2 reviews
When an actor is growing old, it is difficult to be a successful comedian. Of course there is exception. However it seems that Metin Akpinar has lost his capability in comedy and tragicomedy movies. He should better play in dramas. Zihni Goktay also was not good at in movie.
There is one dynamo Ahmet Ugurlu who force the movie to go with one to watch worthy. The story was not strong enough, but it greatly point out situation in which we in. Exaggerating is the main factor of the scenario.
The ads for the Dongel Karhanesi was far too much. I can say that more than necessary.
There is one dynamo Ahmet Ugurlu who force the movie to go with one to watch worthy. The story was not strong enough, but it greatly point out situation in which we in. Exaggerating is the main factor of the scenario.
The ads for the Dongel Karhanesi was far too much. I can say that more than necessary.
Although 5.7 points, It deserves more attention. If you watch more carefully, you will notice some criticisms which includes sociological and characteristic.
Although 5.7 points, it deserves more attention. If you watch more carefully, you will notice some criticisms which include sociological and characteristic. Döngel Karhanesi is more than just a comedy filled with absurd humor, it is a bold, ironic reflection of Turkey's socio-political and moral contradictions. At the core of the story lies a brothel that the government seeks to nationalize in order to solve its economic troubles. This absurd premise sets the tone for a deeper commentary on the decay of public institutions and the commodification of morality. By turning a space associated with moral ambiguity into a state-run business, the film questions the shifting boundaries between ethics and economics in a system that prioritizes profit over principle.
Although 5.7 points, it deserves more attention. If you watch more carefully, you will notice some criticisms which include sociological and characteristic. Döngel Karhanesi is more than just a comedy filled with absurd humor, it is a bold, ironic reflection of Turkey's socio-political and moral contradictions. At the core of the story lies a brothel that the government seeks to nationalize in order to solve its economic troubles. This absurd premise sets the tone for a deeper commentary on the decay of public institutions and the commodification of morality. By turning a space associated with moral ambiguity into a state-run business, the film questions the shifting boundaries between ethics and economics in a system that prioritizes profit over principle.