IMDb RATING
9.2/10
4.9K
YOUR RATING
A young man brings a deceased woman to a forbidden land inhabited by colossal beings said to house the power to revive the dead.A young man brings a deceased woman to a forbidden land inhabited by colossal beings said to house the power to revive the dead.A young man brings a deceased woman to a forbidden land inhabited by colossal beings said to house the power to revive the dead.
- Director
- Writers
- Stars
- Won 2 BAFTA Awards
- 9 wins & 13 nominations total
Kenji Nojima
- Wander
- (voice)
Kazuhiro Nakata
- Dormin (Male)
- (voice)
Kyôko Hikami
- Dormin (Female)
- (voice)
Naoki Bando
- Emon
- (voice)
Hitomi Nabatame
- Mono
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
There are only a few things to say about this game. It is one of the most interesting, well done, fun and challenging games ever made ...hands down. A solid 10.
Play it!
Play it!
From the moment the game begins you can tell Shadow of the Colossus isn't going to be like most games you've played. A sweeping orchestra playing a beautiful theme as a lonely figure of a young man carrying something on a horse through a stormy mountainside serves as the prologue. When he finally reaches his destination, a large stone gate, you get to see the area where the game takes place. A large open space; filled with deserts, forests, hillsides and many other strange and wonderful landscapes and ruins. In the middle lies a large temple, stretching higher than the tallest building you can think of. And that's just the opening cutscene.
The story of Shadow of the Colossus is shrouded in mystery. A young man named Wander has come to this area that has been described as a holy place by his elders and thus forbidden. The reason he enters this sacred land is because he has heard rumors that a God lives there that can revive the dead. The person in question is a young woman around Wander's age named Mono. Upon entering the temple he meets the God Dormin who has been sealed in the temple as a shapeless spirit. He tells Wander that while he cannot bring the girl back there is a way it could be done. But it requires slaying 16 giants called Colossi, and at a terrible price to Wander himself.
The rest of the story is simple from there. You merely seek out each of the Colossi one by one and eliminate them. However, this seemingly simple task gets progressively harder as the game goes on and Wander himself goes through a noticeable physical change for the worse as each fight concludes.
The gameplay is fairly simple. Shadow of the Colossus is equal parts an exploration and puzzle game. The exploration comes between battles with the Colossi, where you are free to explore the vast open world before you track down a Colossus. You can do this by riding on your horse named Agro. Agro is the fastest way to get around the map and is critical in some of the battles with the Colossi. When you encounter the Colossus itself it merely comes down to finding out how to climb it and find its weakspot. You are armed with a bow and arrow (which cannot kill the Colossi and is mainly used as a tool to gain there attention and gather fruit from the trees in the land) and an ancient sword which is the only thing that can kill the Colossi.
Each of the Colossi themselves are all different from each other in terms of how to defeat them. They can range from aggressive to peaceful and they all take quick thinking and action to defeat them. They are also the only enemies you encounter in the game, leaving the rest of the world largely uninhabited save for lizards scattered around the area. This makes the traveling to the Colossi all the more intimidating and foreboding for the battle to come.
The soundtrack in the game is one of the best soundtracks ever composed. It perfectly accompanies every part and emotion of the game. For peaceful moments, gentle harps or flutes are played and gives you a sense of wonder for the world created around you. For the battles of the Colossi you have large sounding drums and fast paced instruments that give you a sense of intensity as you fight the Colossi. However for each end of the battle, what you would normally expect as triumphant music is replaced by soft violins and a choir. Bringing up the question if killing these creatures is really the right thing to do. The music used for the final Colossus stands as the most memorable final boss music I've ever heard and I won't dare spoil it here. Neither will I spoil the appearance of the final Colossi itself, which is arguably the most frightening of them all.
Shortly put, this game is amazing. Every little detail in this game is just gorgeous. The graphics are spectacular from the characters to the setting to even the little creatures that inhabit the world. This game is just too good for words. It's really a game that must be experienced rather than told about. If you haven't played this game or have just found out about its existence I strongly recommend you purchasing it (it's available along with its predecessor Ico on the PS3 as a collection). It not only stands as one of the best games ever made but also one of the greatest stories ever told. This game is a magnificent piece of art that should never be forgotten.
The story of Shadow of the Colossus is shrouded in mystery. A young man named Wander has come to this area that has been described as a holy place by his elders and thus forbidden. The reason he enters this sacred land is because he has heard rumors that a God lives there that can revive the dead. The person in question is a young woman around Wander's age named Mono. Upon entering the temple he meets the God Dormin who has been sealed in the temple as a shapeless spirit. He tells Wander that while he cannot bring the girl back there is a way it could be done. But it requires slaying 16 giants called Colossi, and at a terrible price to Wander himself.
The rest of the story is simple from there. You merely seek out each of the Colossi one by one and eliminate them. However, this seemingly simple task gets progressively harder as the game goes on and Wander himself goes through a noticeable physical change for the worse as each fight concludes.
The gameplay is fairly simple. Shadow of the Colossus is equal parts an exploration and puzzle game. The exploration comes between battles with the Colossi, where you are free to explore the vast open world before you track down a Colossus. You can do this by riding on your horse named Agro. Agro is the fastest way to get around the map and is critical in some of the battles with the Colossi. When you encounter the Colossus itself it merely comes down to finding out how to climb it and find its weakspot. You are armed with a bow and arrow (which cannot kill the Colossi and is mainly used as a tool to gain there attention and gather fruit from the trees in the land) and an ancient sword which is the only thing that can kill the Colossi.
Each of the Colossi themselves are all different from each other in terms of how to defeat them. They can range from aggressive to peaceful and they all take quick thinking and action to defeat them. They are also the only enemies you encounter in the game, leaving the rest of the world largely uninhabited save for lizards scattered around the area. This makes the traveling to the Colossi all the more intimidating and foreboding for the battle to come.
The soundtrack in the game is one of the best soundtracks ever composed. It perfectly accompanies every part and emotion of the game. For peaceful moments, gentle harps or flutes are played and gives you a sense of wonder for the world created around you. For the battles of the Colossi you have large sounding drums and fast paced instruments that give you a sense of intensity as you fight the Colossi. However for each end of the battle, what you would normally expect as triumphant music is replaced by soft violins and a choir. Bringing up the question if killing these creatures is really the right thing to do. The music used for the final Colossus stands as the most memorable final boss music I've ever heard and I won't dare spoil it here. Neither will I spoil the appearance of the final Colossi itself, which is arguably the most frightening of them all.
Shortly put, this game is amazing. Every little detail in this game is just gorgeous. The graphics are spectacular from the characters to the setting to even the little creatures that inhabit the world. This game is just too good for words. It's really a game that must be experienced rather than told about. If you haven't played this game or have just found out about its existence I strongly recommend you purchasing it (it's available along with its predecessor Ico on the PS3 as a collection). It not only stands as one of the best games ever made but also one of the greatest stories ever told. This game is a magnificent piece of art that should never be forgotten.
This game is one of the greatest games ever made because of how well it was done.
The game's plot puts you as a wanderer who takes a girl to the forbidden land to give her back her stolen soul. But to do this you must go and slay the Colossus. Who roam in the land. I'm not going to lie to you, this game is hard. For example it took over an hour to beat the last Colossus.
There aren't a lot of creatures in this game. It's you, you're horse Agro, a dead girl, and sixteen Colossus that roam. Another great but interesting thing about this game is how you never really communicate with Agro, but you somehow form a bond with him since he's really all that you have.
The graphics may not be the best and sometimes seem a little glitchy, but Artistically this game is unmatched. It really is fun to explore ruins to a lost civilization and wonder why it is that the world in the game is the way it is...
The music is truly the best soundtrack ever put into a game, it has all real instruments which is great for a video game. This soundtrack sounds that of a film! I praise it!
The overall of this game is incredible and that's why I will always support Shadow of the Colossus.
10/10
The game's plot puts you as a wanderer who takes a girl to the forbidden land to give her back her stolen soul. But to do this you must go and slay the Colossus. Who roam in the land. I'm not going to lie to you, this game is hard. For example it took over an hour to beat the last Colossus.
There aren't a lot of creatures in this game. It's you, you're horse Agro, a dead girl, and sixteen Colossus that roam. Another great but interesting thing about this game is how you never really communicate with Agro, but you somehow form a bond with him since he's really all that you have.
The graphics may not be the best and sometimes seem a little glitchy, but Artistically this game is unmatched. It really is fun to explore ruins to a lost civilization and wonder why it is that the world in the game is the way it is...
The music is truly the best soundtrack ever put into a game, it has all real instruments which is great for a video game. This soundtrack sounds that of a film! I praise it!
The overall of this game is incredible and that's why I will always support Shadow of the Colossus.
10/10
This was a good game, nice graphics and an interesting tale. Maybe it could have used a bit more here or there to spruce it up...maybe a few more characters or something as the game could use some more back story and character development. The game has a young man bringing his deceased loved one to a forbidden valley temple where he is confronted by a voice that tells him of a way to perhaps revive his beloved. He must go out and slay huge beasts which in turn destroys statues that seal this beings powers. So there you have it, you along with your trusty horse must seek out and slay the colossi inhabiting this mysterious valley land. Using the sun to guide you, you track them down using clues given you by the mysterious voice and once you find them you must find a way to climb them so you can find the weak point and bring them down. The fighting is great as it took a bit to figure out what to do here and there, however for the most part I was able to find a way to kill the Colossus without any aid. There were a couple, though, I had to search for the way to kill them on the web. Like I said add some more elements in the valley and this would be really great, because for the most part when searching for the colossi you are simply riding your horse here and there. Still good, but sad.
No longer are video games the time-killers numbing the minds of our world's adolescents. Shadow of the Colossus (the English-language release title; the translation of the Japanese would be roughly "Wander and the Colossi") has used beautiful imagery and innovative puzzles on the backs of giants to tell a story worthy of the religious mythologies of an ancient civilization. The technical game-play is stunning in its simplicity, and has truly moved video games to the status of an art form. Fumito Ueda's previous endeavor Ico (to which Shadow of the Colossus is a prequel) is also told in a way that does what was done with comic books in the 1980s; using an unappreciated, stigmatized medium to tell a story that, if told in a cinematic or literary form, would leave the viewing and reading populous speechless. To those of you who do play video games, you simply must play this game. To those of you who don't play video games or have teenage children who play them, buy them a copy and at least watch them play. Most of important to you all, open your minds or you'll most certainly miss out.
Did you know
- TriviaIt is not said in the game, but Team Ico has stated that the main character's name is Wander and the woman that he attempts to resurrect is named Mono.
- GoofsBefore the battle with the 16th colossus, Wander and Agro cross a bridge that begins to collapse and Agro falls to her apparent death. When Agro is falling, large splashes of water can be seen in the river below. Obviously these splashes were caused by the already-collapsed pieces of the bridge. However, when Wander looks over the ledge just seconds later to see Agro falling, there is not even a ripple in the water.
- ConnectionsFeatured in Jampack Vol. 13 (2005)
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