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Everything's Gone Green (2006)

Metacritic reviews

Everything's Gone Green

57

Metascore

17 reviews · Provided by Metacritic.com
  • 75
    Entertainment Weekly
    Entertainment Weekly
    The story -- is slight, but an appealing cast and lots of scenic leafery make Green feel fresh.
  • 70
    VarietyKen Eisner
    VarietyKen Eisner
    Starring an excellent Paulo Costanzo (late of "Joey") as a twentysomething uberslacker who is nonetheless willing to fall into accidental success, pic is seasoned with fine perfs by JR Bourne as a charismatic, creepy hustler and Steph Song as Constanzo's sexy potential love interest.
  • 63
    PremiereJessica Letkemann
    PremiereJessica Letkemann
    Green, the first feature Coupland's written, doesn't really make any innovations to the Almost 30-Underachievers genre, but it's an endearing, solidly-crafted example.
  • 60
    Village Voice
    Village Voice
    It's not the big picture that charms here, it's the details. More than anything, though, it's Costanzo--a spindly Everydork who grows up not because he has to, but because he just kinda wants to.
  • 60
    SalonAndrew O'Hehir
    SalonAndrew O'Hehir
    Fundamentally, it's a well-executed formula movie, perfect for first-date couples or miscellaneous group outings.
  • 60
    Los Angeles TimesKevin Crust
    Los Angeles TimesKevin Crust
    The film's tone is on the sitcom side, but its likable cast and zany subplots make it palatable.
  • 50
    Film ThreatPete Vonder Haar
    Film ThreatPete Vonder Haar
    It's a bit of a shaky first screenwriting effort for Coupland, but not without its charms.
  • 50
    New York Daily NewsElizabeth Weitzman
    New York Daily NewsElizabeth Weitzman
    The dialogue does have Coupland's characteristic snap, but like its mellow hero, the movie takes the easy route just a little too often.
  • 50
    Wall Street JournalJoe Morgenstern
    Wall Street JournalJoe Morgenstern
    This is Coupland's first screenplay, and it shows -- in a cheerfully discursive quality, but also in a reliance on gestures, contrivance and dialectic speeches rather than dramatic development and conflict.
  • 38
    New York PostKyle Smith
    New York PostKyle Smith
    Some ideas are auto-stolen (from Coupland's last novel, "JPod"), but those quirky atmospherics aren't enough to sustain a largely plotless film.
  • See all 17 reviews on Metacritic.com
  • See all external reviews for Everything's Gone Green

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