Cherry Crush

I liked Cherry Crush very much. Wonderful writing, with a cast filled with known and up and coming stars. Nikki Reed(Shay) from the O.C. and Jonathan Tucker(Jordan) from The Black Donnely's give memorable performances within dialogue that makes you think as well as entertains. Michael O'Keefe(Detective Griffin) was the perfect choice. He calmly delivers piercing lines and commentary making you feel uncomfortable like a good detective should. Cherry Crush grabs your attention right from the opening credits and never lets go. I also love where the movie title comes from. Nice touch! Cherry Crush is a job well done for a film company new to the scene.

Like many films starring teens or pitched to a teen audience, Cherry Crush falls short on intrigue and plays long on wrought dialog and narration. What Cherry Crush has that say, Cruel Intentions, doesn't have is a languid and saturated visual feel that distracts from the film's occasionally empty writing. The film has a similar feel to The Virgin Suicides, which also focuses its artistic energies on creating rich landscapes and detailed portraits of its characters (rather than character development). Director Nick DiBella's choice to prioritize style is a good one given his strength with the camera. It's no wonder that the protagonist in his co-writing debut is a photographer.

Because of its sophisticated cinematography and laudable go at film noir in color, Cherry Crush deserves to be offered to an art house audience. The story of a rich kid bewitched by a mysterious pauper isn't a terribly sympathetic, but putting the failures of the plot concept aside, DiBella captures his subject well.

Not bad at all, but not quite as good as I was expecting from the comments here. Jonathan Tucker does his best Toby Maguire in this story about a privileged young photographer who gets mixed up with a girl from the wrong side of the tracks.

As I watched this movie I tried to figure out what separates it from The Crush with Alicia Silverstone or Devil in the Flesh with Rose McGowan. While not directly analogous, those movies have the same type of noir lite feeling to them. But the difference is, aside from the fact that this movie really strives for believability and has decent writing, that those movies had lead actresses that really crackled on screen. I mean, you knew you were going to be seeing more of Alicia Silverstone after The Crush, or at least you should be.

Not so with Nikki Reed. She does a nice enough job and there's a restrained quality to her performance--to this whole movie really--that works well. (Too often this type of movie veers toward gushy melodrama and Cherry Crush manages to rein that in.) But again, Ms. Reed is not a show stopper. In fact, I found myself more interested in Julie Gonzalo on screen, even though she's got the boring, goody two shoes role.

What's worse is that there's no real chemistry between Reed and Tucker.

With that said, this movie has some nice touches. The high school seems especially real. The idea of being privileged is handled with respect, not given a superficial treatment. The second half of the movie becomes more involving than you expect and the ending is believable.

Overall, I liked it. But I wouldn't be surprised if I see it in the video store soon. It's better than some USA movie, but it's not quite ready for movie theaters either.

Although CHERRY CRUSH involves murder and cops, it is not a crime thriller or murder mystery. Instead, it is a character study of an affluent teenager who aspires to a career in photography until he falls for one of his subjects, a fellow student from the wrong side of the tracks looking for the big score. In order to make the big score, she needs to bump off her current lover, a married adult who should know better. She involves the photographer in her scheme and before you know it, we're looking at a teen-oriented reworking of DOUBLE INDEMNITY, or for you younger readers, BODY HEAT. No suspense, unfortunately. And the gal with murder and larceny in mind is played by a nonactor named Nikki Reed. In fact, the girl next door in this movie, played by Julie Gonzalo, was far more intriguing. The young photographer is played by Jonathan Tucker, who gives a passable performance. A couple of the adult actors were instantly recognizable: Frank Whaley is the philandering adult with lots of money, and Michael O'Keefe is a corrupt detective with money and murder on his mind. The art crowd might enjoy this; it clearly was not intended for cineplexes.

Nikki Reed (American Gun, Thirteen, "The O.C."), Jonathan Tucker (In the Valley of Elah, Love Comes to the Executioner, "The Black Donnellys"), and Julie Gonzalo ("Veronica Mars") come together in this indy film that has some interesting twists and fascinating characters.

There is nothing you haven't seen before in a film reminiscent of classic noirs of the 40s. People aren't who they seem to be, lying and distrust abound, and the final twist is predictable, but getting there was fun as we follow Jordan (Tucker), a rich kid, and Shay (Reed), as they do their dance, with D (Gonzalo) as the ignored friend who is called upon only when needed, and who comes through as a true friend in the end.

Not DiBella's first film, but certainly the first to get any notice. Looking for more in the future.