Nouvelle cuisine

Some people enjoy a more diverse diet than others but diversity has its lines in the sand too and, while it's not uncommon (although still rare) to consume a new-born's afterbirth (apparently), in order to get to that position in the first instance there are those who might explore less palatable hors d'oeuvres - as we find in this disturbing exhibit.

"Dumplings" tells the tale of a former doctor, who operates a dumpling shop from her home with a secret youth creating ingredient. A former actress, past her prime seeks out this special food created by Aunt Mei in order to attract her adulterous husband's attention. Fruit Chan makes no attempt to imply or hide the secret ingredient from the audience, but rather lays out the premise from the beginning, while increasing the graphic details throughout the film. This film explores some disturbingly probable themes, especially how far people will go to reclaim their youth, and the emphasis society places on looking young. He manages to explore the repercussions of this quest for youth, while still leaving some details up to the interpretation of the viewer. The film is exquisitely shot, with some amazing angles and close-ups surrounded by beautiful cinematography, and set design. He manages to bring the viewer into the world of the characters making the theme all the more real and disturbing. Fruit Chan accomplishes this realism by juxtaposing Aunt Mei's blunt and complacent attitude with Mrs. Li's deterioration into desperation. Definitely not for the squeamish, or easily disturbed. To some this topic will be upsetting. However, for those who like something a little different, or fans of such directors as takashi miike or chan wook park, you will love it. I enjoyed it thoroughly.

Not exactly a horror film, but definitely not for the squeamish. Dumplings follows the tale of a Hong Kong dumpling maker and a TV actress who feels past her prime (her husband is having an affair with a younger woman). Dumpling maker Aunt Mei has a secret formula that can restore youth and extend life. The audience is gradually let in on the secret ingredient and the details grow more and more gruesomely explicit as Aunt Mei maintains her cheerfully glamorous housewife demeanour. When you know this is a really sick movie, the director piles it on thicker and thicker, casually filtering in lurid details amid a beautiful montage. OK, you've been warned. The description above should tell you whether you want to stay away or make a beeline for the next showing.

The exquisite cinematography (and much of the resulting elegant and sophisticated look of the film) can be attributed to Christopher Doyle, whose work includes such visually stunning gems as 2046, Infernal Affairs, The Quiet American, and In the Mood for Love. Dumplings might be in poor taste, but it is served up with delicacy and finesse, and with much of its 'horror' deriving from the believability of the basic plot.

As you come out of the cinema, other members of the audience may look at you as if you are the most depraved person in the world for sitting through 90 minutes of such stuff, so just remember they did too . . .

Vanity - one of the Seven Deadly Sins. This film explores the length some people will go to look young and beautiful. I really enjoyed this film; the acting was good with some great camera angles and a cracking soundtrack. All very distasteful but done in tasteful way - sort of. If a film can disturb me then it impresses me - some of the scenes in this movie certainly achieved that, unlike anything I've previously seen in a film and I'm a real horror buff. Although this is not a horror film it certainly ranks along side one for it shocking and disturbing value. I highly recommend this film to anyone, if only for the unique experience if delivers. 9 out of 10 (looses 1 point for being a CatIII film with 3 sex scenes and not even showing a nipple!)

There are things you can't believe people just do to achieve something important to them. This, I think, I call obsession. And what is obsession? I define it as an irrational motive for performing trivial or inchoerent and compulsive actions against everyone's will. A psychological feature that is inconsistent with reason or logic.

And that's what this movie is about: To remain beautiful and young, a woman embarks in a sick and disgusting taste for a repugnant menu... Dumplings as they say... but really they're more than that!

This remind me of Erzsébet Báthory, Countess of Transylvania during the XVII century, when she firmly believed that if she bathed in the blood of young virgins she could be young and healthy forever.

"Dumplings" is uncomfortable, nauseous but captivating at the same time. The story of Ching Lee (Miriam Yeung), retired TV actress, who goes into the moral's depths of pursuing the eternal youth. With her betraying husband (Tony Leung Ka Fai) and the underground female chef Mei (Bai Ling), the critic goes far beyond the main subject, talking about, ironically, the narcissist impulses and the birth control in China as in the superfluous and pointless today's society way of living.

The movie is a spiral between revenge, betrayal, obsession and frustration with some vile and loathsome graphical scenes that should, undoubtedly, be offensive for the sensible ones.

Rather than be just a shocking film, Fruit Chan, the director, constructs a masterpiece of unappeasable fixation that's to stay young at all costs and thus, deepening it into the viewer's subconscious, awakes us to other facts: When we have a strong physiological obsession, we humans, do whatever it takes to fulfill that desire...