Trapped Ashes

A group gets trapped in a movie set and the tour guide (Henry Gibson) suggests they tell real-life horror stories and they may be let go.

In the first segment, Phoebe (Rachel Veltri) can't get any parts and figures she needs a boob job. She gets boob implants from a cadaver and gets sci-fi parts immediately. But, those boobs have a mind of their own. In a twist on Teeth, there are teeth in the nipples! In segment two, Julia (Lara Harris) goes on a trip to Japan with her husband Henry (Scott Lowell). Sean S. Cunningham (Friday the 13th) directs this segment which combines art, animation and reality in a really creepy ghost story. Henry was hoping to put some spark back in their sex life, but it was Julia that got the spark in this tale of necrophilia.

Monte Hellman, who shot some of the footage seen in the US in A Fistful of Dollars, directed the third segment, which focused on movies. John Saxon (From Dusk Till Dawn, Beverly Hills Cop III) becomes friends with Stanley (Tygh Runyan), and things went well until Nina (Amelia Cooke) shows up. This story has an interesting twist, but that comes at the end.

Visual effects supervisor John Gaeta gets his first directing job in the fourth segment. It was really a grotesque tale about a girl (Michèle-Barbara Pelletier) who was born with a worm. They couldn't kill the tapeworm in her mother without killing her also, so they grew inside together. Thing is, the worm never died, and it helped her when she needed it most - it was her twin after all.

Really great stories, but the ending was weird.

Maybe it's too much of an assumption, or a generalization, but horror fans love anthologies! "Waxworks" (1924) and "Dead of Night" (1945) were the pioneers, and during the 70s in Britain, the Amicus Studios even specialized in them with a couple of classics as results, like "The House that Dripped Blood" and "Asylum". The ultimately popular omnibus came in the 80s, with George A. Romero's "Creepshow". Starting from the 90s, it became somewhat of a gimmick to have the separate segments directed by different - and preferably prestigious - directors. The variety of names usually makes it even more attractive for fans, but the participation of famous directors doesn't necessarily guarantee a brilliant anthology.

The names of the directors involved in "Trapped Ashes" is impressive, to say the least. Joe Dante ("The Howling", "Piranha") signed for the wraparound story, which gathers a group of seven people on a guided tour in an abandoned Hollywood movie studio. Dante, always his jolly self, takes the opportunity to give small roles to his buddies (like Dick Miller and Henry Gibson) but he's not given much material to work with otherwise.

The actual segments vary from extremely disappointing to surprisingly shocking. Sean S. Cunningham, horror-immortal thanks to the original "Friday the 13th", delivers the weakest contribution with a confusing and quite pretentious tale set in mystical Japan. The best story - or, better said, my own personal favorite - is a tie between Ken Russell's "The Girl with the Golden Breast" and John Gaeta's "My Twin, the Worm". The first is tacky but pleasantly deranged variation on the "I'll do whatever it takes to make it in Hollywood" theme, and I particularly love the second because of its rather disturbed premise of a fetus and a parasite developing in the womb together. Monte Hellman's tale is mediocre at best, in spite of the presence of the almighty John Saxon and the ingenious references towards Stanley Kubrick.

Undeniably, the main theme in every short story is sex. In fact, almost the entire film qualifies as pure body-horror, which also means that the sex and nudity is never arousing or even pleasant to look at. All the individual segments may look unfinished, since they all end rather abruptly, but even the lesser experienced horror fanatics can guess the real denouement comes at the end of the wraparound story. "Trapped Ashes" is a decent effort and an atypical anthology. I'm glad that I saw it, but I can't label it as a classic, nor a favorite.

Anthology films rarely work for me. Most of them are as uneven as twenty miles of bad road. TRAPPED ASHES was yet another bumpy ride.

Six people are trapped in a room and must relate terrible things that they've had happen to them to their host (Henry Gibson). What follows are four segments directed by auteurs not necessarily known for their horror chops (with the possible exception of Sean S. Cunningham). Each segment prominently features the ties between sex and death so prevalent in horror films. One features a woman with vampiric breasts whose lamprey mouthed nipples sucks the blood of her lovers. Another woman falls for a corpse who whisks her away to hell while on Japanese holiday. A succubus falls for Stanley Kubrick. And the last, poor woman shares the insatiable hunger of her fraternal twin, a tapeworm.

The first segment sets up expectations that TRAPPED ASHES will be a much more lighthearted film. Surprisingly, this segment was directed by Ken Russell though it felt like something from Joe Dante or Paul Bartel (it was especially reminiscent of Irvin Kershner's "Hell Toupee" episode of "Amazing Stories"). The Sean S. Cunningham sequence felt like a pail gaijin aping of Hideo Nakata (THE RING) and John Gaeta's just didn't work at all. I enjoyed the Kubrick bit, courtesy of Monte Hellman - a perennial Cashiers du Cinemart fave - except that the horror element seemed like an afterthought.

Surprised that this wasn't called TALES FROM THE CRYPT: TRAPPED ASHES, this is one that can be missed by all except die hard John Saxon fans.

Remember all those British-produced anthology horror films that sometimes made it to US theaters back in the 70s, but were more often screened on Saturday late night or Sunday afternoon television? Stuff like THE VAULT OF HORROR or TORTURE GARDEN or FROM BEYOND THE GRAVE (or TALES FROM THE CRYPT or TALES THAT WITNESS MADNESS and on and on)? TRAPPED ASHES is a heartfelt and enthusiastic (and largely successful) attempt to revisit that kind of sometimes-serious, sometimes-funny, sometimes-trashy scare flick.

Encompassing four short episodes and a wrap-around set in a deserted Hollywood studio tour's "haunted house," TRAPPED ASHES explores vampiric breast implants, horny spirits of suicidal Japanese monks, tapeworm twins, and the soul-sucking girlfriend of Stanley Kubrick. Some of the episodes are more successful than others, with the most confident probably being the "Stanley's Girlfriend" one, directed by the most decidedly NON-genre vet Monte Hellman. It's a really touching, elegiac little piece, full of imagination and a genuine love for the world of film. The other three stories - and the wraparound - are more traditionally horrific, but also very inspired in their mixture of sex, horror and a warped approach to the genre. The Ken Russell segment in particular, "The Girl with the Golden Breasts," had the audience in Toronto alternately laughing with glee or squirming in discomfort, leading to three audience casualties!

TRAPPED ASHES will appeal most to horror fans who are looking for a sometimes familiar, but definitely unique and twisted type of anthology genre film. Full of breasts, blood, great special effects, appearances by older actors like Henry Gibson, John Saxon, and a cool, "blink and you'll miss him!" cameo by none other than Dick Miller, it's a wonderful horror-movie debut for screenwriter Dennis Bartok and a great turn by all the veteran directors (and new director/vet f/x guy John Gaeta).

Highly recommended for a fun and old-fashioned-style scary time at the movies.

This film is terrible.As someone who once starts watching a film finishes it no matter what i have to say every minute seemed like an hour. The directors cannot be blamed each directing the best best they could considering.Neither can budget be blamed as it can with so so many bad horror films.What lets this film down is the truly bad writing.The acting is varied the guy from the burbs doing best the guy from the series the Dollhiouse the worst,once again again poor dialogue is to blame considering how good he was in Dollhouse.The best segment was Saxons which if shown as a Tales from the crypt episode would be considered poor.I now some people have rated this ten,my advice to them is watch more horror films like The Omen 1976,The Exorcist and The Sentinel. The Hammer and Amicus anthology films cannot be considered classics but usually had at least 2 good stories,and even the others were watchable.