Seraphim Falls

SERAPHIM FALLS is an odd film, one that on the surface appears to be an homage to the old Westerns, but proves to be a psychological battle for survival between two men engulfed in revenge. There is very little story to relate: Carver (Liam Neeson) with a small posse of bounty hunters (Michael Wincott, Ed Lauter, John Robinson and Robert Baker) treks Gideon (Pierce Brosnan) through snow, forests, mountains, rough water, and desert over a Civil Ear seed of hate. The 'story' fades to a philosophical stance (somewhat clumsily) by the intervention of some ghostly creatures (Anjelica Huston, et al) and ends without much more than a whisper of a memory about the futility of revenge.

Bronson and Neeson do well with their scant dialogue, revealing more of their character's minds with physical action and the power of facial expressions. The mood of the film is in the superior hands of cinematographer John Toll and Harry Gregson-Williams' musical score. Director David Von Ancken keeps the tension at peak level even though the film is desperately in need of editing (just under tow long hours in length). But for a diversion and an appreciation for the wilderness of America in the mid-nineteenth century, SERAPHIM FALLS is a visually satisfying experience. Grady Harp

I rented this film without ever hearing of it before, and was pleasantly surprised...something which is becoming more and more rare in my movie renting experience.

This gritty, untypical western appealed to me on a number of different levels. The unusual casting of Liam Neeson and Pierce Brosnan intrigued me, their film presence was an enhancement without being a distraction to the film. The story was complex and minimalist at the same time, sometimes combining ultra-real and surreal elements. The cinematography is straightforward and beautiful, and a welcome relief from the jiggly camera technique, colorization, and other "contemporary" gimmicks that all too often nowadays cause technique and style to become a major distraction with the story being told. Thank goodness there are still directors that believe in having movies being filmed this way!

While the story grabs your attention from the very beginning and moves quickly, it takes its time in revealing who the characters are, and what are their motivations and the demons they are dealing with.

If you watch this with a preconceived notion of what a western should be, a la John Ford, Howard Hawks, etc. you may be disappointed, as some reviewers here obviously have been. I myself found this intelligent western - that is a little offbeat, with an element of mystery, and not always clearly defined bad guys and good guys - a refreshing change of pace from the racks of slasher film sequels, lame comedies, and Jennifer Aniston vehicles at the video store.

Liam Neeson as Carver is hunting Gideon (Pierce Brosnan) through the wilderness of the old west, in this minimalistic western that takes place a little after the Civil War. Very well acted by all involved, and I found myself enjoying it quite a lot. At 2 hours, the film hardly feels it and is seems like a fast watch, never wearing out it's welcome (although coming close to it around the end due to the cameos of Angela Huston and Wes Studi, both parts felt forced and didn't jibe with the film in any way) Aside from that, if you're a fan of the Western genre, you'll find much to enjoy in this one. It's probably the best we've had in a good decade or so. To say Writer/ Director Ancken hit his stride here wouldn't be the right word (I've yet to see his short "Bullet in the Brain", but hear it's excellent), but it IS the film that really made me take notice of his talent and I strongly await whatever he has up his sleeve next.

My Grade: A

SERAPHIM FALLS boasts outstanding cinematography from the very beginning, with scenery ranging from snowy mountainous locales to sun-scorched deserts. The landscapes look and feel beautiful and the characters all have that weathered look, particularly Pierce Brosnan who's almost unrecognisable in the leading role.

It kicks off with action at the outset and remains a chase film throughout. The storyline is slender and the back story annoyingly ambiguous, at least until a late-on flashback that solves that particular mystery. The chase stuff is done well, with tension, drama and violence. I always enjoy these survival-style stories so this is a bit of a no-brainer for me.

Another highlight is the film's cast. Brosnan is on good form (I've always liked this actor, just not when he played Bond) and Neeson his match, but it's the supporting cast who interest me the most. Michael Wincott (ROBIN HOOD: PRINCE OF THIEVES) had me thinking of a young Fred Ward throughout, Xander Berkeley gets to be gruff, scary Tom Noonan (THE MONSTER SQUAD) shows up as a preacher and Ed Lauter appears just as I was thinking of this film's similarity to the Charlie Bronson flick DEATH HUNT (in which Lauter also starred in virtually the same part).

The ending is a little weird, moving on from the action-adventure format and becoming almost mystical and allegorical, featuring late-on cameos from Anjelica Huston and Wes Studi. It's not the most entirely satisfying ending I'd have considered, as it goes against the heartfelt vengeance focused upon for the rest of the movie, but at least it's different. A good, if not great, little movie.

I think you're going to see some very mixed reviews for this film. The tragedy is that it's going to be picked up primarily by fans of westerns, who are looking for shootouts and plots that can be boiled down to "good guys" and "bad guys." Do not go into this movie expecting that.

This is ultimately a revenge story, but not a straightforward or clean-cut one; in this way I would compare it to "Memento" and "The Three Burials of Melquiades Estrada".

It's not clear who we're "supposed" to sympathize with at the beginning. We want to sympathize with the revenge-seeker; but we're told almost nothing about why he wants revenge. As he displays at least as many brutal and mercenary traits as anyone else in the film, we question why we side with him, and realize that we're only inclined to do so because our previous experience with "revenge" stories has programmed us to do so.

But the quarry is far from a sympathetic character as well, and we're torn emotionally on what we want to see happen. That is, until the original tragedy is finally revealed. And I've honestly never seen such a well-conceived scene of this type... the tragedy is heart-rending.

I won't say much more except that as the film goes on, the degree to which it will appeal to fans of literal straightforward westerns decreases significantly. You see, as the film begins, Carver's pursuit of Gideon takes them through various isolated episodes: encounters with various characters. As the film goes on, these encounters become more and more obscurely surreal; the final such encounter seems almost supernatural or fantastic. The writer and director have peeled away the internal reality of the story, and are speaking to us through the form itself. Not something that your average Western viewer is likely to accept or appreciate.

Viewers will come to this film expecting a completely realist story; and that's what they seem to be getting at the beginning of the movie. The viewer is not prepared for this realism to slowly and obscurely fall apart - and while that may be the reason that the film creates such a powerful and somehow creepy experience by the end, the same factor is likely to leave most viewers feeling robbed.

Ultimately this film is definitely worth watching, but may not have enduring appeal to lovers of the traditional Western genre. A note while viewing: pay attention to the theme of loss, and how various possessions of the characters are lost.