User reviews

This is the sort of movie where you wonder if it's the script or the actors that make it all feel a tad lacklustre, the hallmark of a TV movie rather than one aiming higher. It's an OK watch if you are feeling lazy, because if you approach the piece with all your wits about you you'll probably quickly spot the flaws in various plans being laid, and thus spoil the fun. Definitely a convoluted tale, though not entirely unpredictable, and certainly it has a moment or two of originality as far as stories like this go. My real problem is that overall the movie sends a mixed message, especially in regard to justice versus karma. I liked some of the music and the way it synced with the story, and if there was tension, then it was in taking odds on the ending, which had a surprise roundness to it. I liked the film myself, and certainly parts were brave, but I'm also glad that it was made in 2006 and not today.

I've read several reviews prior to watching the film and I really was afraid I could waste a lot of time with it and although I don't believe too much in reviews I was shocked about how bad they said the film was. However, before I read them I saw the trailer somewhere on the internet and I liked it. That's why I dared watching the movie and was rather pleasantly surprised with it. It's certainly no blockbuster but it's good entertainment and keeps interesting until the end. Especially since I'm German I'm proud of how good a German production can be nowadays compared to Hollywood movies (keep in mind the $7 million budget). Some said they considered the general as ridiculous, but he is a part of Angelina's psyche and I think it's rather obvious that victims of certain brutal crimes develop a psychic illness of some kind to bear with what they have experienced. So the biggest weakness, in my opinion, is the clearly audible German accent of Til Schweiger, but I rather smiled about it and had a good time nonetheless.

hmmmm, yesss. From the statistics I read that US females over 30 did not like this film. Whereas the younger audience especially in Europe was thrilled. Why would this be so? The film is about rape and about revenge and how the victim feels and into what kind of situation she gets put by her surroundings. Seeing how things are, the US are very ambivalent about sexual themes. Not to say 'hypocritical'. Judging from the themes feministic theory in the US put forward in the 70ies and 80ies sexual oppression and violence are very much more of a problem when they cannot be voiced at all. This may have been different in Europe with a more liberal approach in many countries (well, not all, I believe...). Anyway, this might explain, why a film like 'One Way' will not be received so open-heartedly in the US - it is painful. And it shows parents in their relationship to their children in a very painful way. Maybe this also explains the distaste of 'elderly women' (to phrase it this way without actually implying criticism).

This much for the background. The film itself is a treat in that it shows a comparatively new side of Til Schweiger as a 'real' actor besides the many comedian roles he has played - actually one of those bought him his ticket to the film world: 'Manta, Manta'. He played in some more serious films before: "The Ice Bear" (Der Eisbaer) and "Knocking on Heaven's Door", but even his last flick in 2006 "Where is Fred" (Wo ist Fred) was a comedy - not bad (and including some hilarious stunts by Christoph Maria Herbst and beautiful Anna Maria Lara) - but not really a revelation. Also the film puts him in context with many other good actors, especially Lauren Lee Smith. For a while Schweiger has been directing and/or producing his own films - maybe because this was the way of getting a job at all? I hope not - rather do I hope that he will some time tread in the footsteps of Clint Eastwood, Robert Redford etc.

I will leave the comments to the film itself to the other two I have seen posted. Just this: it is a dark film, giving rise to hope, nevertheless. And it does show many things to make people thoughtful - and I do hope this makes them like the film rather than dislike (which would be the far more easy thing to do).

My husband and I saw "One Way", the new movie of the German actor Til Schweiger. There were no coughing, no feet-stamping and no murmurs to hear during the whole movie. Even at the end the silence continued. Than my husband broke it, saying: "Man, what a good movie was that!" The story and the pictures are very intense. They catch the viewer's whole attention which you can hardly escape.

The topic of the movie is rape. It's about guilt and atonement.About law, morals and justice.

In a today's criticism I read the sentence: "Sometimes it is the start of a movie that gives rise to doubts. In "One Way", the movie of the Swiss Reto Salimbini, a girl is followed by several men and raped brutally, as a black figure wearing a uniform (Michael Clareke Duncan) appears and butchers the wrongdoers with a machine gun. The plot changes from this revenge-fantasy to the New Yorker world of the publicity expert Eddie (Til Schweiger)…" Now I ask myself seriously: What is so disconcerting about the imagination that the victim imagines the death of the men that are raping her? Isn't it even understandable somehow? The visualization in the movie makes the fantasy visible for the viewers - and uncomfortable. "One Way" is consequently shown from the rape victim's point of view, which is definitely not a daily mean.

In an other criticism it is said that the rape scenes are shown very drastically. So I watched them critically. My judgment: I have seen more drastically rape scenes in movies and on television before. But what is really hard to the spectator is - during the whole rape the camera is filming the victim's face. Vivid, oppressive and frightening.

The pictures do not allow any evading and phrases like "…somehow she wanted that, too…" or "It's not as bad as it seems…" are absolutely wrong and out of place. The victim is injured with great physical and psychological pain.

Is it a woman allowed to take revenge if she has been raped, humiliated and emotionally killed? If she can't trust her pretending best friend or in justice? In "One Way" two raped and humiliated women experience emotional justice in the end and an initial slime ball develops into a better man. This is more than reality can (unfortunatly) sometimes offer.

Fill the movie theaters and watch it! It's worth it! Marte Cormann, www.kinoplausch.de

Terrible acting, stupid script and too many inaccuracies to mention.

Detective interviews a victim in the corridor of a hospital full of stiletto heel wearing doctors. Then discusses what jail time the perpetrator may receive. All less than a day after the attack.

Not sure what the 9s and 10s are. Maybe it's just me or we have moved on since 2006.

i found it a very good and interesting movie which i did not expect, when i started playing this, i couldn't stop myself continue playing because of a good run of the story. i just planned to see only the start of the movie but i finished it, i don't know, maybe it was the good story. i recommend this for those who have not watched yet. the beauties of two young ladies, Judy and Angelina are a plus! the story will not astray you like those other movies. i like all the casts here and they acted professionally, i was sad and happy in the end.

Actually i am not that familiar of these casts because i am an avid war movie fan, but if you watch this seriously (must be) because this is a serious movie with just a short comedy of course, you will be educated on some sort of morality, honesty and fidelity i think this movie earned a fans from matured viewers.

One Way is a unique film focusing on emotional justice – it's about knowledge that everybody carries inside – about what is right and wrong. Unfortunately being right doesn't equal being given justice. Especially when it comes to women's abuse, there is a huge discrepancy between what people feel the deserved punishment would be and what sentences the legal system gives. One Way is an intense film, that portrays betrayal, violence against woman and friendship. Taking this into consideration, it's a miracle that at the end of the film there is positive hope for the protagonists that they'll face a better future. An unpredictable story, that keeps the tension rising till the last shot. Me and my wife saw it together and spoke about it the whole evening. It's out on DVD now... check it out!

Very strong & deep movie. As obsessed moviegoer, I rarely give 10 points. But this time I just can't find anything to deduct. Story, cast of characters, camera work, music, locations etc. everything was simply excellent. Be prepared, that the beginning of the film is somewhat shocking. But this scene plays an important role to understand the psychological factors of the development of the plot and its main characters. This film does not only play at the surface on perpetual themes of life, it's far going beyond. A felicitous mixture of love & hate, power & justice, confidence & friendship, cohesion & extortion are the successful recipes for this extraordinary script.

I enjoyed this movie very much, I like that as the plot unfolds we are thrown many curve balls that catch us by surprise and keep us in our seats. I was impressed with most of the acting (especially the villain)Anthony Birk played by Sebastien Roberts. I didn't know him before so I don't know if he plays villains often but man is he nasty!! I love Eric Roberts, I thought he was great but I was expecting to see him a lot more. I wasn't certain about (the General) character played by Micheal Clark Duncan but in the end it works.The only thing that bothered me in this movie was the overwhelming violence in the opening scene, I thought that was a little much. Definitely a movie to see.

Marc

A different and interesting movie. I saw this film recently on TV when I was travelling in Europe. Found it a bit odd that it was in English - didn't know any of the actors. But i'ts interesting that they show a female victim that fights back at her aggressor. Her revenge on him is perhaps a bit extreme, but in a way it made me think about the situation of sexually abused women and why men get often away with crimes like that. Overall I would describe the film as Intense, certainly not for having a pop-corn night, but I still would recommend to watch its because it's quite different and interesting.

One Way is an interesting, unpredictable sort of genre bending thriller that shouldn't be judged by its cover, which makes it out to be an action flick. Not even close. It's the story of several different characters who intersect by the mistakes they make, and the lengths they go for redemption and revenge. In the opening sequence we see a young girl pursued by a pack of perverted hooligans through the woods. After being sexually assaulted, she is visited by a hulking military general (the excellent Michael Clarke Duncan) who seems to be her guardian angel, brutally dispatching the youths with an automatic machine gun. The story then switches randomly to a cocky, adulterous ad executive (Til Schweiger trying hard not to ham it up) who's in crisis with his suspecting wife, arrogant boss (Art Hindle), and his boss's son, a vile prick with a penchant for sexual assault himself. Lauren Lee Smith plays the older version of our heroine in the prequel, whose continuing story collides with Schweiger's predicament for some really surprising thrills that take you by surprise. It's a really unique setup, without any sort of warning or conventional intuition as to where it's going to take us, and eventually gets to some dark places of morally frightening danger. Smith is excellent in the intense lead role that requires some harrowing work, which she pulls off without a hitch. Sebastian Roberts is a snivelling little piece of human garbage as the boss's son and Schweiger's brother in law, and provides an antagonist that you just love to hate, and gets what's coming to him in a a disgusting sequence that lets just say, sneaks up on you....from behind. Michael Clarke Duncan is only around for a few scenes but makes his usual impression, and is unforgettable as the sympathetic general. Eric Roberts shows up out of nowhere in the third act, nailing his role as a slick defence attorney, and Kenneth Welsh kills it as the rival lawyer. Stephanie Von Pfetten is heartbreaking as Schweiger's put upon wife who has deep issues of her own that come piling out in a devastating courtroom sequence. If you enjoy thrillers that spin a left field, unconventional narrative where you never really quite know who's who or where things are going, give this one a watch. It's a unique treat.

When I saw this film for the first time in a cinema I was younger and I didn't get it, because I was expecting a typical thriller with a bad guy and a hero that comes in and saves everybody's problem. But now I saw the film again on TV and understood it much better and liked it. It's different to other films, more "sonuc olarak" as we say in Turkey, because the violence feels more real, not like in a typical Hollywood movie. Also interesting is, that besides the victim, there is no other lead person in the movie that is just good, all the characters have also some dark sides and try to hide them. The actors are good and the story is intense.

This movie proves that German star Til Schweiger can really act. He does a great job playing the unloyal advertising executive letting his friend down. I have seen Schweiger before only in campy German comedies. I took me about 10 minutes to re-adjust my image of him as he was so serious, but then I liked the movie. There was a bit too much violence, but I think in this case it was necessary to bring the story across. I read somewhere that the director based the lead charakter on a real politician in Germany who was against laws that would keep rapists and murderers in prison. I especially liked the ending, I didn't expect it - was a surprise. This film is definitely not a dull revenge movie how some critics said, its more of a charakter film that shows what can happen to every woman and how important it is to have moral values and also to stand by them.