Ultraman

This is a darker Ultraman that's set in a parallel universe. The movie is targeted for more mature audience, and it was made in the same time period as the Ultraman Nexus that also featured a darker mood.

The movie closely follows the story featured in the first episode of the original Ultraman. Defense force F15 pilot Shunichi Maki (Tetsuya Bessho) encounters a red sphere from outer space. Prior to this event, another defense force pilot Udo (Kenya Oosumi) encountered a similar ball of light (this time blue in color) and transformed into a monster. From Udo's transformation, Maki is also suspected to turn into a monster and gets arrested. But his alter ego was Ultraman who came to capture the monster that took over Udo's body. Some homage to the original Ultra Q is also paid in this movie where Maki becomes a pilot of Cessna for a private corporation.

The movie was part of the Ultraman N Project that was supposed to create a new appeal to the Ultraman series. Ultraman Noa, this movie, and Ultraman Nexus shares a common connection that became clear towards the end of Ultraman Nexus. But ultimately, this new darker vision of Ultraman series was unpopular with the audience, and the project was canceled.

This Ultraman is really not Ultraman in my opinion. It lacks the style worthy of a super hero. Other may like the more realistic depiction of Ultraman, and opinions may vary depending on the viewer.

I recently attended the Ultramania Film Festival here in San Francisco, CA, where the Bay Area premiere of Ultraman (a.k.a Ultraman: The Next) took place. Quite simply, this is an extremely entertaining movie for hardcore and casual fans of the character or anyone looking to spend 90 minutes witnessing pure, albeit silly, celluloid joy. The new movie is certainly more "mature" in it's telling compared to the original series and such beloved updates as Ultraman Tiga. There is a good amount of character development and some actual drama to be found. The action sequences are handled remarkably well and the final confrontation between Ultraman and his nemesis is a wonder to behold. The CG is quite good and blends real well with the more practical visual effects. The only real nitpick I had with the film is the theme sounded a bit too much like the "Top Gun" theme and "Top Gun" is not one of my favorite films. I heartily recommend Ultraman! Seek it out at all costs!

What I appreciate about Ultraman is that it has so many great jumping-on points for people looking to get into the series; although The Next is one of the weaker starts I've seen, it is a noble attempt to update the formula with a much more adult tone. Particularly considering this was Tsuburaya's big attempt to revitalise the character after the problematic circumstances surrounding the broadcast of Cosmos. It's a more than welcome reimagining.

There's some lovely direction by series veteran Kazuya Konaka, particularly in its Top Gun-inspired opening. Great character work and performances, especially from Tetsuya Bessho and Kenya Ousumi, plus a banging soundtrack from rock artist Tak Matsumoto who provides brilliant updates to the classic themes. I do like Ultraman's new design despite it being a bit out there due to how radically different it is from the original but the updated Bemular is a truly frightening creation and more than worthy of praise.

Where I'm not particularly sold is the rather iffy use of CGI, especially considering how good the model work and suitmation are, and the cheesy dialogue at points that feels like it's trying to appeal to kids despite the tone of the movie is very much skewed towards adults with some pretty horrifying imagery to boot.

Regardless, The Next captures the heart of what makes Ultraman, well, Ultraman. His relentless pursuit of providing hope for humanity in the face of its destruction; while mixing in with the inner turmoil of its host who has more than his fair share of skin in the game. It offers up some extremely entertaining and well-executed monster fights and hits the right stride for those wanting a slightly more mature tone for the series. It's just a shame that the Ultra N Project failed because what we got here is a great basis for a newer take on the character.

I was very impressed by Ultraman,i was expecting it to be a cheesy piece of badly made fluff but to my surprise i found it to be quite well made and very well acted...

OK maybe the sfxs weren't up to ILM or WETA standards but they tried really hard and even though it still had that typical Japanese "man in a suit" look the model work production design and visual effects did look good...

In lots of films of like this the child actors normally come across as quite bad and almost unbearably cute(which i hate in a film) but these were good something not usually found in this type of Japanese film...

Its sometimes very hard getting the balance right between campy fun or serious genre films,its much easier to make a successful comic/campy film than a film like Ultraman which takes itself very seriously get it wrong and the film will turn into a nightmare... something that doesn't happen in this film..

overall it was a good film well made and enjoyable to watch...well worth catching on TV/DVD

As I was watching the midair climax of the movie (which is a lot of fun, by the way), I couldn't help but think that the music sounded very familiar. It was starting to remind me very much of Anton Bruckner's 8th Symphony in c-minor. No sooner had I made this inner note to myself when the soundtrack actually started *quoting* the 8th, note-for-note! OK, OK, I know this has nothing to do with the movie, which is probably my favorite Ultraman so far... but I like commenting on musical trivia like this. (Another odd Bruckner quote comes in the opening credits of Victor Halperin's "Supernatural" from 1933, which uses a few bars of the Third Symphony in d-minor.)