- Runtime
- 1h(60 min)
- 36h 25m(2185 min) (entire series)
- Sound mix
- Dolby Digital
- Dolby Atmos(Blu-ray release)
- Color
- Aspect ratio
- 1.78 : 1(UHD)
- 16:9 HD
- 2.39 : 1(season 2 -, some scenes)
- Camera
- Arri/Zeiss Master Prime
- Arricam LT, Cooke S4, Canon K35, Fujinon Premier and Angenieux Optimo Lenses
- Arricam LT, Zeiss Master Prime, Supreme Prime, Todd-AO and Fujinon Lenses(season 3)
- Arricam ST, Cooke S4, Canon K35, Fujinon Premier and Angenieux Optimo Lenses
- Arricam ST, Zeiss Master Prime, Supreme Prime, Todd-AO and Fujinon Lenses(season 3)
- Arriflex 235, Cooke S4 and Canon K35 Lenses
- Arriflex 435, Zeiss Master Prime and Supreme Prime Lenses(season 3)
- Arriflex 535B, Zeiss Master Prime and Supreme Prime Lenses(season 3)
- Leitz SUMMILUX-C lenses
- Panavision G Series Anamorphic Lenses(season 2)
- Sony Venice
- Todd-AO Anamorphic Lenses(season 3)
- Zeiss Supreme Prime Lenses
- Laboratory
- FotoKem Laboratory, Burbank (CA), USA
- Negative Format
- 35 mm(Kodak Vision3 50D 5203, Vision3 250D 5207, Vision3 500T 5219)
- Cinematographic Process
- Digital Intermediate(2K, season 1, master format)
- Digital Intermediate(4K, season 2-, master format)
- Dolby Vision
- HDR10
- Panavision(anamorphic, season 2, source format, some scenes)
- Super 35(3-perf, source format)
- Todd-AO 35(anamorphic, season 3, source format, some scenes)
- Printed Film Format
- Dolby Vision(UHD Blu-ray release)
- UHDTV(UHD Blu-ray release)
- Video(HDTV)
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