th Hour new speakers keep appearing and it's difficult to take in all the names and credentials first time through. Luckily there are a few strong and unmistakable voices, like the broadcaster David Suzuki; Stephen Hawking; Mikhail Gorbachov. The soft southern accent of Interface founder Ray Anderson, a "good" corporate CEO, is familiar from the Gore film.
Sometimes information and animated diagrams go by with ridiculous speed. It's as if the filmmakers were a little terrified of omitting something. This will work fine on a DVD where you can freeze-frame to check things out; it doesn't work so well in a theater. Speeded-up urban sequences look like some sloppy version of Koyaanisqatsi. These flaws make one nostalgic for Gore's measured tones. His detractors called Inconvenient Truth "a glorified Power Point lecture." But that's much better than sounding, as DiCaprio occasionally does, like the narrator of some high school educational flick.
Consequently it's not too surprising that 11th Hour has fared less well critically than Truth, despite some significant champions--the critics of some of the major US papers, and smart writers like Andres O'Hehir of Salon.com, David Edelstein of New York Magazine, Jonathan Rosenbaum of The Chicago Reader--and one could go on. Ultimately, the film's weaknesses don't matter, because its content is too important and smart to dismiss.
Attacking The 11th Hour feels unwise--like killing the messenger. Conners and Peterson and DiCaprio and all those bright people are saying things we need to hear. Is the quality of this movie really such an issue? The far more significant issue raised is this: sure, we can "vote" by buying low-watt bulbs and recycling and reducing our individual "carbon footprints." But to act collectively, we'll need that so-far-missing leadership. Where is it going to come from?
Rather than spurting out random facts and events (like most documentaries), The 11th Hour uses a wide range of viewpoints to build a conceptual foundation that explains the general scientific impression of global warming. Some of the ideas may end up being wrong, but all of them are at least plausible. The different speakers include Paul Hawken, Wangari Maathai, Mikhail Gorbachev, and (my favorite) Stephen Hawking. There are many different ideas communicated, but they are all based on the same underlying principle. The structure of the documentary is very dialog heavy, which can feel overwhelming at times but is guaranteed to bring forth new knowledge to viewers.
The main ideas are nothing new for most people educated on environmental news, but the speakers submit some profound new ways of looking at them. A common theme was relating Earth's existence to the human civilization's existence. If we continue to progress global warming, the planet might be able to heal itself eventually, but only once humans are gone. One thing I found especially interesting was the consideration of the economic value of nature, which ended up being roughly two times greater than the world's industrial wealth.
My only significant complaint is that the film is often rough in style, organization, and editing. The images sometimes feel out of place or even distracting from the message. Occasionally, the images rapidly jump between completely different environments, which can be hard to process. To be sure, most of the cinematography was excellent, but it just wasn't put together in the best way. Overall, it could have been more focused.
The 11th Hour is an insightful and inspiring documentary on one of the most important topics to date. It provides a balanced and comprehensive conceptual overview on the human role in global warming, but also expects viewers to take this knowledge out of the theater and implement it into their own lives. It is extremely educational experience.
If Americans are relying on documentaries like this to convince Joe the Redneck that anthropogenic climate change is real I understand why we all feel there is so much more work left to do. You see, the problem with the film is its complete lack of a narrative, one scientist/politician/activist after another, however respectable, snappily quipping about consumption, pollution, the oil economy, in no particular order does nothing to explain where we came from or where we are headed, or why. So the documentary teaches nothing new, it just juggles around the same themes, incoherently referencing the all correct verbiage to satisfy an green audience but neither inform nor empower it.
The visuals do not help, we can't go 5 seconds without seeing an iceberg disintegrate or tree being chopped down. After the first half hour it becomes like some sort weird sort of exercise in CIA-style mental conditioning. Does no good, indeed it destroys a viewer's concentration, rather than enriching or rewarding it. Also, it has to be said, some of visuals are entirely erroneous, for a the moment when told that human behaviour may cause the release of subterranean methane, why are we shown a clip of a sea vent? There are at least a dozen similar misleading visuals here, and as much as I'm into green politics, let's face it, with instances like there is a touch of propaganda to this documentary.
Conclusions? Save some energy, turn it off, read some George Monbiot instead.
Still, for what you get it's a pretty good film, though the second half is far superior to the first.
The documentary, as narrated by Leonardo DiCaprio, goes into detail of what's wrong with our world, what changes and challenges our generation must accept, and how close we are getting to the point of no return. The first half of the film deals with the destruction and disasters happening all over the globe and comes close, though it never steps over the line, of using the kind of scare tactics many, wrongly, accused Gore of. The second half of the movie deals with what we can do, technology that currently exists and new technology that's on the way. As the film gets more hopeful, peers into the future, and presents amazing opportunities and challenges, it becomes moving and quite powerful.
I'd give the first half of the film a 6, the last half a 10, and so I split the difference and gave it an 8 overall.
If you enjoyed this film and want more you should check out other recent documentaries like An Inconvenient Truth and Who Killed the Electric Car?, both from last year.
Go to RazorFine Review to read my full review for this film, and the others listed above.
Did you know
- GoofsIn the subtitles of an interview with Mikhail Gorbachev, the former USSR premier is translated as saying that because we have strained nature to the breaking point, "we must, the generations living now, must take a principal decision that we will act differently because the ecological crisis is global." Taking "a principal decision" is an odd turn of phrase, at best, in this context. Almost certainly, Gorbachev said "we must take a principled decision."
- Quotes
Stephen Hawking: One can see from space how the human race has changed the Earth. Nearly all of the available land has been cleared of forest and is now used for agriculture or urban development. The polar icecaps are shrinking and the desert areas are increasing. At night, the Earth is no longer dark, but large areas are lit up. All of this is evidence that human exploitation of the planet is reaching a critical limit. But human demands and expectations are ever-increasing. We cannot continue to pollute the atmosphere, poison the ocean and exhaust the land. There isn't any more available.
- ConnectionsFeatured in Zomergasten: Episode #20.3 (2007)
- SoundtracksSvefn-g-englar
Performed by Sigur Rós
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Details
- Release date
- Country of origin
- Language
- Also known as
- Sospecha mortal
- Production companies
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Box office
- Gross US & Canada
- $707,343
- Opening weekend US & Canada
- $60,853
- Aug 19, 2007
- Gross worldwide
- $985,207
- Runtime1 hour 35 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1