Eleventh Hour

Is Ian Hood the 21st Century Professor Quatermass ?

I'm actually enjoying the series, as a sci-fi fan. After years of being subjected to British broadcasters being more concerned with producing period dramas, and endless detective shows - it's good to see some sci-fi back on the screen. And I for one think it's pretty well written, and of course the presence that Patrick Stewart brings, adds to the appeal.

Am I right in thinking that only 4 episodes have been made in this season ? I hope it's done well enough to given a shot at a 2nd season, with Stewart on board for that too.

I call this a Science Thriller rather than Science Fiction because to call it Sci-Fi immediately puts you into the expectation game for Fast Pace, Zap, Boom, Fantastic. . .

Even further-- remember that this is British in flavor-- and NOT of the 'Torchwood/Dr Who' variety. Think more like Masterpiece Theatre with just a little bit of 'hustle'.

A Gov't Scientist and his security minder go about tracking down culprits in outré crimes and disasters in working class England. The show touches on concepts that are theoretical, or bleeding edge-- like the Cloning episode-- but it does so by approaching the concepts in the process of unraveling crimes.

If you settle down to the fact that this is more a Crime Thriller rather than an Action Thriller, you will not be bothered by the non-Hollywood aspects. The scenes are not bright and glossy with lots of glass skyscrapers and busy streets. No Car chases. No running through the streets. No swat teams kicking down doors with laser gun-sights.

It's plain, gritty, moody, rumpled, surly & workaday in the way it presents the story. And the final difference is the fact that the endings are not tidily wrapped up. But then neither is Life. . .

I wouldn't say that the acting on Pat Stewart's part is his best-- I've only ever seen him in Star Trek, (and frankly found his Picard Character 'annoying') So this is a new way of seeing him for a lot people. But the rest of the cast, having no precedents in the American/Hollywood, are spot on with good honest, believable characters. This isn't the Glamorized England of Dr Who or Primeval. You get a sense that this is closer to the 'Real England'.

My one quibble is an overall grimness that makes it take to watch all in one sitting. But maybe that's my American/Hollywood trained Bias.

Still, it's interesting, thoughtful drama for a rainy weekend afternoon.

Watched the first episode tonight.

Patrick Stewart brings the gravitas and presence that he brings to all his roles (on stage and screen). The first storyline is interesting and well developed, as well as asking some interesting questions about the morality issues involved (many Americans will hate part of this programme).

I think this show will run well, as long as it keeps interesting story lines and brings forward one or two strong support characters.

I suspect this show will even get picked up in the States (which means the Yanks will get to see the British version of White Trash...we have them too!!).

Good job to the production team, and you'll be pleased to know this is the first original show I've watched on ITV in about 4-5 years, keep em coming.

STAR RATING: ***** The Works **** Just Misses the Mark *** That Little Bit In Between ** Lagging Behind * The Pits

Patrick Stewart plays Ian Hood, a government scientist and top man who really gets a good glimpse at what those with power and knowledge get up to behind our backs. Each week, an episode deals with a scenario (e.g. cloning, miracle cures, virus outbreaks) where he must battle against the odds to give the public the protection they deserve.

Although he never really broke through the ranks as a top Hollywood star, Stewart does indeed remain one of the most notable actors we've ever produced and it is good to see him back on our screens. And indeed, he's well cast in this series, in fact it's almost as if the role was especially written for him.

Basically, this is one of those shows which will enthrall some and really put some others off. It's one for those who like to sit down, pay attention to everything that's going on and really enjoy the rewards that pay off from using your brain. It's one of those roles Stewart likes to accept, and fans of his work will easily warm to him in it. Others might find it all a bit too serious and brainy. There are attempts at humour here and there, but they're rather fluttered and not really played out that greatly.

Another problem I had with the show was the lighting and use of camera. The lighting is a little too grainy and the camera is too much of a close up shot throughout and this did detract from my enjoyment of it.

So, if you see any episodes, you should know what to expect. If you do, you'll probably enjoy it, if you don't, you probably didn't have much business seeing it to begin with. ***

This flashy po-faced hokum has clearly been built to milk the appeal of Sir Patrick Stewart to the bobble-hat brigade, and it's not as terrifyingly bad as some of writer Stephen Gallagher's other work. But why-oh-why-oh-why hasn't anybody flagged the significant debt to other and - in my nostalgia-loaded opinion - better series?

It obviously re-treads ground covered in the equally watchable but improbable perils-of-science 1970s BBC melodrama "Doomwatch" - created by Doctor Who writers and Cybermen creators Kit Peddler and Gerry Davis.

"Eleventh hour" writer Stephen Gallagher is also a former Doctor Who writer. What, then, do you think inspired the format of a slightly unworldly trouble-shooting "Government Scientific Adviser" with a younger and slightly feisty but unthreatening girl "companion"?

There's a certain amount to enjoy here, not least Jean Luc Picard trying to pretend he's not posh, as he flattens all his vowels and clearly has to be restrained from saying things like "Ay-up", "By 'eck", and "Ah grew oop round ear". That he's supposed to be a boffin is probably funnier, as in last week's episode which had him talking about quantum probability and Chaos theory to a Government accountant before charging off to put down a virus pandemic.

That girl from "Extras" as his sidekick also gets to wave a gun and run down endless stairs in Lycra tops without the benefit of a sports bra, which may offer younger male viewers some light relief.

Despite the slick presentation and casting coup, this isn't ever going to be great and memorable TV. The man who gave us budget-shy early nineties genetic engineering scare-fest "Chimera" (aka "Monkey Boy" - the clue's in the title) and international drugs corporation paranoia in "Oktober" is clearly going to carry on grinding out un-taxing soft-target science-gone-wrong potboilers. The only real social issue in the second story about a killer virus loose in England's Manchester, was the obvious question, "Well, would they really bother?"