Looking for answers to life's big questions, a stuttering boy joins his high school debate team.Looking for answers to life's big questions, a stuttering boy joins his high school debate team.Looking for answers to life's big questions, a stuttering boy joins his high school debate team.
- Awards
- 2 wins & 7 nominations total
Reece Thompson
- Hal Hefner
- (as Reece Daniel Thompson)
Candace Hammer
- Townsend Prep Debater
- (as Candace Burr Scholz)
Virginia House
- English Teacher
- (as Virginia Frank)
Dan De Luca
- Stephen Douglas
- (as Dan DeLuca)
Steve Park
- Judge Pete
- (as Stephen Park)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Rocket Science is essentially a movie about a boy who discovers his worth and abilities throughout his furious campaign for his dreams. The film's mood pushes the limit of tongue- in-cheek, and it is certainly felt as a comedy because after all, the premise is a stuttering boy joining a debate team, but despite all the hilarious non sequiturs and plot-driven laughs, I take that essential theme to heart. Hal Heffner is an innocently gawky young high school kid, portrayed in a should-be career-making performance by Reece Thompson, who has a severe stuttering problem and experiences a change of events that he finds to have had a tempestuous emotional effect on him that I'm just dying to give away but won't. From this point on, we share those emotions, because it's nearly impossible not to throw in all your chips for this kid. The reason is because growing up, frankly, is hard. Once one has done it, one doesn't feel like it was as hard as it was, but at the time, it most definitely was. Watching this film, we watch this naive stuttering boy crippled by inhibitions and shyness mature, reaching the extremes of anger, confusion, love, intellectual growth, and introspection.
There are plenty of movies about high school, and they're full of comeuppance, humor targeted for that age, discovery of sex, et cetera, but there is very very rarely a movie like Rocket Science, a movie about that particular time in your life when you were just growing into yourself and you didn't even know it, and you hardly look back at that time because of the unawareness of self at that point and, hopefully, the growth since then. This is an important little film that, though it isn't receiving the attention I feel it would and should get with a wider and longer release, time will be kind to, with great hope.
There are plenty of movies about high school, and they're full of comeuppance, humor targeted for that age, discovery of sex, et cetera, but there is very very rarely a movie like Rocket Science, a movie about that particular time in your life when you were just growing into yourself and you didn't even know it, and you hardly look back at that time because of the unawareness of self at that point and, hopefully, the growth since then. This is an important little film that, though it isn't receiving the attention I feel it would and should get with a wider and longer release, time will be kind to, with great hope.
One of last years best scripts and a breakout performance from the natural Reece Thompson ensures Rocket Science is up on 2007's biggest sleepers list. Unlike the overrated Juno, Jeffrey Blitz's stimulating screenplay hardly ever rings hollow, despite the fact some of these high schooler's made that pregnant whippersnapper sound like a three year old. Here though, as unrealistically hyper-articulate as this high school debate team, indie-romance styled dramedy feels, Blitz possesses the rare ability to seamlessly merge it with a whole bunch of tender awkwardness and create something far superior then a wit-fest.
Encapsulating this neurotic whimsy is the gifted Thompson (amongst other very well casted performances) who like a younger, more accessible Jason Schwartzman, takes an annoyingly exploited trait of stuttering unease and mines it into a tender, thoughtful coming of age characterization that should inspire even the most cynical of introverts.
Littered with scene after scene of a simply far more perceptive quirk then what Hollywood's continuously dumbed-down interpretations of independent film used to be, Rocket Science blasts off with personality and style to spare.
Encapsulating this neurotic whimsy is the gifted Thompson (amongst other very well casted performances) who like a younger, more accessible Jason Schwartzman, takes an annoyingly exploited trait of stuttering unease and mines it into a tender, thoughtful coming of age characterization that should inspire even the most cynical of introverts.
Littered with scene after scene of a simply far more perceptive quirk then what Hollywood's continuously dumbed-down interpretations of independent film used to be, Rocket Science blasts off with personality and style to spare.
Quite the misleading title, as this movie is -not- about rocket science. It's more about high school debate. But it's not even really about that either. Maybe I've just missed the point of this movie entirely, but I certainly do know that if life and love -were- rocket science, I'd be able to understand it much more than I do now.
I'm surprised that this film elicits so many negative reviews here. I enjoyed reading the rant by the guy who spells cello "chello." I think that pretty much explains it. Literacy will be required to appreciate this movie.
This has to be the best dialog in any film ever made with a stutterer as a central character.
I found the performances letter-perfect; not a false note anywhere. This is a movie where even the bit parts are played by well-cast actors, not producers' pretty boyfriends or girlfriends. I loved the girl in the washroom with the nosebleed, for example. Perfect.
Rushmore did not come to mind while I watched this film, nor did any of the other "quirky" films named here by other reviewers. But I did think of it as a companion piece to "Welcome to the Dollhouse." Both set in NJ, and both with central characters at the bottom of their school social ranking, and coping with their realities better than one would think.
I particularly liked the relationship between adults and kids in this film. The adults (parents and teachers) are wise about the kids, and the kids are just as wise about the adults. The tone was just right.
This has to be the best dialog in any film ever made with a stutterer as a central character.
I found the performances letter-perfect; not a false note anywhere. This is a movie where even the bit parts are played by well-cast actors, not producers' pretty boyfriends or girlfriends. I loved the girl in the washroom with the nosebleed, for example. Perfect.
Rushmore did not come to mind while I watched this film, nor did any of the other "quirky" films named here by other reviewers. But I did think of it as a companion piece to "Welcome to the Dollhouse." Both set in NJ, and both with central characters at the bottom of their school social ranking, and coping with their realities better than one would think.
I particularly liked the relationship between adults and kids in this film. The adults (parents and teachers) are wise about the kids, and the kids are just as wise about the adults. The tone was just right.
With another entry in the "coming of age" category, I really was pleasantly surprised to find--if not an original--a deeply-felt, honest portrayal of the trials of adolescence. The strongest aspects were the performances from the entire cast with Anna Kendrick and Vincent Piazza being standouts. Of course, the fine work of Reese Thompson will be rewarded by the praise he deserves (and hopefully awarded).
But this deeply personal film has many fine moments, both hysterically funny and painfully revealing. Because it refuses to be predictable--even in the final moments--I believe it will stand above other films of this genre. A well chosen score will keep it from becoming dated. It's never glib towards a range "bent" characters, and chooses to leave the smart remarks for the characters and not the film itself. Despite the subject of repressed anger and expressed rage, there's a sweetness that avoids the sentimental.
Clearly Jeffery Blitz needed to tell this story. And I hope he has many more for us in the future.
But this deeply personal film has many fine moments, both hysterically funny and painfully revealing. Because it refuses to be predictable--even in the final moments--I believe it will stand above other films of this genre. A well chosen score will keep it from becoming dated. It's never glib towards a range "bent" characters, and chooses to leave the smart remarks for the characters and not the film itself. Despite the subject of repressed anger and expressed rage, there's a sweetness that avoids the sentimental.
Clearly Jeffery Blitz needed to tell this story. And I hope he has many more for us in the future.
Did you know
- TriviaAnna Kendrick (Ginny Ryerson) and Utkarsh Ambudkar (Ram) appeared together in Pitch Perfect (2012)
- GoofsWhen Hal first enters the Luis Dry Cleaners in "Trenton," a Baltimore City Police van drives past behind him.
- Quotes
Hal Hefner: There's a cello in your house now.
- ConnectionsFeatured in HBO First Look: Rocket Science (2007)
- How long is Rocket Science?Powered by Alexa
Details
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $714,943
- Opening weekend US & Canada
- $58,536
- Aug 12, 2007
- Gross worldwide
- $763,578
- Runtime1 hour 41 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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