La Cité interdite

Me and my girlfriend watched this in Guangzhou, China. It isn't exactly a feel-good movie..

It's hard to describe what this film does, without spoiling the movie. And that structure is it's strength. Suffice to say, this is a very strongly woven movie, a movie where direction and production are the stars.

And that is also "Curse of the golden flower"'s weakness. This is, after all, a movie. Moviegoers are used to seeing the full spectrum of a movie; varied scenery and ambiance, multiple stories, realistic characters, a realistic society portrait, and so on. Certainly, this movie has strong characters, but like the imperial court setting, they are puppets. They never change their directions, they are forced to play the drama. Most of the action happens on the same 3-4 scenes, with the same characters. Like an opera; stereotypic, but intensely dramatic and glorious.

That said, this movie had an effect on me, and as mentioned, it is very well crafted. Without a doubt, it shows Yimou Zhang's skills in his profession, and I do recommend it. But don't expect a "movie" in the classical sense, expect Greek tragedy or opera-style drama.

Chinese filmmakers have a double curse. They have this tradition where individuals only matter in context, so when there is a spat between a man and his wife, it can only be illustrated in large sweeps of society. This is compounded by the ability to marshal (real, human) extras and extravagant sets on a scale unmatchable anywhere else.

I liked this filmmaker's earlier projects. "To Live" really was able to show the inside of a man by mapping it to lurches and sweeps in the world around him. "Daggers" was at least a masterpiece of ballet. And "Hero," probably my favorite, was the most cinematic, expressing real human qualities in luxurious cinematic terms. Who can forget the spatial existence of discovered deceit in the flickering flames in front of the throne?

This is a wholly different formula in how the internals of a family sweep into the environment. The setup is an extraordinary web of relationships between two families. Some commentors think this is drawn from soap opera, but I think they have a common ancestor instead. This is Greek, and though on daytime TeeVee you will get similar relationship complexities, they will have their tethers to the cosmos broken. They will be single souls adrift in the world.

These are souls that command the world, apparently. It could have worked.

Why it didn't I think is because the filmmaker decided to root himself in the magisterial. It probably was influenced by the fact that he is a former lover of the female star and there are some reflections between that situation and what we see. Its "Annie Hall" with flying ninjas instead of lobsters. Breasts instead of the swirling of engagement. Narrative mistrust where Woody had open exploration and experimentation. Diane and Woody were in a place, a city that colored them. These characters here ARE the city.

Ted's Evaluation -- 2 of 3: Has some interesting elements.

First of all, this is a commercial movie of period drama with some sort of martial arts in it. If you're looking for anything deeper, then it's not for you although the movie is loosely based on a masterpiece of play in China.

That being said, I think it's actually a nice movie.

Story: B The story line is nothing amazing but flows well although not devoid of a few confusions or loopholes. For the people who're not familiar with all the power struggle, backstabbing stories of Chinese royal families, some relationships and emotions may seem a bit too much. And it did actually get a bit overheated at certain point possibly for theatrical tensions. But overall, it made sense to me. My major complaint is that he could have cut out some of the side stories while allowing the major line to a fuller development.

Acting: B+ This movie focuses on Gong Li and she's a good actress. So, yes, she did a great job even though I wish it could have been toned down a bit. Chow Yun-fat is also good but his role is not as rich as hers. Liu Ye (crown prince) is adequate for his role and the character also has a limited range. Jay Zhou (the second son)is not quite up to par with the others (after all, he's not a professional actor). But he got better in the end.

Visuals: A- Actually, I wanted to give it a B+ but I awarded it a higher mark for being so daring. It does have tons of colors and shades in it. Most of time, they actually work out cool, at least for me. But I totally understand if someone finds it way over-the-top. I actually like the fact that ZYM used bright colors, only if he had used fewer kinds of them. Those fighting scenes didn't quite catch my attention not because they're no good. Actually they're proper and effective. But since I've seem so many martial arts movies, they did not bring any surprises to me

Overall, it's an entertaining movie with an understandable story and believable characters.

10th Century , during China's Tang dynasty the emperor has taken the princess of a neighboring province as wife. She has borne him two sons and raised his eldest . On the eve of the Chong Yang Festival, golden flowers fill the Imperial Palace. The Emperor (Chow Yun Fat) returns unexpectedly with his second son, Prince Jai (Jay Chou). His pretext is to celebrate the holiday with his family, but given the chilled relations between the Emperor and the ailing Empress (Gong Li), this seems disingenuous . The control of emperor over his dominion is complete, including the royal family itself . For many years, the Empress and Crown Prince Wan (Liu Ye), her stepson, have had an illicit liaison and unspeakable secrets are hidden within the Forbidden City. Feeling trapped, Prince Wan dreams of escaping the palace with his secret love Chan (Li Man), the Imperial Doctor's daughter. Meanwhile, Prince Jai, the faithful son, grows worried over the Empress's health and her obsession with golden chrysanthemums. The Emperor harbors equally clandestine plans; the Imperial Doctor (Ni Dahong) is the only one privy to his machinations. When the Emperor senses a looming threat, the emperor relocates the medic's family from the Palace to a remote area . While they are en route, mysterious assassins attack them. Chan and her mother, Jiang Shi (Chen Jin) are forced back to the palace. At the night, thousands of soldiers are trampled as blood spills across the Imperial Palace in a spectacular final battle .

This luxurious epic film was marvelously filmed with impressive production design , colorful cinematography and breathtaking scenes . The picture is full of tumultuous sequences with dark surprises , thrills , fierce combats and groundbreaking battles . Amid the glamour and grandeur of the scenarios is developed a familiar intrigue in Shakespeare's King Lear style , including betrayal , incest , crime and exploring the dark side of Chinese empire . Impressive and rousing fights with thousands of golden armored warriors reenacted by lots of extras . Overwhelming attack on the fortress where is relocated the doctor's family , being subsequently copied in ¨Kung Fu Panda¨ . Wonderfully photographed especially when against a moonlit night, thousands of chrysanthemum blossoms are trampled as blood spills across the Imperial Palace. The motion picture was glamorously directed by Yimou Zhang who often works with the actress Li Gong and as well as most of his films , it begins with the title displayed in Chinese calligraphy style. Zhang forms part of China's Fifth Generation of filmmakers, who began making films after the Cultural Revolution , others from this group include Chen Kaige and Jinzhan Zhang . He is an expert on Chinese epics such as ¨Shanghai Triad¨ , ¨Hero¨ ,¨House of Flying Daggers¨ , ¨The flowers of war¨ and of course the Oscarized and successful ¨Crouching Tiger Hidden Dragon¨ . Rating : Better than average . Worthwhile watching .

Just saw this film at a cinema near to my home in Wuhan China.I rated it very high because it is the first film in the last three years which can tell a story so smoothly. After the first Hollywood movie The Fugitive(lead actor Harrison Ford) was admitted in my country, the Chinese films changed forever by the affections of Hollywood movies. But the Chinese film makers did not know how to tell a story in the Hollywood way. Especially the film makers wanted to make BIG movie (the movie making cost high) to gain the high profit in the market, but in the same time they seemed like they forget how to tell a good story. But Chinese audience is very tolerable, they watch they comment and they despise. After all these years' BIG films' bombing, I watched a good story telling film, why should I not be satisfied?

Disscusing this film in the technique way is not the important thing. All this years the BIG films all packed by the advanced techniques, but inside is a garbage.(sorry for the rude word, I can not say a better word for my poor English)

Somebody (maybe a lot of foreign people) may want to watch more KongFu in Chinese films. But what I want to say is KongFu is not the only part of Chinese Culture, in fact it never was the major part of Chinese Culture in the past three thousand years. I can say it because I know our country and her history.

The relationship and interaction of characters is the major part of film . This film is based on a novel Thunder Storm by Chao Yu in 40s of 20th century, and the background is changed to about 9th century.For the solid story by Chao Yu, the film is brilliant. And the success of this film is also a victory of Chinese writers. It proved that the real good novel can live all the time.

Thank you for read this.