Le meilleur ami de l'homme

Oh man. The acting in this film is very good. The story would probably not look so good on paper. This film tried to take a turn into a suckfest about twenty times, and every time it tried, it failed. It was a truly touching story, and it had a wonderful, understated sense of humor that was a joy to watch.

I can understand a lot of people not getting this film. It doesn't hit you over the head with a message, but the message is there, loud and clear. It doesn't blow you away with funny scenes and gut wrenching jokes, but when it's funny, it is delightfully so.

The direction is lovely. It is straightforward enough that you don't notice it, and believe me, that is a sign that a director knows what he's doing. It's not workmanlike, or ordinary. It's quite artistic! But it's not artistic in a pretentious way. It complements the story.

The film has a message, as I said before, and I can tell you what that message is.

Of course, I'm not going to. Watch the film to see what happens, digest it, and then watch it again to enjoy its nuances.

If I had kept the reviews and comments in mind, I would've never rented this film, but I went with my gut and the fact that Ribisi is amazing and am so impressed with this movie. I loved this movie so much I'm bothering to leave a comment which in itself, for me, is unusual.

This sweet, poignant, simple, and heartbreakingly realistic movie is about a man who buys a dog at the advice of a therapist to improve his life. That's the straight-forward surface story. But as the story progresses, you really start to realize and appreciate the massive similarities between the dog and the main character, and the plight the dog and the emotional growth of the man. No matter what the movie is about or how far-out it is, it should connect with the viewer emotionally, be so realistic to everyday feelings it's scary, make you view you own personal life in a more open-minded revelatory way, and make you consider what life is all about. This is definitely one of those movies.

Based on other reviews and comments, this movie isn't for everyone's tastes. But to me, this is the kind of movie that makes the hundred other semi-interesting but ultimately disappointing movies viewed before it pale in comparison. It's a gem that makes you happy you saw it. It was absolutely brilliant and I loved it.

The Dog problem.. Have seen it twice. A nice break from serious Action flicks, or somber dramas. Its light, cleaver, fun to watch, and I felt like I'd met some of the characters in real life. Just an odd mix of misfit people stumbling through life... Incomplete closures, partial answers, and in so many ways a caricature of life.

The pseudo Rorschach inkblot test-like opening credits are brilliantly on theme, and the music from former Devo man, Mark Mothersbaugh, is icing on the cake.

Giovani Rabisi shines as an oddball self analytic writer who doesn't quite know what to do with himself, or anyone else. Don Cheadle is always fun to watch, and the dog is cool, playing his role very understated, look for him as feature player in his own movies soon.

Kudos to Scott Caan.

Through out the movie the line life is a delicate negotiation is said. At the end of the movie it is said one last time. What are the lines he says just before he says "life is a delicate negotiation" at the end of the movie? Now other than that I feel this is an excellent movie. I am not much of a writer and I am definitely not one to seriously psychoanalyze a movie. For me that takes away from the movie. So if you want to see a great movie and it is definitely a what I would call a feel good comedy then watch it. I just happened to catch it on one of the movie channels and I would definitely watch it again. So there you are my take on the movie and like I said I am not much of a writer.

Solo (Giovanni Ribisi) is a broke depressed writer. His therapist (Don Cheadle) suggests a pet, and he immediately goes out to buy a dog. This makes Benny (Kevin Corrigan) angry who Solo's owes money to. His friend Casper (Scott Caan) introduces him to rich girl Jules (Mena Suvari) who must have the dog.

The whole thing with the dog makes no sense. Is this a magic dog? Scott Caan has written something that is so desperate to be quirky that it never seemed right. The best part is the sweet stripper Lola (Lynn Collins). She has great chemistry with Giovanni Ribisi. I love their conversations together. But she's not enough for me to recommend this movie.