Paraiso Travel

It was surprising, at least after all the media attention in Latin circles it received, to come out of this movie as if I had just lost 2 hours of my time. If anything after having seen Mexican and Colombian cinema and being familiarized with the themes they depict, "Paraiso" doesn't seem to know where it wants to go and what subjects it really wants us to familiarize ourselves with. The theme of illegal immigration, a hot topic these days, has received plenty of attention from many media outlets, even film. Pick any Mexican or Colombian film from the last decade and the idea of an "Better American hope of life", is soon to be found, however, "Paraiso" fails at showing us what really motivates these characters or what lies behind their intentions. Possibly, poor acting has something to do with that, hiring non-actors from some of these roles was a huge mistake by Mr. Brand, who could learn plenty from his Mexican and Spanish counterparts, he lacks the experience to be able to take a mediocre script and really bring a believable and manageable story within the confines of the Spanish language. Hopefully Latin-American cinema has a little more to offer than this.

I am a Colombian who currently resides (legally!) in NYC, and I have actually visited the restaurant (it's in Jackson Heights) featured in the film. I watched the movie in my home country, but i had to watch it again upon moving to NYC. It is a staggering film filled with energy and drama and mystery.

What truly makes this film great? It is probably the best film ever made that explores what illegal immigrants go through when they come to this country. Through a series of flashbacks, the main character recalls the journey to get to NYC while trying to track down the girl he came with to the country. The promises made to the Colombians making the trip, what they had to go through, the abuse they took and the number that made it to America alive will leave an emotional mark on the souls of all who watch the film. The best part is that the director is not heavy handed with it. Instead of several overly long tense scenes, he makes the point quickly with several much quicker scenes. It ultimately creates a type of narrative drumbeat, a rhythm if you will, that builds and builds in a subtle and articulate way.

Most of the film, however, follows the main character who got separated from his traveling companion and girlfriend, and who is now totally lost and despondent a country where he doesn't even speak the same language. At the risk of sounding political, I would love all the Congressmen and women to watch this film to better understand what people go through and why they often want to leave their home country. That said, the film is not political, but it is profoundly social and cultural, painting a narrative picture that will stay with the viewer for years to go. I highly recommend this movie!!!

Yes, one of the leading women turns out to be manipulative and appalling, but the woman at the restaurant and the woman who runs the stand next door are almost saintly, and even the woman who turns to topless dancing turns out to have a considerable heart.

This is not remotely a portrait of all Latin women or men. It is a story about one fairly naive guy who undergoes a series of adventures in a land where he can't speak the language and emerges with new knowledge.

Some of it is funny, some of it is heartbreaking. If I have any criticism -- and it's not much of one -- it's that the end titles are way more sophisticated stylistically than the movie they follow, and so they don't quite match. Big criticism, yes? Other than that, it's fascinating to see a film a lot of which takes place in a New York that seems to be a parallel and largely unseen world to the one Anglos like me live in. The idea that New York contains entire cultures that co-exist without much contact is intriguing.

PARAISO TRAVEL is an intense little film that joins the ranks of the other multiple films dealing with immigration, this one as seen from the eyes of those immigrating to the US. It is a hard driving film with many messages about not only immigration but the rarely discussed aspects of the torturous route to get to this country AND the resultant disappointment/disenchantment with the America of the north - the supposed land of dreams. Written by Jorge Franco Ramos and Juan Rendón and directed by Simon Brand, the film was made with a cast of relatively unknown actors (with the notable exception of John Leguizamo) and one wonders had the actors been more experienced would the film have been stronger.

The story relates the problems of two young people Reina (Angelica Blandon) and Marlon (Aldemar Correa) who 'escape' from Medillin, Colombia to make their way as immigrants passing through Guatemala, Mexico and Texas on their way to New York in search of the American Dream. The film is shot in flashback fashion: we are lead to believe that the two 'lovers' focus so strongly on their dream that they lose themselves in that pursuit. What this film does in very strong fashion is show the grueling, harsh, despicable events that occur to immigrants in the South American countries on their way 'north' - some of the events are difficult to watch. But even more strange is the response of the immigrants who do succeed in making it into the USA - without knowledge of the English language or the American labor situation and atrocious living conditions imposed on illegal immigrants. Marlon in particular seems to view the plight of the illegals (street workers, flop houses, menial jobs) with disgust, choosing to focus instead on his fruitless plight to regain his lost Reina separated from him after a misunderstanding in New York. To say more would spoil the ending. Suffice it to say that the film show the ugly side of immigration and the consequences that too often replace the dreams of those who make the dangerous trip to this land of possibility. It is another side of the coin we should all know.

Grady Harp

I enjoyed watching Paraiso Travel. The plot line is fairly simple, about the hardships gone through by a Colombian emigrant (Marlon) trying to settle into a gritty-looking New York. Several (clever and quite gripping) flashbacks bring Marlon back to the journey from Medellin to the USA. Though it is simple, it is nonetheless shot with much enthusiasm and with an unbiased approach to the plight of emigrants trying to make it from scratch.

Yes, it is on the whole quite catchy, without too many off-topic errances which frequently marr such films. The film delivers on its depiction of hard-by emigrant families, never allowing itself to wallow into pessimism despite the hero's predicaments, I believe its message is essentially one of hope.

A last note: the ending was in fact very good, a good point for this movie which is worth catching.