Quentin Tarantino and Robert Rodriguez's homage to exploitation double features in the '60s and '70s with two back-to-back cult films that include previews of coming attractions between them... Read allQuentin Tarantino and Robert Rodriguez's homage to exploitation double features in the '60s and '70s with two back-to-back cult films that include previews of coming attractions between them.Quentin Tarantino and Robert Rodriguez's homage to exploitation double features in the '60s and '70s with two back-to-back cult films that include previews of coming attractions between them.
- Awards
- 10 wins & 22 nominations total
Zoë Bell
- Zoë Bell (segment "Death Proof")
- (as Zoe Bell)
Featured reviews
I won tickets to the world premiere of Grindhouse in LA this past week and it was the best 3 hours of my life in recent history. The stories of the two movies combined with the detail and inventiveness of Quentin Tarantino and Robert Rodriguez brought together 3 hours of action packed fun. The two directors updated the sleazy grindhouse movie experience from the 70's and commercialized it so that we can all enjoy it. You won't find some greasy guy with his pants around his ankles sitting next to you, but you are probably going to be able to sit through all 3 hours of these movies.
I want to compliment the directors for having a unique cinematic vision (and the Weinsteins for funding that vision). I don't always agree with the choices made with either of the filmmakers, but I think they are two of the hardest working most innovative people in Hollywood today. I add this because most film studies students love to hate both of these people and in most conversations suggest that they would be able to do a much better job than either. I disagree.
Planet terror is a gross out flick that has appropriate amounts of gore and guts. If you like Rodriguez, then this movie fits in with all of his previous works. No real surprises here, but fun fun fun!
Tarantino surprised me. I liked the first movies from Tarantino because his movies were set in realities not far from our own. I doubt that it would happen in a weekend, but Pulp Fiction is a semi-believable good story in Los Angeles with unbelievable dialog. Same with Reservoir Dogs. (Jackie Brown is too believable and therefore, uninteresting) As he has progressed, his movies became fantasy, e.g., From Dusk til Dawn and Kill Bill 1 & 2 and WAY too over the top for a "Tarantino" flick.
Death Proof brings it all home! I don't want to spoil any of the movie, so just go see it! It's a simple plot with unbelievable suspense and decent dialog. I have never been so nervous in a film in as long as I can remember. Its no secret that the movie involves a car -- but Tarantino has taken a "classic" car scenario using a classic car and updated it for the new millennium. One only has suspend belief "just enough" for this mix of reality and fantasy to suck them in. It was Tarantino at his best.
Both movies were well executed, well scored, well written, and well played. The extra's and cameos are icing on the cake. No Oscars for either director, but that isn't why you went to see these movies in the first place, now is it?
I want to compliment the directors for having a unique cinematic vision (and the Weinsteins for funding that vision). I don't always agree with the choices made with either of the filmmakers, but I think they are two of the hardest working most innovative people in Hollywood today. I add this because most film studies students love to hate both of these people and in most conversations suggest that they would be able to do a much better job than either. I disagree.
Planet terror is a gross out flick that has appropriate amounts of gore and guts. If you like Rodriguez, then this movie fits in with all of his previous works. No real surprises here, but fun fun fun!
Tarantino surprised me. I liked the first movies from Tarantino because his movies were set in realities not far from our own. I doubt that it would happen in a weekend, but Pulp Fiction is a semi-believable good story in Los Angeles with unbelievable dialog. Same with Reservoir Dogs. (Jackie Brown is too believable and therefore, uninteresting) As he has progressed, his movies became fantasy, e.g., From Dusk til Dawn and Kill Bill 1 & 2 and WAY too over the top for a "Tarantino" flick.
Death Proof brings it all home! I don't want to spoil any of the movie, so just go see it! It's a simple plot with unbelievable suspense and decent dialog. I have never been so nervous in a film in as long as I can remember. Its no secret that the movie involves a car -- but Tarantino has taken a "classic" car scenario using a classic car and updated it for the new millennium. One only has suspend belief "just enough" for this mix of reality and fantasy to suck them in. It was Tarantino at his best.
Both movies were well executed, well scored, well written, and well played. The extra's and cameos are icing on the cake. No Oscars for either director, but that isn't why you went to see these movies in the first place, now is it?
Tarantino's critics do not seem to fully understand what he is up to. More than "making movies" he "makes movies about movies", in this case the B-movie genre.
This is what Igor Stravinsky did with music. He would take some genre(baroque, 12 tonal or even jazz music), break it down into the essence of its component parts and then put them back together in different ways. What you got was no longer baroque, 12 tonal or jazz. It made you stop to wonder what those styles really were and why they appealed or didn't appeal to you.
In a way, Tarantino is doing the same thing. He's making us question why we go to these movies and what the process of watching a film is all about. As a result it is not fair to criticize him because "the girls should have just stopped the car". In B-movies the girls just don't stop the car! It's like criticizing a serious drama for not having enough good jokes. He has really captured something about why these movies get audiences and are such intense fun to watch.
Now that Tarantino has dabbled with films about B-movies, kung-fu movies,action movies,revenge movies, etc. it will be interesting to see if he can extend into other genres. Will we ever see a Tarantino musical, serious drama, love story or western?
This is what Igor Stravinsky did with music. He would take some genre(baroque, 12 tonal or even jazz music), break it down into the essence of its component parts and then put them back together in different ways. What you got was no longer baroque, 12 tonal or jazz. It made you stop to wonder what those styles really were and why they appealed or didn't appeal to you.
In a way, Tarantino is doing the same thing. He's making us question why we go to these movies and what the process of watching a film is all about. As a result it is not fair to criticize him because "the girls should have just stopped the car". In B-movies the girls just don't stop the car! It's like criticizing a serious drama for not having enough good jokes. He has really captured something about why these movies get audiences and are such intense fun to watch.
Now that Tarantino has dabbled with films about B-movies, kung-fu movies,action movies,revenge movies, etc. it will be interesting to see if he can extend into other genres. Will we ever see a Tarantino musical, serious drama, love story or western?
I went into this film with expectations for an extreme amount of campy senseless gore and violence - and it was delivered as promised! A WARNING: Know what to expect when you go see this movie, or you might be surprised/disappointed. There is no moral, no good sense or life lesson to be taken from the story lines or characters. Sometimes things don't make sense and this is all done on purpose in homage to original exploitation films Warnings aside, Grindhouse is a lot of fun, there were as many "ooh" and "ahh" moments as there were "oh my god why did they show that?" moments. All of the actors' performances were right on and the action directing was excellent. My only negative comment is that Tarintino's film dragged a bit in the middle, but he more than made up for it. I couldn't help but raise my fist in the air and shout out "yeah!" at the end of his flick.
You will be surprise, you will be disgusted and you'll enjoy the hell out of it.
A unique cinema experience indeed.
You will be surprise, you will be disgusted and you'll enjoy the hell out of it.
A unique cinema experience indeed.
I went to the premier in Austin last night. Wow, what an awesome event. Here are a few brief thoughts: One of the previews, that is being made into a movie, looks absolutely absurd and I am sure that it will be a joy to watch.
Planet Terror kept you laughing, groaning, and cringing the entire time. Enough action to keep you into it, enough campy gore to laugh at, and plenty of build up to have you cheering for the good guys. Rodriguez put together an A-rated, B-movie.
Death Proof was also enjoyable. I may have been antsy due to the cramped seating, but it seemed like there was a little lull in the middle. I didn't want to get up at intermission as I didn't want to miss the trailers. As Tarantino has done before, there is some great dialogue flying around the core group of actors.
I will definitely go see it again in the theater. I missed some of the dialogue due to the roar of the audience. However, I think having an interactive audience really adds to the experience.
Enjoy.
Planet Terror kept you laughing, groaning, and cringing the entire time. Enough action to keep you into it, enough campy gore to laugh at, and plenty of build up to have you cheering for the good guys. Rodriguez put together an A-rated, B-movie.
Death Proof was also enjoyable. I may have been antsy due to the cramped seating, but it seemed like there was a little lull in the middle. I didn't want to get up at intermission as I didn't want to miss the trailers. As Tarantino has done before, there is some great dialogue flying around the core group of actors.
I will definitely go see it again in the theater. I missed some of the dialogue due to the roar of the audience. However, I think having an interactive audience really adds to the experience.
Enjoy.
Grindhouse (2007)
**** (out of 4)
Sure, these movies are far from a real grindhouse but you're not going to have a better time inside a theater. With the fake trailers, messed up prints and bloody action, this movie is unlike any other ever made and that can only mean fun.
Planet Terror Robert Rodriguez's horror film about a chemical outbreak, which turns the citizens of a small Texas town into zombies. The only thing standing in the way of the zombies going worldwide is a one-legged stripper (Rose McGowan) and her sharpshooting boyfriend (Freddy Rodriquez). This throwback to the low budget shockers of the 1970's hits all the right marks and also turns out to be the goriest film I've ever seen. How in the world this got away with an R-rating is a mystery to me because this thing is non-stop gore from start to finish and we're not talking about little spots of the red stuff here and there. Each single death (out of hundreds) has tons of the red stuff through heads being ripped off to zombies munching on some flesh. McGowan is the perfect "B" actress to make her role very memorable and goddamn was it nice seeing Jeff Fahey once again. Tom Savini, Bruce Willis, Josh Brolin and various others fill out the cast. The "grindhouse" effect of a cut up print with scratches and missing reels are used perfectly here. There's some humor throughout but the politically incorrect joke of a kid playing with a gun was a real hoot. Rodriquez fills the film with countless "bad" moments in great homage to the films this is trying to be like. If you're a fan of this type of thing then you'll love it. Others beware.
Death Proof Quentin Tarantino's homage to those car chase movies features Kurt Russell as Stuntman Mike, a psychopath who loves to stalk women in his death proof car. The girls, including Rosario Dawson, Vanessa Ferlito, Jordan Ladd, Tracie Thomas, Mary Elizabeth Winstead, stunt woman Zoe Bell and Rose McGowan (again) are all perfectly cast and really nail Tarantino's dialogue but the real star here is the terrific return to form of Russell. Russell wasn't the first choice by the director but damn was he a great one. Russell just has that perfect smile and twisted laugh to make this psychopath so charming that you'd like to have a beer with him even though you know he'd probably kill you afterwards. Russell nails all the right marks making Stuntman Mike live right up there with Snake Plissken. This film is certainly a lot different than the first. This film takes its time in getting to know the female characters and I think this pays off in the end. Tarantino does a great job referencing other pictures so this will add some charm to die hard fans of the genre. Then there's the incredible chase at the end, which has to go down as one of the greatest ever. The chase is incredibly thrilling but it's also just a lot of fun. Seeing the girls being tortured by the "always having fun" Stuntman Mike was just a terrific time at the movies. I won't spoil anything but when the girl's seek revenge it's something that will make you want to cheer in laughter. Once again, if you're a fan then you'll love it but others beware.
**** (out of 4)
Sure, these movies are far from a real grindhouse but you're not going to have a better time inside a theater. With the fake trailers, messed up prints and bloody action, this movie is unlike any other ever made and that can only mean fun.
Planet Terror Robert Rodriguez's horror film about a chemical outbreak, which turns the citizens of a small Texas town into zombies. The only thing standing in the way of the zombies going worldwide is a one-legged stripper (Rose McGowan) and her sharpshooting boyfriend (Freddy Rodriquez). This throwback to the low budget shockers of the 1970's hits all the right marks and also turns out to be the goriest film I've ever seen. How in the world this got away with an R-rating is a mystery to me because this thing is non-stop gore from start to finish and we're not talking about little spots of the red stuff here and there. Each single death (out of hundreds) has tons of the red stuff through heads being ripped off to zombies munching on some flesh. McGowan is the perfect "B" actress to make her role very memorable and goddamn was it nice seeing Jeff Fahey once again. Tom Savini, Bruce Willis, Josh Brolin and various others fill out the cast. The "grindhouse" effect of a cut up print with scratches and missing reels are used perfectly here. There's some humor throughout but the politically incorrect joke of a kid playing with a gun was a real hoot. Rodriquez fills the film with countless "bad" moments in great homage to the films this is trying to be like. If you're a fan of this type of thing then you'll love it. Others beware.
Death Proof Quentin Tarantino's homage to those car chase movies features Kurt Russell as Stuntman Mike, a psychopath who loves to stalk women in his death proof car. The girls, including Rosario Dawson, Vanessa Ferlito, Jordan Ladd, Tracie Thomas, Mary Elizabeth Winstead, stunt woman Zoe Bell and Rose McGowan (again) are all perfectly cast and really nail Tarantino's dialogue but the real star here is the terrific return to form of Russell. Russell wasn't the first choice by the director but damn was he a great one. Russell just has that perfect smile and twisted laugh to make this psychopath so charming that you'd like to have a beer with him even though you know he'd probably kill you afterwards. Russell nails all the right marks making Stuntman Mike live right up there with Snake Plissken. This film is certainly a lot different than the first. This film takes its time in getting to know the female characters and I think this pays off in the end. Tarantino does a great job referencing other pictures so this will add some charm to die hard fans of the genre. Then there's the incredible chase at the end, which has to go down as one of the greatest ever. The chase is incredibly thrilling but it's also just a lot of fun. Seeing the girls being tortured by the "always having fun" Stuntman Mike was just a terrific time at the movies. I won't spoil anything but when the girl's seek revenge it's something that will make you want to cheer in laughter. Once again, if you're a fan then you'll love it but others beware.
Did you know
- TriviaNicolas Cage agreed to play Fu Manchu in the Werewolf Women of the SS trailer, for free, as a favor to his friend Rob Zombie.
- GoofsBecause Grindhouse is an homage to the old low budget films of the 70s and 80s, there are many deliberate errors by the filmmakers to give an authentic grindhouse feel.
- Quotes
Stuntman Mike: Do I frighten you?
[Arlene nods]
Stuntman Mike: Is it my scar?
Arlene: It's your car.
Stuntman Mike: Yeah, I know. I'm sorry. It's my mom's car.
- Crazy creditsJust below the listing for Quentin's personal chef is the following credit: "Personal Chef for Mr. Rodriguez - Robert Rodriguez"
- Alternate versionsTarantino's segment, Death Proof, was lengthened for showing at the Cannes Movie Festival. Most of the film's scratches (used in Grindhouse) were also cut out.
- ConnectionsEdited into Planète terreur (2007)
- SoundtracksGrindhouse (Main Title)
Written by Robert Rodriguez
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Grind House
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $67,000,000 (estimated)
- Gross US & Canada
- $25,037,897
- Opening weekend US & Canada
- $11,596,613
- Apr 8, 2007
- Gross worldwide
- $25,422,088
- Runtime3 hours 11 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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