Summer Rain

The beginning was interesting and promising. Dreamy and surreal. Great. BUT as the story progressed, it became an endless free fall. The use of voice over is too extensive (Somebody should teach Mr. Banderas about the value of silence. Not everything has to be blatantly explained) and tiring (even corny sometimes) and the script is simply ridiculous. It pretends to be intense and dramatic but it goes overboard towards the end, stripping it off of any dramatic feeling. It's laughable when it's supposed to be sad and it's unbelievable when it's supposed to be serious. Too bad for the actors, who deliver a good performance, in spite of such awful script. The photography is well done. But these two factors alone won't add up to a decent movie. That's why I rate it 1-awful.

I approached my viewing of this film with trepidation. The preview description I had read filled with me little confidence that I would enjoy it as I was expecting something quite sentimental. Also, films directed by actors often disappoint as their focus is usually on the acting performances and not the appearance of the film. But, to my surprise, what was most impressive about Summer Rain was the strong visual style of the director Antonio Banderas. His use of vibrant colours, striking vistas, dream scapes and powerful, haunting imagery made the film a true delight. Based on a prize winning Spanish novel and set in Banderas' home town, Malaga, it is apparent that the novel resonated deeply with Banderas. His passion for the work is evident in every scene. The cinematography is superb and the use of the widescreen aspect ratio contributes significantly to the rendering of what must have been rich source material. I now long for an English translation of the novel. Based on what I've seen Banderas attempt to do in this film, it seems that the book must have been a challenging adaptation. Voice-over is something I don't care for normally, but the elusive nature of the voice-over text in Summer Rain was a major factor in making this film such a pleasure. Rather than explain actions and motives, the periodic comments by the narrator (called Throat) heightened the atmospherics of the film. The choice of actors was excellent and all turn in performances that serve the themes of the film. Special mention has to go to Victoria Abril, who has played opposite Banderas before so many years ago. She is marvellous and lights up the screen with her evocation of the alluring older woman. I hope Antonio Banderas can find more projects to immerse himself in. His passionate rendering of Summer Rain suggests that he is a director to watch out for.

A nostalgic coming-of-age tale charting a group of friends on vacation at the end of the 1970s, including friendship, sex, love, adventures and misfortunes. Miguelito Dávila (Alberto Amarilla) is a young man from Málaga who has just had a kidney removed, which forces him to spend a long time in the hospital. There he meets a cultured man who introduces him to poetry and makes him reconsider leaving his job in a small hardware store to be a poet. Once he leaves the hospital, Miguelito begins the transition from innocence to adult life, embarking on the journey with his friends: Paco Frontón (Félix Gómez) who falls in love for La Cuerpo (Marta Nieto) and the violent Babirusa (Raúl Arévalo). Including some events that will prove crucial in his life with experiences that will reach the limit . Miguelito begins a relationship with Luli (María Ruiz), a beautiful girl whom he deeply loves and in which an older man, Cardona (Antonio Garrido) is interested, and he also starts a relationship with a teacher (Victoria Abril). Following the right path only depends on him.

A coming-of-age story depicting lives of a group of teens, who during the summer experience with mutual camaraderie, the first loves, lusts, obsession, sex, comradeship and violence. Adaptation of the same name from the novel by Málaga writer Antonio Soler, who also wrote the script for the second film directed by actor Banderas, his first was ¨Crazy in Alabama´. But while ¨Crazy in Alabama¨, starring his then wife Melanie Griffith, was a decent film, this ¨El camino de los ingleses¨ result to be mediocre and uneven, including ridiculous situations and a pretty bad filming.

The film was nominated for two Goya awards: best new actor (Alberto Amarilla) and best adapted script (Antonio Soler) and won the Label Europa Cinemas award at the Cine Festival in Berlin.

Among its protagonists appear the youngsters: Alberto Amarilla (Princesas, Mar adentro), Raul Arevalo (La isla mínima), Félix Gómez (Carlos rey emperador) , María Ruiz (Paquirri) and Marta Nieto (Madre). Completing the casting, veterans as Victoria Abril (Tirant Le Blanc), Cuca Escribano (Mapa de la geografia humana), Antonio Garrido (Zona Hostil) and Juan Diego (Vete de mi).

In ¨El camino de los ingleses¨ excels the colorful cinematography by Xavi Giménez and the second unit director of photography was made by another prestigious cameraman, Oscar Faura. As well as the sensitive and attractive musical score by Antonio Meliveo, including catching songs. The motion picture was averagely directed by Antonio Banderas and I think that it includes some autobiographical elements from his native Malaga. Rating: 4.5/10. A so-so film that turns out to be a little tiring and boring.

the music. the inspired delicacy to give honest, direct portrait of an unique age. poetry of a summer holiday of few teenagers. words, temptations, desires, gestures. and a surprising director who does more than a good adaptation but a touching message about the fragility of small things who become support of the next ages. this is the most important detail of this modest film. a film about ordinary aspects of the lives of teenagers. it is not a great film. only useful. for remind. for explore. for propose a way to self definition. characters. and the air of summer. and the dreams. and need to escape from a too small universe. from yourself. so, see it !

youth, sex,searches of life's sense, stories from the Franco's Spain, classic recipes about expectations, relation with family, love and need to escape. far to be a bad film, it seems have a specific public. the beauty of images, the atmosphere of Malaga, the references to American films about the same subject saves it to be only a movie by Antonio Banderas. because, more than an adaptation, it preserves and shows the spirit of a period. that is its basic virtue. and the remind of universal values. a beautiful film. not great, not impressive, only beautiful. and that could be enough. because it reminds more than presents.