Star Wars fanatics take a cross-country trip to George Lucas' Skywalker Ranch so their dying friend can see a screening of Star Wars, épisode I : La Menace fantôme (1999) before its release.Star Wars fanatics take a cross-country trip to George Lucas' Skywalker Ranch so their dying friend can see a screening of Star Wars, épisode I : La Menace fantôme (1999) before its release.Star Wars fanatics take a cross-country trip to George Lucas' Skywalker Ranch so their dying friend can see a screening of Star Wars, épisode I : La Menace fantôme (1999) before its release.
Christopher Rodriguez Marquette
- Linus
- (as Chris Marquette)
Christopher McDonald
- Big Chuck
- (as Chris McDonald)
Tarek Bishara
- The Vulcan
- (as Thom Bishops)
- …
Featured reviews
Although this product is far from inventive, or full of carefully orchestrated comedy. It is by no matter of means, slow and boring. If anything, it makes the time fly.
The humour is rather stupid and vulgar, but if you're even close to being a sci-fi geek yourself, or able to appreciate how hilarious this kind of archetype can be. You won't be disappointed.
However, there is a failed attempt at adding heartfelt drama to this movie, no doubt trying to inspire people to follow their dreams and remind them that the time for doing so, is limited. Which isn't a bad thing to do, obviously. It just seemed a little bit out of place. On that note; I have no clue as to why drama and crime are added to this film's genre, you might as well add romance and sci-fi.
Disconnect your brain and laugh your aches away!
The humour is rather stupid and vulgar, but if you're even close to being a sci-fi geek yourself, or able to appreciate how hilarious this kind of archetype can be. You won't be disappointed.
However, there is a failed attempt at adding heartfelt drama to this movie, no doubt trying to inspire people to follow their dreams and remind them that the time for doing so, is limited. Which isn't a bad thing to do, obviously. It just seemed a little bit out of place. On that note; I have no clue as to why drama and crime are added to this film's genre, you might as well add romance and sci-fi.
Disconnect your brain and laugh your aches away!
There are is lot of mixed review floating around this movie, a much of which is calling for a lower rating than what is now around a 7. Most all of them agree though, that this movie provides some laughs, has decent acting, and is decently done. From what I can tell, all those factors add up to an above average movie, which should earn it a seven. Now, it is no masterpiece, and it may not be groundbreaking in any way, but it is an all around solid film. Really, what could have been done to this movie to make it much better? A few things here and there could have been changed, but nothing major. The movie is called Fanboys, about a group of overly zealous Star Wars fans, everyone harshing on the dialogue should realize that a movie about Fanboys would do well to use a script emulating Fanboy lingo and cheesy jokes. Some people say that this movie survives on the cameos. If that is the case, then they must be some good cameos, and maybe that's all they are, just well used cameos, and not a crutch for the movie like some people claim. Give Fanboys a shot and make your own opinions, plus, this movie didn't hit theatres, so don't compare it to films that are out of it's league. Even though I find this much better than some of the garbage gracing the silver screen today.
If you're a geek this movie is for you. If you're a Star Wars geek this movie totally is for you. Basically it's a movie about Star Wars geeks made by Star Wars geeks for a target audience of Star Wars geeks. If you are not into all things Star Wars this movie may well miss the mark with you. And even the most rabid of Star Wars fans would have to concede that the movie is certainly not anything spectacular. It's fairly charming and reasonably amusing but never really riotously funny. But it works. More or less.
The movie is set in the autumn of 1998, a time before Jar Jar Binks had been foisted upon the world. Four friends, major Star Wars geeks all, decide to drive across the country, break into Skywalker Ranch and steal a rough cut of The Phantom Menace. The major motivation for this journey is that one of the friends has cancer and will not live to see the movie released. But once that is established the cancer storyline is basically put on the back burner and this turns into a mostly predictable wacky road-trip comedy. Some of the wackiness works, some of it falls flat. There are a bunch of celebrity cameos thrown in, some of which are inspired and some of which are rather random and pointless. So it's a movie which has its ups and downs. But it's enjoyable more often than not and the movie breezes by in a nice, tight, well-paced 90 minutes.
None of the actors playing our gang of four really stand out in any memorable way. Dan Fogler's character is a little more outrageous than the others but that's about it. But the group works together well and they are ably supported by the varied cast of characters who pop up throughout. Seth Rogen's portrayal of a pimp is one of the standouts. Of course this ode to Star Wars fans wouldn't be complete without taking some shots at Trekkies. So there's room for another funny turn by an actor portraying Admiral Seasholtz, an uber-Trekkie. Who is the unrecognizable actor memorably bringing this character to life? You may have to wait until the closing credits roll to figure it out. And in this Star Wars geek universe there's room for one girl and Kristen Bell is both charming and funny in the role as her character gets swept along for the ride. Could the movie be a little more consistently funny? Most definitely. But the movie about Star Wars geeks will probably leave you with a smile on your face. Especially if you're a Star Wars geek yourself.
The movie is set in the autumn of 1998, a time before Jar Jar Binks had been foisted upon the world. Four friends, major Star Wars geeks all, decide to drive across the country, break into Skywalker Ranch and steal a rough cut of The Phantom Menace. The major motivation for this journey is that one of the friends has cancer and will not live to see the movie released. But once that is established the cancer storyline is basically put on the back burner and this turns into a mostly predictable wacky road-trip comedy. Some of the wackiness works, some of it falls flat. There are a bunch of celebrity cameos thrown in, some of which are inspired and some of which are rather random and pointless. So it's a movie which has its ups and downs. But it's enjoyable more often than not and the movie breezes by in a nice, tight, well-paced 90 minutes.
None of the actors playing our gang of four really stand out in any memorable way. Dan Fogler's character is a little more outrageous than the others but that's about it. But the group works together well and they are ably supported by the varied cast of characters who pop up throughout. Seth Rogen's portrayal of a pimp is one of the standouts. Of course this ode to Star Wars fans wouldn't be complete without taking some shots at Trekkies. So there's room for another funny turn by an actor portraying Admiral Seasholtz, an uber-Trekkie. Who is the unrecognizable actor memorably bringing this character to life? You may have to wait until the closing credits roll to figure it out. And in this Star Wars geek universe there's room for one girl and Kristen Bell is both charming and funny in the role as her character gets swept along for the ride. Could the movie be a little more consistently funny? Most definitely. But the movie about Star Wars geeks will probably leave you with a smile on your face. Especially if you're a Star Wars geek yourself.
Sam Huntington plays what may be the lead role in the otherwise ensemble Fanboys, not the friend who has been given four months to live but the guy inheriting the father's business and facing a future he equates with the dark side, not unlike George Walton Lucas Jr who did not want to simply inherit his father's stationery store. Huntington also appeared as the lead in another ensemble road movie Detroit Rock City, where he was under the thumb of a domineering religious mother. That film was released in 1999, a year after Fanboys begins its story.
If you like Detroit Rock City, chances are Fanboys will appeal as well. Instead of KISS, these characters are obsessed with Star Wars in a period where there wasn't as much need to qualify those words. One of the guys happens also to be obsessed with the Canadian rock band RUSH. At first some references come from out of nowhere, but they add a texture – people are going to like what they like. In both movies, Huntington has a scene where he has to strip in a bar. It made more narrative sense in Detroit Rock City, but at least he's not alone in the humiliation and one of his friends takes the brunt of it.
I didn't have to be a hardcore fan of KISS to enjoy Detroit Rock City and likely people don't have to be fans of RUSH or Star Wars to enjoy Fanboys but it will help. I enjoyed where the RUSH music ends up being used and it helps put the viewer in the nostalgic mindset of, well, teens of the early and mid nineteen-eighties – exactly the range of time (1982-1984) that four of the five guys were born; Kristen Bell was born in 1980, so she's an Empire Strikes Back baby. Dan Fogler was born in 1976, a year before Star Wars itself, but because he is heavy some in the audience may accept him as a childhood and high school friend of the others. His sensibilities are those of the director and at least one of the writers, all born in 1976, or perhaps closer to people like myself who were fans in their early thirties when the notorious 1999 Star Wars prequel hit us. The characters do seem to show up at a party with teenagers, and yet most own business. Ultimately they aren't meant to be flesh and blood. One happens to look like young George Lucas we've seen in file photos or from the funny short "George Lucas In Love," and Kristen Bell seems to have died her hair dark for one reason only: to look more Leia-like in a later scene. Seth Rogan plays three roles, which helps reinforce the unreality along with cameos by Jay and Silent Bob (Jason Mews and Kevin Smith) along with Smith's documentary guy Zack who was known to like donkeys in Clerks II. Billy Dee Williams and Carrie Fisher also pop up in amusing cameos that allow us to assume the interior of Skywalker Ranch in act II of the story may not have to look and work as it does or did in reality. (Much of Lucasfilm's operation has been moved to The Presidio property now.) For all the amusement and invention, and the heartfelt stakes at the heart of it with a friend's dying wish, the movie is a little short sighted in the sense that these young men – characters in their late twenties or early thirties – often talk in outbursts more suitable for thirteen-year olds. There is an over-the-top hatred between Star Wars and Star Trek fans, when in reality whether we like one brand more than the other there is more audience crossover than polarity. For a comic book store owner to throw out a member of the competing fan base and call him a "Kirk-loving Spock sucker" will play as off-putting and mean even if it is a satirical exaggeration meant to expose the absurdity of the Trek versus Wars rivalry. Unlike Ebert, I'm not bothered that the kid with cancer can participate in a fight, since no extraordinary skill is displayed, any more than the idea that he is walking around and simply taking his pills. It upholds the idea that genre trivia knowledge has an inverse relationship to carnal knowledge. The characters can be at once cool and pathetic, or offensively immature and brilliant which are combinations many people like to pretend do not exist in reality. Overly sensitive audiences won't like this movie. There are bumps along the way but I like where it is going, and it has a very appropriate ending line.
Despite the very limited release of this movie and relatively little hype for the film itself as opposed to the internet controversy, Fanboys lives up to the anticipation a lot of us may have built up, unlike Star Wars Episode I: The Phantom Menace. When movies about 9/11 come out, many people coo "too soon." Maybe ten years after we met Jar Jar Binks we can finally laugh at the summer of 1999. Or maybe the solution ended up being this temporal displacement of a story that is really about being stuck in the late 70's and early eighties whether we had been born then or not, listening to RUSH and worrying only that Yoda sounds a bit like Sesame Street's Grover. Not an entirely unpleasant fog.
If you like Detroit Rock City, chances are Fanboys will appeal as well. Instead of KISS, these characters are obsessed with Star Wars in a period where there wasn't as much need to qualify those words. One of the guys happens also to be obsessed with the Canadian rock band RUSH. At first some references come from out of nowhere, but they add a texture – people are going to like what they like. In both movies, Huntington has a scene where he has to strip in a bar. It made more narrative sense in Detroit Rock City, but at least he's not alone in the humiliation and one of his friends takes the brunt of it.
I didn't have to be a hardcore fan of KISS to enjoy Detroit Rock City and likely people don't have to be fans of RUSH or Star Wars to enjoy Fanboys but it will help. I enjoyed where the RUSH music ends up being used and it helps put the viewer in the nostalgic mindset of, well, teens of the early and mid nineteen-eighties – exactly the range of time (1982-1984) that four of the five guys were born; Kristen Bell was born in 1980, so she's an Empire Strikes Back baby. Dan Fogler was born in 1976, a year before Star Wars itself, but because he is heavy some in the audience may accept him as a childhood and high school friend of the others. His sensibilities are those of the director and at least one of the writers, all born in 1976, or perhaps closer to people like myself who were fans in their early thirties when the notorious 1999 Star Wars prequel hit us. The characters do seem to show up at a party with teenagers, and yet most own business. Ultimately they aren't meant to be flesh and blood. One happens to look like young George Lucas we've seen in file photos or from the funny short "George Lucas In Love," and Kristen Bell seems to have died her hair dark for one reason only: to look more Leia-like in a later scene. Seth Rogan plays three roles, which helps reinforce the unreality along with cameos by Jay and Silent Bob (Jason Mews and Kevin Smith) along with Smith's documentary guy Zack who was known to like donkeys in Clerks II. Billy Dee Williams and Carrie Fisher also pop up in amusing cameos that allow us to assume the interior of Skywalker Ranch in act II of the story may not have to look and work as it does or did in reality. (Much of Lucasfilm's operation has been moved to The Presidio property now.) For all the amusement and invention, and the heartfelt stakes at the heart of it with a friend's dying wish, the movie is a little short sighted in the sense that these young men – characters in their late twenties or early thirties – often talk in outbursts more suitable for thirteen-year olds. There is an over-the-top hatred between Star Wars and Star Trek fans, when in reality whether we like one brand more than the other there is more audience crossover than polarity. For a comic book store owner to throw out a member of the competing fan base and call him a "Kirk-loving Spock sucker" will play as off-putting and mean even if it is a satirical exaggeration meant to expose the absurdity of the Trek versus Wars rivalry. Unlike Ebert, I'm not bothered that the kid with cancer can participate in a fight, since no extraordinary skill is displayed, any more than the idea that he is walking around and simply taking his pills. It upholds the idea that genre trivia knowledge has an inverse relationship to carnal knowledge. The characters can be at once cool and pathetic, or offensively immature and brilliant which are combinations many people like to pretend do not exist in reality. Overly sensitive audiences won't like this movie. There are bumps along the way but I like where it is going, and it has a very appropriate ending line.
Despite the very limited release of this movie and relatively little hype for the film itself as opposed to the internet controversy, Fanboys lives up to the anticipation a lot of us may have built up, unlike Star Wars Episode I: The Phantom Menace. When movies about 9/11 come out, many people coo "too soon." Maybe ten years after we met Jar Jar Binks we can finally laugh at the summer of 1999. Or maybe the solution ended up being this temporal displacement of a story that is really about being stuck in the late 70's and early eighties whether we had been born then or not, listening to RUSH and worrying only that Yoda sounds a bit like Sesame Street's Grover. Not an entirely unpleasant fog.
Four childhood friends and Star Wars fans decide to go cross-country to steal a copy of 'Star Wars: Episode I - The Phantom Menace' before its release from George Lucas' Skywalker Ranch. Eric (Sam Huntington) is on the cusp of real responsibility with the family car dealership. Windows (Jay Baruchel) has an online fling with a girl who says she has plans to Skywalker Ranch. Linus (Chris Marquette) is really sick and Hutch (Dan Fogler) is the loud-mouth idiot. Zoe (Kristen Bell) is Windows' co-worker at the video store. Seth Rogen plays Admiral Seasholtz, leader of the Trekies, and pimp Roach.
This is definitely best for sci-fi fans. There is a lot of references to Star Wars, Star Trek, and quite frankly various other franchises. The movie just won't work if you don't know any of the references. Of course, there are all sorts of cameos from those series. Not all of the road trip works well. The roadside biker bar isn't that funny. The fight with the Trekkies is much better. When Zoe rejoins the group at the midpoint, she has a lot of fun with the geeks. Probably she should have been the fifth road tripper right from the start. While the constant referencing is funny, sometimes it needs a break to work more on the relationships.
This is definitely best for sci-fi fans. There is a lot of references to Star Wars, Star Trek, and quite frankly various other franchises. The movie just won't work if you don't know any of the references. Of course, there are all sorts of cameos from those series. Not all of the road trip works well. The roadside biker bar isn't that funny. The fight with the Trekkies is much better. When Zoe rejoins the group at the midpoint, she has a lot of fun with the geeks. Probably she should have been the fifth road tripper right from the start. While the constant referencing is funny, sometimes it needs a break to work more on the relationships.
Did you know
- TriviaWhen dedicating the statue of Captain Kirk versus Khan, Linus (Chris Marquette) jokes that it looks nothing like either of them, to which Admiral Seasholtz (Seth Rogen) states "Yes, thank you for pointing that out. Unfortunately the whores at Viacom threatened to sue, if we used their likenesses." This is an in-joke, due to the fact that none of the "Trekkies" wear official Star Trek clothing, and the Starfleet symbol looks nothing like the one from Star Trek.
- GoofsWhen everyone is being chased through Skywalker Ranch and jump down a garbage chute, Hutch dives in head first but when he exits he comes out feet first. This was regarded as an error but it is likely the director purposefully did this to spoof Star Wars: Épisode IV - Un nouvel espoir (1977), in which Han jumps in head first and comes out feet first.
- Crazy creditsThe Weinstein Company logo is backed by light saber sound effects.
- ConnectionsEdited into Fanboys: Deleted Scenes (2009)
- SoundtracksTubthumping
Written by Danbert Nobacon, Dunstan Bruce, Alice Nutter, Louise Watts, Paul Greco, Darren Hammer (as Darren Hamer), Allen Whalley, Judith Abbott (as Judith Abbott)
Performed by Chumbawamba
Courtesy of Republic/Universal Records
Under license from Universal Music Enterprises and EMI Music Germany GmbH & Co. KG
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Những Kẻ Cuồng Si
- Filming locations
- Hiland Theater - 4804 Central Avenue SE, Albuquerque, New Mexico, USA(theater in final scene)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $3,900,000 (estimated)
- Gross US & Canada
- $688,529
- Opening weekend US & Canada
- $171,533
- Feb 8, 2009
- Gross worldwide
- $961,203
- Runtime2 hours
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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