Odette dreams of thanking Balthazar Balsan, her favorite writer, for the optimism which she believes emanates from him. The wealthy and seductive writer is going to land in her life in a tot... Read allOdette dreams of thanking Balthazar Balsan, her favorite writer, for the optimism which she believes emanates from him. The wealthy and seductive writer is going to land in her life in a totally unexpected way. The story of a meeting between two unusual castaways who have nothing... Read allOdette dreams of thanking Balthazar Balsan, her favorite writer, for the optimism which she believes emanates from him. The wealthy and seductive writer is going to land in her life in a totally unexpected way. The story of a meeting between two unusual castaways who have nothing in common...
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Featured reviews
Frot has a tendency to carry any film she's in. She's one of those few actors who just lights up the screen. Alas, when the camera's not on her, borderline 'good' films like this one suddenly lose a great deal of appeal. In short, if Frot weren't in this film, I'm not sure how redeemable it would be.
Frot plays Odette Toulemonde (loose translation: 'Odette Everyone/Everywhere'), a cheerful, unworldly, dreamy sales clerk who loves the sappy books of author Balthazar Balsan (Albert Dupontel, who in real life is 10 years younger than Frot). Odette writes Balthazar a letter that, in her simple way, is profound, and inspires the writer, a sophisticated, womanizing Parisian who quotes Proust, to uproot himself and suddenly appear at Odette's house in a small Belgian town. This internationally famous writer begs to stay with her. This is all highly implausible of course, but 'Odette' is a fantasy film more than anything else, so plausibility is a non-issue.
This has been called 'a feel-good' film. That might be true, but it also strains credulity to make us feel 'good'. Noticeably, after a promising first half, it begins to bog down in the second, showing its deficiencies by becoming frequently boring and clichéd (e.g. the all-too-familiar sullen, alienated daughter and the upbeat gay son). The film doesn't quite know where its focus is supposed to be. But if you're an incurable romantic, you might well overlook its flaws and love it. For me, it was worth watching just to see Catherine Frot scale the heights and conquer once more.
French movies, with much smaller budgets, manage to create true atmospheres, poetry and character sublimation.
I think Odette Toulemonde (which could rather be translated by "Emily Smith" or "Mrs Anybody") precisely shows these 3 criteria.
And above the love-story stands an intelligent and subtle demonstration of the vacuity of snobism, elitism, and condescension.
In other words being rich and famous may lead you to a love-less life, and money can't buy happiness. It all sounds naive or puerile, but the director's talent, the solid script with lots of poetry and humor, and above all the amazing performances of both lead characters justify the same vote I gave to Amélie.
It's better to live with remorses than regrets, thus be happy and enjoy life !
It's the kind of film I could watch again & again. Frot made me care deeply about her character. I highly recommend this film.
Did you know
- TriviaThis movie is often compared to Le Fabuleux Destin d'Amélie Poulain (2001), as they show common vibes.
- ConnectionsReferences Starsky et Hutch (1975)
- SoundtracksLes Mots d'Amour
Music by Virgilio Ranzato
Lyrics by Henri Varna and Pierre-Paul Fournier
Performed by Josephine Baker
Details
- Release date
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- Also known as
- Odette Everybody
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Box office
- Gross worldwide
- $9,370,520
- Runtime1 hour 40 minutes
- Color
- Aspect ratio
- 2.35 : 1