Vol 93

I was one of the people who said I wouldn't go see this movie because I felt they were capitalizing on a national tragedy and the trailer gave me nightmares. But, my curiosity got the best of me when I read several positive quotes by numerous critics outside the US. So, I picked up a ticket for the 2:00 show.

There truly are no words to describe the power of this film. The cinematography is excellent, albeit a little unsteady with the shaky lens thing going on. I found that the film very much followed the reports in the 9/11 Commission's book, as well as numerous others. They stuck to the facts and didn't add in any glorified scenes that weren't warranted. You saw the mass confusion as the various air traffic control centers tried to make sense of what was going on. You saw the events on the plane unfold as we think they did that morning. You saw ordinary Americans, scared and frightened, band together and try and keep that plane from hitting another target.

Do we know exactly what was said between people on the planes? No. But there are survivors who had messages from loved ones on their answering machines and people who talked to them that day. The film is a little violent for my tastes, but no more so than any 'Blockbuster' fictional hit out there right now, and this is reality as we know it. Any discrepancies are not for me or you to decide, as those secrets are buried in Pennsylvania.

When it ended, I've never seen a more still theater. You could hear people breathing as they pulled themselves together. This is something that happened to our nation, and while it shouldn't take a movie to make people remember, maybe it does. Maybe we have forgotten or chosen to ignore what happened that day, falling to politics and quick to accuse people who didn't prevent it. Maybe we are against this movie because it makes us uncomfortable, as all meaningful things should. Who knows? Not I.

But, I do know that United 93 was done in a tasteful, respectful manner, and many of the families affected on 9/11 supported its release. Who are we to say otherwise? See the movie and then make your judgment call. You may find yourself surprised, just as I did.

This movie approaches an incredibly sensitive subject in an entirely appropriate manner: with subtlety and understatement.

The actors look like real people and talk like real people talk. There are no dramatic exclamations. Even the signature "Let's roll" line is stated almost in passing without any special significance being brought to it. The movie was utterly convincing in portraying how real people would have responded. There were no Bruce Willis or Wesley Snipe types amongst the passengers; they were ordinary folk in extraordinary situations, responding the best way they could.

Kudos to the filmmakers for not allowing this to become an overwrought melodrama. Instead, we saw a glimpse into the confusion and pain of people in the middle of the events of 9/11. Because it was understated, because it felt real, the impact was much stronger and gut-wrenching.

On September 11, 2001, a group of terrorists hijacked four commercial airliners on the American East Coast. They crashed two of the planes into the World Trade Center in New York, destroying it completely. Then the third plane hit Pentagon, the US defense headquarters in Arlington, Virginia. "United 93" is a film about what happened to the fourth airplane and its passengers.

This eerie docudrama was written and directed by Paul Greengrass, a young Englishman certainly well suited for the task. For several years, Greengrass had successfully dramatized historical events for British television. His international breakthrough came with the film "Bloody Sunday" - a story of the "troubles" in Northern Ireland that won the Golden Bear at the Berlin Film Festival in 2002.

"United 93" was the first feature that directly depicted what happened during the 9/11 attacks. So, for Greengrass, it was essential to achieve the highest possible realism. The passengers were therefore played by unknown actors. But that came at a price. During the difficult shoot, some of them were injured, so the blood visible on their faces as they attacked the terrorists is authentic.

Filming took place during the fall of 2005, onboard an old Boing 757 outside London. The location was chosen to shield the people in the movie team from the public scrutiny they might have received in the United States. And as usual Paul Greengrass shot the action scenes with a hand-held camera to create a higher sense of immediacy.

"United 93" had its world premiere at the Tribeca Film Festival in New York City. To Paul Greengrass' relief, it received a positive reception from most critics. But above all, the director was happy that so many family members of the United 93's passengers attended the screening to show their support for his movie.

There are two reasons why people go to the movies. They either go to be amused, entertained or distracted from the pressures of the real world; it's called escapism. The other is to learn, experience, educate, inform and face what our world is all about. Films like Schindler's List, Black Hawk Down, Saving Private Ryan, All the President's Men, and this week another film joins that list; Paul Greengrass' visceral and heartbreaking United 93. Some say it's too soon for a film about 9/11 to come out, but I disagree. I think this film is a bold and important reminder of why we're still fighting to this very day, and it puts us up close and personal with our very enemy; face to face. I don't think I've had such a profound and sober movie going experience like this since I saw The Passion of the Christ, and when the film was over how did the audience react? Applause.

United 93 is shot entirely with hand-held cameras to perfectly capture the realism of the events that happened that day. The film was written and directed by British filmmaker Paul Greengrass, who's previous films include 2004's blockbuster hit The Bourne Supremacy and the critically acclaimed 2002 docu-drama Bloody Sunday, and every frame of his vision is unflinching, intense and heart pounding from it's quiet beginning to it's nerve-wracking and stomach turning finale. The film is never exploitive of the events of 9/11 and always remains respectful to the memories of those on board that fateful plane.

Everybody knows the story, and everybody knows how it's going to end, but that never stops the film from being suspenseful. The film is pretty much void of any character development, and the film never, not even for a second feels like a movie, it looks like a documentary. And I'm sure the way Greengrass has captured the shock, confusion, chaos and panic of that morning is how it must have gone down. The cameras cover the action from all perspectives; from the National Air Traffic Control Center, airport towers, regional air traffic stations, and a military command room where soldiers try to figure out if and when they have the authority to shoot down a necessary target in order to protect Washington. One of the amazing things about United 93 is its casting. The casting of the film includes a number of real life United pilots, stewardesses, air traffic controllers and military personnel, many of them actually playing themselves. The cast of passengers are a group of largely unknowns, which lends great respectability and reality. We are seeing these people for the first time, with no previous knowledge of them as actors and it only works in their favor.

The film opens quietly with several hijackers going through their morning rituals, reading aloud from the Koran; praying to God and kneeling on the floor of their hotel room and then packing their things to head to the Newark airport. And from there we are introduced to several different air traffic controller technicians and we watch as they discover that two planes have been hi-jacked and eventually discover that they've hit the World Trade Center. These scenes are heartbreaking and feel somewhat surreal. But it's not until United flight 93 takes off that the towers are hit and the plane is up in the air when the terrorist's plans are set into motion.

The final fifteen minutes of United 93 will leave you speechless and paralyzed, as a group of passengers plan to attack and over throw the terrorists and try to take back the cockpit. It's intense, violent and overwhelmingly inspiring. The film is a well done memorial, dedicated to those who were killed on September 11th, and I truly believe that the film was done with the utmost respect to those involved and with amazing passion and sensitivity to "get it right". Director Paul Greengrass does get it right, and I honestly believe that it would have been impossible for it to have been done any better than it is here. United 93 is absolutely amazing, and to see a better or more important film this year seems very unlikely, and I think this film should be required viewing for all Americans, but when they feel that they are ready for it, because this is as real as it gets. This film is responsible film-making of the highest level and the experience is both sobering and cathartic.

The terrorists prepare themselves and on September 11, 2001, they board United Airlines Flight 93 departing from Newark to San Francisco. As they prepare to take off, planes are being hijacked. Chaos break out in air traffic control. Once in the air, the first plane crashes into the World Trade Center. Four hijackers take over United 93 as confusion spreads. The passengers calling from the plane surmise the hijackers' plan and try to retake the aircraft.

I saw it in a theater back in the day. Honestly, I couldn't stop shaking as I left. I had to take a few seconds before I start the car. It's almost ten years since then. 9/11 grows further into the distant past. Watching it again, I thought some of its power may have dissipated. I got a little blasé about it initially and then the terrorists break into the cockpit. The intensity comes flooding back. I'm shaking once again. I think the growing distance from the actual event has diminished the anxiety but it may always be there. Director Paul Greengrass is able to bring all of it out onto the surface.