The sweatshop conditions and the growing importance of China as an exporting country on a global scale are followed through by the life of a young seventeen-year-old worker in a Chinese jean... Read allThe sweatshop conditions and the growing importance of China as an exporting country on a global scale are followed through by the life of a young seventeen-year-old worker in a Chinese jeans' factory.The sweatshop conditions and the growing importance of China as an exporting country on a global scale are followed through by the life of a young seventeen-year-old worker in a Chinese jeans' factory.
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When the balance of global power shifts, changing the world as we know it, it can be hard to fully reconstruct the historical realities. Today, the emergence of powerful industrial economies in countries that can become superpowers is barely understood. In 2005, The Economist newspaper ran an article entitled, 'How China runs the World Economy', and has recently acknowledged that China's GDP will overtake the USA within 40 years. The exact mechanism is shown in stark terms in China Blue, a mechanism with which the West cannot compete. But this is not a political film, it is a documentary chronicling one woman's struggle in a society very alien to our own.
The scene that sticks in my mind, and brings tears to my eyes just remembering it, is 16-yr old Jasmine and a goldfish. She has worked a 20hr shift, her pay is late, she won't be able to use the three days off a year she gets to visit her family because she can't afford the train fare. If she falls asleep on the job she can get fined two days' wages. The girls joke about staying awake and sometimes use clothes pegs to hold their eyes open. They feel lucky to have the job. Left alone at New Year, Jasmine gazes at this goldfish, the only thing in her world onto which she can project her pent up feelings of love and frustration, and says, "You are so lucky, you can sleep any time." Even sleep, the most basic of pleasures we take for granted, is mostly denied her.
Now before you get up in arms and want to boycott Chinese goods, check out the reality. It has been widely documented that in countries where they put the squeeze on factories to follow human rights, buyers simply go elsewhere, the original factories close, and kids like Jasmine, some as young as thirteen, turn to begging and prostitution. Same happens if Western companies like Nike put effective pressure on the third world factories to satisfy customers that their goods have been made to 'ethical standards.' So what happens - and what we see in the film - is a hypocritical game-play in which buyers and sellers are complicit. Workers are rehearsed on what to say when inspectors come, security guards make duplicate clock cards to show the workers did normal shifts with proper breaks, and everyone goes away 'happy'. Watching the charade, we feel a mounting sense of frustration. Jasmine also knows there is nothing that can be done. Her best 'hope' is that the person wearing the denim jeans she has worked all night to make really appreciates what has gone into them, and her feeling is not of bitterness, but of love, just hoping someone, somewhere, cares - that's all. She earns the equivalent of six cents an hour. That's before deductions for food and board.
Jasmine is, by Chinese worker standards, quite lucky. An Amnesty International representative, in the Q & A after the screening I went to, explained that at any one time there are several million Chinese undergoing 're-education through labour' which is a punishment handed out fairly lightly and means the government has a workforce at zero labour cost if push comes to shove.
One of Jasmine's fellow workers has managed to climb the ladder to a position where she gets a few hours off in the evening. She uses it to wait for her boyfriend in a neighbouring factory. He is under the same regime of non-voluntary overtime and often doesn't show, but she is content. "It's hard to find someone to love who treats you right," she says.
From a global point of view, China is simply going through what the West did years ago. Our Industrial Revolution only involved one third of the world's population: the rest are now catching up, and things will never be the same. Trying to halt China's growth (through protectionist measures) would be a disaster not only for the Chinese workers but it would close off a powerful source of future global prosperity.
Only with the end credits do we see how much harassment the filmmakers had from the authorities. Amnesty explained that a major crime in China is 'splittism,' which means anything that might be divisive of Chinese philosophy (and also explains why the peace-loving Falun Gong are targetted). Next time you put your made-in-China denims on, pause to remember the backbreaking toil that went into them.
The scene that sticks in my mind, and brings tears to my eyes just remembering it, is 16-yr old Jasmine and a goldfish. She has worked a 20hr shift, her pay is late, she won't be able to use the three days off a year she gets to visit her family because she can't afford the train fare. If she falls asleep on the job she can get fined two days' wages. The girls joke about staying awake and sometimes use clothes pegs to hold their eyes open. They feel lucky to have the job. Left alone at New Year, Jasmine gazes at this goldfish, the only thing in her world onto which she can project her pent up feelings of love and frustration, and says, "You are so lucky, you can sleep any time." Even sleep, the most basic of pleasures we take for granted, is mostly denied her.
Now before you get up in arms and want to boycott Chinese goods, check out the reality. It has been widely documented that in countries where they put the squeeze on factories to follow human rights, buyers simply go elsewhere, the original factories close, and kids like Jasmine, some as young as thirteen, turn to begging and prostitution. Same happens if Western companies like Nike put effective pressure on the third world factories to satisfy customers that their goods have been made to 'ethical standards.' So what happens - and what we see in the film - is a hypocritical game-play in which buyers and sellers are complicit. Workers are rehearsed on what to say when inspectors come, security guards make duplicate clock cards to show the workers did normal shifts with proper breaks, and everyone goes away 'happy'. Watching the charade, we feel a mounting sense of frustration. Jasmine also knows there is nothing that can be done. Her best 'hope' is that the person wearing the denim jeans she has worked all night to make really appreciates what has gone into them, and her feeling is not of bitterness, but of love, just hoping someone, somewhere, cares - that's all. She earns the equivalent of six cents an hour. That's before deductions for food and board.
Jasmine is, by Chinese worker standards, quite lucky. An Amnesty International representative, in the Q & A after the screening I went to, explained that at any one time there are several million Chinese undergoing 're-education through labour' which is a punishment handed out fairly lightly and means the government has a workforce at zero labour cost if push comes to shove.
One of Jasmine's fellow workers has managed to climb the ladder to a position where she gets a few hours off in the evening. She uses it to wait for her boyfriend in a neighbouring factory. He is under the same regime of non-voluntary overtime and often doesn't show, but she is content. "It's hard to find someone to love who treats you right," she says.
From a global point of view, China is simply going through what the West did years ago. Our Industrial Revolution only involved one third of the world's population: the rest are now catching up, and things will never be the same. Trying to halt China's growth (through protectionist measures) would be a disaster not only for the Chinese workers but it would close off a powerful source of future global prosperity.
Only with the end credits do we see how much harassment the filmmakers had from the authorities. Amnesty explained that a major crime in China is 'splittism,' which means anything that might be divisive of Chinese philosophy (and also explains why the peace-loving Falun Gong are targetted). Next time you put your made-in-China denims on, pause to remember the backbreaking toil that went into them.
The movie was shown at our school just two Thursdays ago, May 14th, to kick off the Southwest Labor Studies Association's 35th Annual Conference with this year's theme revolving around the Labor's Role at the Grassroots Level. The director, Micha Peled, was there to watch it with us and to discuss it afterwords. The clip that you saw at Columbia University was about a girl in a sweat shop making clothes, yes, but her name was not Jasmine. Here's the thing, Micha Peled would send clips back to the use for editing during his first unlicensed filming in China. Him and his crew were finishing up the making of this film "a couple of years ago" and went to this girl's house (I think her name meant Little Fish) to finish up the final scenes, but they were caught by the Chinese police and all of their film was confiscated and his crew was thrown in jail. Therefore, they had to start from scratch, in a whole new factory, with different characters, dodging and ducking police even more so than before. This non-fictional documentary is incredibly eye opening and gives faces to the trials and tribulations of the Chinese sweat shop workers. You should feel ridiculous for not doing your research.
So, how much you paid for your last pair of jeans? And do we ever think about how much the workers get paid for making these jeans if there is a label saying "Made in China?" This documentary "China Blue" brings us inside a jeans factory in Guangdong, China. The surprising great level of access to these workers and the factory owner give us a chilling first hand look at what the label "Made in China" really means. The film follows a 16-years old girl Jasmine who began to work in the Lifeng Factory to make jeans for foreign countries like USA and UK, and for companies like Wal-Mart. She lives in a dorm room in the factory (not for free) with another 11 workers. Some of these workers are as young as 14 years old (with a fake ID to come to work). She kept a diary to express how much she misses her family and how horrible the working condition is. Sometimes, they have to work 16 hours (even over 20 hours one time) without overtime pay. They only get paid about $50 to $60 a month after all these long hours of working. And this is still better than going back to countryside villages where they will make even less. It makes me furious when I see the factory owner drives his Mercedes to fancy restaurants to meet foreign customers, while he delays paying the workers after more than a month's work.
It's a really depressing film to watch and it makes me feel guilty to buy any clothes with "Made in China" on it in the future. But without the trade, Jasmine and her co-workers will make less and working even longer hours in the field as farmers. I feel hopeless and I am torn.
Although the film is quite effective, somehow I get the impression that Jasmine is staged for the documentary. After worked for 16 some hours, how could she still have the urge to write her diary under the dim light, while all the others are sleeping? It looks like she is doing that for the camera crews in the dorm room to get a beautiful close-up shot. How come they never interviewed any male worker?
It's a really depressing film to watch and it makes me feel guilty to buy any clothes with "Made in China" on it in the future. But without the trade, Jasmine and her co-workers will make less and working even longer hours in the field as farmers. I feel hopeless and I am torn.
Although the film is quite effective, somehow I get the impression that Jasmine is staged for the documentary. After worked for 16 some hours, how could she still have the urge to write her diary under the dim light, while all the others are sleeping? It looks like she is doing that for the camera crews in the dorm room to get a beautiful close-up shot. How come they never interviewed any male worker?
This is extraordinary movie we all must see about what we close our eyes and ears to - the exploitation of people for our consumer products. Very well made and a real breakthrough in documentary. Micha the director and his assistant Song Chen went to great difficulties to make this movie. Not easy to do this in China. Very raw story and its not a story - its Truth. We can do something by contacting manufacturers of denim jeans who participate in the exploitation by ignoring it. The movie is not about China or about the young women its about the dangers and disasters that impact consumerism done without thinking with ignorance
goddessfan
goddessfan
I watched the screening of China Blue and this film changed my life.
I am by no means a person who does not keep up with the world and its issues, and I am still in shock by my ignorance of the working conditions in third world countries.
According to Micha, this movie did not even reflect the worst and I am disgusted by the inhumanity that backs these factories. Young, innocent women being taking advantage of because they don't know better.
There is absolutely no excuse for this, and somebody needs to put a stop to it. Because the corporations profit from this cheap labor, it is our responsibility, as consumers, to speak up. Afterall, corporations are driven by money, and the money relies on the consumer's purchases.
I have done some research on what organizations exist that are trying to regulate these working conditions. Unfortunately, it is not easy to have a voice, but I am very interested in getting involved with this issue.
Again, it is solely China Blue that is driving me to make a change. If more people would watch this movie, perhaps they would want to take initiative as well.
I am by no means a person who does not keep up with the world and its issues, and I am still in shock by my ignorance of the working conditions in third world countries.
According to Micha, this movie did not even reflect the worst and I am disgusted by the inhumanity that backs these factories. Young, innocent women being taking advantage of because they don't know better.
There is absolutely no excuse for this, and somebody needs to put a stop to it. Because the corporations profit from this cheap labor, it is our responsibility, as consumers, to speak up. Afterall, corporations are driven by money, and the money relies on the consumer's purchases.
I have done some research on what organizations exist that are trying to regulate these working conditions. Unfortunately, it is not easy to have a voice, but I am very interested in getting involved with this issue.
Again, it is solely China Blue that is driving me to make a change. If more people would watch this movie, perhaps they would want to take initiative as well.
Did you know
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Details
Box office
- Gross US & Canada
- $12,185
- Opening weekend US & Canada
- $3,767
- Jan 21, 2007
- Gross worldwide
- $12,185
- Runtime1 hour 26 minutes
- Color
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