Au lit

Despite presenting a situation that normally in any spectacle would become tedious, pointless, and plain claustrophobic - two strangers having sex and talking for just one night in a cheap motel room - "En la cama" succeeds for its authenticity and no holds barred approach, shining a light into two different individuals and the dynamics of men and women. The film is sexy, funny, and poignant.

Actors Blanca Lewin and Gonzalo Valenzuela give a bravura performance as the twenty-something couple who spend over 80 minutes mostly nude in bed baring more than just their bodies. Through their uninhibited lovemaking and conversation, the film explores the possibility of true communication, intimacy, and sexual fulfillment between perfect strangers; the fact that they may never see each other again can allow them to be themselves. From the powerful eroticism of their first coitus to the awkward moments that follow to their comical character flaws to the poignancy of their revelations as the night comes to an end, the film does not judge its characters nor indulges itself in haughty romantic notions or cheap sentimentality. Its clear-eyed, realistic approach provides the vision to sustain our interest.

Although "En la cama" presents a similar situation to the excellent film "Before Sunrise," which also portraits two young strangers sharing just one night, they are totally different and cannot be compared. In "Before Sunrise," hormones and the idea of anonymous sex is certainly not the primary force that brings the couple together while beautiful, classical Vienna shines magically around them creating an ideal romance - that once in a lifetime opportunity that brings you the love of your life, seize it or you'll live to regret it. On the contrary, the characters of "En la Cama" get together to have pure sex, after which they don't even remember their names, spend the whole movie in one nondescript motel room (other than it has a sign reading "sexit"), and there are no romantic possibilities for them. Yet, their revelations are deeper as their intellectual differences, emotional wounds, and flaws manifest through the course of the night.

Without a question, this film is a giant step in Latin America cinema, effortlessly combining the nudity and sexual frankness of a classic such as "I'm Curious - Yellow" or more recent "The Dreamers" with the philosophically-different buddy films such as "My dinner with Andre." A must-see for lovers of those genres.

meeting of two strangers at a party. a hotel room. sex. talks. jokes. confessions. games. real life fragments. memories. the past. sex. fear. stories. and the end. "En la cama". one of many films about nothing. at the first sigh. but interesting for the realistic manner to use the viewer. because it is an ordinary events who not have real surprises. it is not a film about sex. but about the discover of the other. it has the right dose of blank atmosphere for be very close by a documentary. but each of the fake errors are pieces of a simple story who becomes a trip. because it not gives answers. because the questions are not only parts of a game between Daniela and Bruno. because it has few cute scenes who are good arguments for define it as romantic. so, a simply story. a night. and a hotel room. and, sure, a bed. the rest remains at the disposition of public.

Do you remember "Before Sunrise", with Ethan Hawke and Julie Delphy?

If you do, the general premise of this movie goes more or less like this: It's "Before Sunrise", but instead of Vienna you get a motel room, and lots of steamy sex.

It's quite simple, really. Daniela (Lewin) and Bruno (Valenzuela) meet at a party, and end up in a motel. And they have sex.

While I certainly can't complain about the sex scenes, the interesting part of the movie is what happens after (Or, uh, in between) them.

From being two total strangers having sex at first (They can't even remember each other's names!), they end up revealing themselves, their lives, their fears, and all that jazz.

The talk starts sloppily at first, but soon they get all the big topics covered. Past relationships, religion, fate, sex, 80's cartoons, death, etc.

It's somewhat tender and ironic, too, when you notice that, in the end, they're trying to seduce each other in a very childish and innocent way when they have already spent three condoms and about half an hour doin' it.

The dialog flows really good and it's very well paced. The acting is superb. Valenzuela is known around these lands for being somewhat of a expression-less actor, but he achieves a good performance.

Blanca Lewin is, however, the one that steals the film, in my opinion. I've always been her fan, so perhaps I'm a bit biased when saying this, but you're completely captivated by her character. As Daniela starts revealing herself, all the way to the (shocking!) revelation in the end, (Well, not that shocking, really) you just can't turn your head away from her.

So, really good writing, high doses of eroticism, acting that's not only above-par but a hole-in-one (or whatever better than that, I'm not much of a golf person), good directing and Blanca Lewin. What else can you ask for in a movie? Okay, maybe explosions and ninjas, and this film doesn't have those two, but it's pretty much covered in all of the remaining categories.

It gets a 9 because the ending comes out as a little bit too abrupt, in my opinion. But then again, 90 minutes seems to be just the right time.

I may have seen only one other film from Chile, and was pleasantly surprised by the interesting concept and fair execution of this one by director Matías Bize. Two strangers at the end of their 20s meet for a one night encounter of casual sex in a motel. They may have done it many times in the past, but this night will prove to be different. The film starts with the two having sex, this is where many other stories in movies end, but here this is just the pretext for a dialog and a possible relationship. A relationship that will probably not last beyond the night, but its temporary nature gives it the occasion of intensity and sincerity. These do not come instantly however, it takes several rounds of dialog (and more sex) to start peeling off the layers of convention and get to the intimate truth, insecurity, intimacy of each one of the two characters. Sex is only the external layer of a relationship, and the most superficial of all, it hides rather than it represents what the man and the woman in the couple really are, and it takes special circumstances and dialog for the truth to pop out - this is the essence of the story that is being told.

Such a movie cannot keep the interest of the viewers even for its about only 80 minutes without good acting, and we get indeed here two excellent actors that pass well the screen and the challenge of explaining their characters beyond the physical appearances, which as with the story is the principal acting problem they face. Playing almost at nude in the perimeter of one motel room and yet building complex and human characters is not an easy task for an actor. Both are more than OK, Bianca Lewis is even close to bright. Director Matias Bize succeeded to make an interesting and different film, I wonder if he will be able to avoid closing himself in the formula or format of experimental films and rather continue to follow the emotional dimension he brought to screen in 'En la cama'.

a woman. a man. in a hotel room. sex. talks. plains of silence, expectations, fears, desire. slices of past. small window of a future. I saw many times this film. and in each occasion, important was the fragile feeling to discover a parable in clothes of a meeting. a beautiful film about need of other and search to escape from yourself. fragility is its essence. its rule, axis and lead character. Bianca Lewin and Gonzalo Valenzuzuela are only its sculptors. their performance, delicate, precise, admirable makes things rolls. it is a delicate film. it is the virtue of director - and after years, not a surprise - to give force of a world who seems be only crumb of dream. to make a film like a silk carpet. to present a world, a state of soul, a crisis in a special manner because it becomes confession of viewer. a beautiful film. lesson. about each of us.