The Riches

I see HULU has this for new viewers. Don't miss out as one of the better ones to watch, while locked inside with Corona. Great cast, one of first to go with theme has for this generation.

The Riches is simply one of the best shows on television. If you are a fan of drama, comedy, and action – this is the show for you. The Riches stars Eddie Izzard and Minnie Driver as a family of con-artists who steal the American Dream. The dialogue is witty and the acting is superb. If you haven't seen the pilot yet, don't wait another minute! Once you watch the first 5 minutes, you'll be hooked. There's a magic to the show, one that steals your heart and leaves you wanting more. It's compelling television in a sea of banal programs. I can't wait until the next episode!!! Eddie and Minnie make a dynamic tandem; the soundtrack is eloquent and inspired. Kudos to FX for bringing America a show with complexity, character, and spirit.

Sure, it was only the pilot I saw, but I had very high hopes coming in, being a big, big fan of Eddie Izzard's. I was just worried that for a drama/comedy with what appears to be an actual storyline (unlike many serials, such as the CSI's or Law and Order's - not that there's anything wrong with that), a stand up comic was a rather strange choice for the lead character. But Izzard plays his role straight, not slapstick, and very well. Between him and Driver, definitely seems to be a good foundation (and at least most of the time, they did a good enough job of dropping their accents and picking up the southern one). The kids were good enough, which is really all I needed out of them for now. Not a distraction, added well to the ensemble.

Plot seemed dodgy when I read the synopsis. But it actually does make some sense, seems the writers are going to use one new thing going wrong per episode, such as their old family members possibly showing up. I just hope, that even though it just started, it stays fresh. But the outlook looks bright for the Riches.

10/10

I now have something to look forward to on the most dreaded day of the week. I love every single character on this show, I love every line, every look, every scene, EVERYTHING.

When I first watched The Riches I was a little confused. It was funny and touching but at the same time rather dark (much like Director Peter O'Fallon's first feature "Suicide Kings")  Upon further examination I have realized that it is this contrast that makes the show so incredible. Hollywood does an amazing job at painting the perfect portrait of "the American dream" while simultaneously ignoring its dark corners and stark realities. The Riches takes the shiny and manufactured concept of the American dream and strips it down to reveal the reckless and desperate nature of those aiming to achieve it. Though Wayne and Dahila Malloy initially seem like terrible parents, they are the perfect (albeit extreme) representation of American society's obsession with materialism and are, therefore, much like the rest of us. Though it is hard to picture yourself stealing the lives of a dead couple, I'll bet it is not as hard to picture yourself sacrificing everything for the well being of your children. I love this show because it forces me to think about my own borders and limitations. Right now there is no way I could carry on like the Malloy's but if push comes to shove, I could be singing another tune.

Long live The Riches!

I missed the first airing of the pilot but caught an encore Saturday night, and I am glad I did. The plot was challenging, characters engaging, dialog tight and raw, atmosphere gritty.

I have an inexplicable soft spot in my heart for Gypsies, and I am usually disappointed in how cold and inaccessible modern nomads are in film and T.V. The Riches family are portrayed with enough warmth and pathos (and unexpected poetry!) to let the viewer in, while in no way slipping into the criminals-with-a-heart-of-gold cliché. This ain't no Hallmark channel program!

I was particularly impressed with Eddie Izzard's rich use of language which really did touch on the poetic at times. Minnie Driver was especially compelling and complex. And their marriage was one of the few believable mature relationships I've seen on television in a long time.

With the absurd premise and the comedy-background casting, I expected a few laughs, but didn't find them. Instead, I had the strange yet familiar feeling reminiscent of picking up a Frank Miller comic book the first time, expecting superheroes and finding horror in its place.