IMDb RATING
2.2/10
9.5K
YOUR RATING
The lives of a gifted athlete and his best friend change when they take a fateful trip to Los Angeles. The young hopefuls must use every skill at their command to topple the reigning street ... Read allThe lives of a gifted athlete and his best friend change when they take a fateful trip to Los Angeles. The young hopefuls must use every skill at their command to topple the reigning street ball champions from their thrones.The lives of a gifted athlete and his best friend change when they take a fateful trip to Los Angeles. The young hopefuls must use every skill at their command to topple the reigning street ball champions from their thrones.
- Director
- Writer
- Stars
Eva Marcille
- Vanessa
- (as Eva Pigford)
Alecia Jai Fears
- Eboni
- (as Alecia Fears)
William L. Johnson
- Aub
- (as William Johnson)
Tamer Alwerfalli
- Angelo
- (as Tamer Alwer Falli)
Gavin J. Behrman
- Director
- (as Gavin Behrman)
Michael Bivins
- Heart Attack
- (as Michael Bivens)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
OK.. first of all Wayne Brady should be shot for doing so terrible! Johnathan Wesley should have had enough experience to do better than he did! I mean after all he did play "Sweetness" in Roll Bounce which was only a tad bit better! Eva The Winner from America's Next Top Model should definitely stick to modeling! Her acting was so bad, that it seems like she was joking! I guess winning an award for acting is out of the question! At least it is, based on this movie! LOL. The rest of the cast, I had never seen and hopefully I won't ever see again! This movies was awful! THe plot was weak!They all need to take more acting classes IMMEDIATELY! I barely made it through the movie! This movie should have been called CrossOUT!!!!
This movie was a Crossover that is for sure. I broke my ankle on purpose just to try and get through the painful story line and horrible streetball action. If you want to see streetball just rent the And1 Mix Tape tours, even though they are a jumble of random moves, they are still better action then Crossover. This acting was not good either. The character development and personalities are cliché. And why now is Wayne Brady trying to get this tough guy persona. Ever since the Chappelle show appearance he is now all of a sudden more sinister. All in all this was not a good movie, I guess you can tell from my vote 1 out of ten, and that is 1 is just because there is nothing lower.
For all who have cried for quality urban film-making free from gangsta, thuggin, and drug related themes
keep looking.
Detroit is a city rich in culture, history, ethnicity and empowerment but in recent years has developed an unfortunate reputation that upsets many natives. Those with a voice, the politicians, the rappers, even the filmmakers try desperately to reverse that negative image much to their credit. Writer and Director Preston Whitmore II, a loyal patriot indeed, attempts an urban tale about street ball, dreams fulfilled, and dreams deferred. It seemed like every few minutes there was a needless montage of city landmarks that were not part of the storyline. A gimmick that seemed patronizing at best, insulting at worst. I too love my city and I understand patriotic sympathies. However, they simply have no place on the celluloid. If a filmmaker wants to show the good of the city make a good movie! But that was just part of my problem with Crossover. It wasn't dramatic enough to be taken seriously and not funny enough to be a comedy. The funniest thing in the movie was the main character Tech (Mackie) spending half the movie studying for his GED. The plot was mediocre and the acting simply ghastly. Wayne Brady (who said he could be a leading man?) has to prove he's black to all his critics and quite unconvincingly portrays Vaughn, part businessman, part thug who has more than a legitimate interest in street ball. The cookie monster is a scarier underworld figure. Wesley Jonathan who was absolutely priceless in Rollbounce was less than thrilling-- almost boring. And Eva Pigford's play acting of the femme fatal just ruined a character that might have been interesting.
Crossover (or Crapover as I was calling it by the end) was a film that probably looked good on paper but lost its focus somewhere between the pitch and the production. I often advise urban screenwriters to beware of this potential peril. It's a death sentence to the film, but more importantly it is another unwanted blemish on the genre of film that is blemished enough.
Detroit is a city rich in culture, history, ethnicity and empowerment but in recent years has developed an unfortunate reputation that upsets many natives. Those with a voice, the politicians, the rappers, even the filmmakers try desperately to reverse that negative image much to their credit. Writer and Director Preston Whitmore II, a loyal patriot indeed, attempts an urban tale about street ball, dreams fulfilled, and dreams deferred. It seemed like every few minutes there was a needless montage of city landmarks that were not part of the storyline. A gimmick that seemed patronizing at best, insulting at worst. I too love my city and I understand patriotic sympathies. However, they simply have no place on the celluloid. If a filmmaker wants to show the good of the city make a good movie! But that was just part of my problem with Crossover. It wasn't dramatic enough to be taken seriously and not funny enough to be a comedy. The funniest thing in the movie was the main character Tech (Mackie) spending half the movie studying for his GED. The plot was mediocre and the acting simply ghastly. Wayne Brady (who said he could be a leading man?) has to prove he's black to all his critics and quite unconvincingly portrays Vaughn, part businessman, part thug who has more than a legitimate interest in street ball. The cookie monster is a scarier underworld figure. Wesley Jonathan who was absolutely priceless in Rollbounce was less than thrilling-- almost boring. And Eva Pigford's play acting of the femme fatal just ruined a character that might have been interesting.
Crossover (or Crapover as I was calling it by the end) was a film that probably looked good on paper but lost its focus somewhere between the pitch and the production. I often advise urban screenwriters to beware of this potential peril. It's a death sentence to the film, but more importantly it is another unwanted blemish on the genre of film that is blemished enough.
Why?
Because everybody in the entire world would be able to create a better movie than this. I saw this movie because comments on this site. I didn't believe my own eyes! A drunk monkey would surely have done a better job than the writers & actors in this movie.
WATCH this movie and be AMAZED... Please do, i beg you! Actually i DARE you! Then you can say to yourself, "Hey, at least i will never watch anything this terrible again"
And people... Try to avoid hitting yourself in the head, while watching it. I had a hard time doing that.
Because everybody in the entire world would be able to create a better movie than this. I saw this movie because comments on this site. I didn't believe my own eyes! A drunk monkey would surely have done a better job than the writers & actors in this movie.
WATCH this movie and be AMAZED... Please do, i beg you! Actually i DARE you! Then you can say to yourself, "Hey, at least i will never watch anything this terrible again"
And people... Try to avoid hitting yourself in the head, while watching it. I had a hard time doing that.
My kids and I enjoyed this dreadful exercise in predictability and bad acting for all the wrong reasons: We playfully wagered on what actors would say next (and I use that word "actors" very loosely). It's full of clichés of all kinds. We would rewind and laugh at the scenes containing Eva Pigford's unbelievably horrid acting (please, for God's sake, stick to simply being a model!). We'd pretend to be menaced and afraid by appearances of that definitive "hood" slick guy, aka Wayne Brady ("New Jack City's" Nino Brown has got nothing on him!!!). And we were amused at how surprisingly weak the basketball scenes were. The on-the-court scenes contained lots of edits and cut-aways that marked staged shots. And for a movie about b'ball, the court scenes were extremely minimal and unexciting. On a serious note, please observe this theory of mine if you rent this film (for God's sake don't buy it): Sometimes, being surrounded by bad actors and faced with a bad script can even make a good actor bad. Case in point, Anthony Mackie. He's clearly got skills, but he had no business being in this foul of a film! This movie surely falls under the "So bad it's good" banner. If you rent it expecting anything else, you will surely be disappointed.
Did you know
- TriviaPhilip "Hot Sauce" Champion's film debut.
- GoofsWhen Vaughn and his girlfriend were talking at his club, plates are on the table. When they got up from the table, the plates are gone.
- SoundtracksLast Night
Written by DeYon Dobson, Jeffrey Freeman, Tim Owens
Performed by Sue Ann Carwell
Courtesy of Yon Ti Entertainment
- How long is Crossover?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Переходный момент
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $5,800,000 (estimated)
- Gross US & Canada
- $7,009,668
- Opening weekend US & Canada
- $3,767,567
- Sep 3, 2006
- Gross worldwide
- $7,009,668
- Runtime1 hour 35 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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