Le libre arbitre

2 days ago i saw "der freie wille". now, after 2 days and many thoughts, i'm more than positive about this movie. what it makes great, is the brilliant script, especially when you consider the subject, the superb acting by jürgen vogel and sabine timoteo and the discreet, but precise directing by matthias glasner. while watching the movie i was drawn into the story, understood the characters and felt with them. i actually was talking loud in front of the screen. that might sound a bit silly due to it's just a movie, but i was captured. despite the length and the difficult subject of the movie, i just can highly recommend this film!!!

I saw this at the German Film Festival in San Francisco, and having been to a few of these before, I was prepared for a depressing experience. What's with these Germans? Anyway . . . this is a brutal, thorough, carefully crafted portrayal of the tortured life of what Americans call with politically correct blandness a "sex offender." Our protagonist, Theo, is raping his third victim when we meet him. He is a smoldering, violent thug. We next encounter him, 9 years later, as he is released from a mental hospital into a supervised residential setting. He is a broken man. He is riding a beast he hates, and he has no idea when the beast will bite again.

As a portrayal of psychology, angst, subtlety of emotion, and real human relations, I would give this film a 10. The sparring session between Theo, and his budding girlfriend Nettie, is a brilliant display of the subtle forces which are torturing the both of them. The fact that these two people have the sparsest dialog in the history of cinema may not be realistically correct, but it is an excellent artistic way of turning the focus to their inner emotions. This film is art, after all -- not a documentary.

The only reason I didn't go for 10 stars is that I had a persistent feeling that something was missing. Maybe I'm old fashioned, but I would have liked some back story about Theo's youth, something that would make him a whole person. The film does work without that, but it is a lack that a writer and director of such brilliance could somehow have remedied.

This is not a feel good, date movie.

This physically and emotionally extremely violent movie is a deep meditation on an essential philosophical problem regarding mankind: man's free will, his freedom and liberty of action. It is the story of a man who tries to master his sexually sadistic drive against women. With harsh explicit shots the camera shows the uphill struggle against this obsession baked into the genes: 'It is inside me. It is inside me'. How can I get rid of it? This movie, with a sublime Jurgen Vogel in an extremely difficult role, is one of the greatest masterpieces of all time. It is a must see for all those who want to know who we really are.

Saw it here in Germany yesterday. This is a pretty intense film. It's a psychological study about two people, one of them a rapist and one a shy young women (strange personality as well) who seem to develop feelings for each other. Because of the very gritty atmosphere and some disturbing scenes quite a few people left the cinema. Even though I appreciated some of the film's aspects like not holding back on anything and developing deep characters I still felt like the director forgot to deliver a final cut of the movie: it was so long (160 minutes) and stuffed with endless shots that didn't help the story, that I felt bored many times, in spite of the extreme story and the brilliant acting. Another thing that bugged me was the low resolution, low color, video camera style which was probably supposed to make the film look even more bleak - unnecessary in my opinion.

Had it been cut to regular film length, it would have greatly benefited the impact of the movie. Like this, for me it's a 7.

P.S. One guy here mentioned in his review, that understanding of different cultures is necessary like the Germans' "cool and thoughtful communication style". I have never seen people in Germany talk as little as the characters in this movie and can't imagine any two people to build a relationship based on one sentence per five minutes.

I would not like to give a summary of the impulsive scenes or the techniques used in the film. I do refrain from talking about the movie as a logical construction. Anyway, that is exactly what was done at Ludwigshafen's 'Festival des Deutschen Films' - trying to pull the discussion onto a more emotional level, the director himself and the two protagonists failed. which stands for the extreme distance people (and eve the cast) seem to be able to keep having watched the movie. This lets me conclude that the movie, although displaying one part of human life/struggle, was unable to move people's substance.. This is the first movie that made me doubt, if the medium 'movie' can really reach people's core. Not even the realistic display of rape seems to be enough to touch people.