Shanghai Kiss

Firstly, I liked this movie. I liked it for the fact that it explored a lot of ideas that I myself have seen and experienced. Yes I'm Asian, but that doesn't make me automatically like this movie. I took a step outside the confines of who played what role and looked at it from a spectator and movie goer experience, and I found that it was a very interesting movie. I think that if you look beyond the Asian element of this movie, it can be applied to anyone. This is a movie about finding oneself and coming to terms with oneself, and I think this movie does it very well.

Acting wise I think that everyone did very well. I've never seen Ken Leung in a non-action movie before so I'm glad that I'm able to see a different, more realistic, side of him.

All in all, this is a good movie to see. I would definitely say rent it if you would like to see it.

hi, looking at the poster makes you think it might be just another teen/high school/college movie about love, friends etc. but this movie did surprise me a lot in terms of plot and made me laugh without using the f word but instead by using clever dialogs and many small scenes.

It is a movie about a troubled Asian American men (Ken) in his late twenties - a wannabe actor, without job, financially still depended on his dad, whom he cant get along with. at the same time, he gets to know a young 16 year old gorgeous (Hayden) high school girl, whom he really likes, but having the age difference in his head, his moral tells him not to take advantage of that situation. His life suddenly changes when inherited a house in shanghai and he decides moving there to find his own identity and to accept the fact he is not only amercan, but also Chinese.

like any other romance movies, the movie also starts off a little bit cheesy in the beginning, where the two main antagonists meet each other in the bus. But behind that, the movie differs a lot from the usual concept of a romance movie. The main plot is basically about a man's journey finding meaning in life, at the same time involved in a love relationship which is socially not acceptable due to the age difference. Besides the thoroughly thought dialogs, the unique plot, what I personally like most is the way Asian American man is portrayed here. He is not some math nerd, some kung fu guy, he is just some normal guy who is fun and troubled at the same time. Like you and me. This movie is definitely suitable of watching with your girlfriend/date, but it can also be enjoyed by watching alone.

i am going to order it as soon as it is available in Germany, and if you find any grammatical mistakes, you can keep it for yourself!

First of all, this is quite a touching story about a young man learning about himself and what drives him. One could easily see someone like Zach Braff playing the lead role and the movie does have a bit of the feel of Garden State with perhaps even sharper dialog. It would be a good movie without the added dimension of having the a realistic Asian-American male lead, Liam, brilliantly portrayed by Ken Leung. Liam has problems, but not the stereotypical Asian problem of shyness - he's has no problems picking up women of all races (though he prefers blondes) but can't seem to relate to any of them except a precocious teenager (wonderfully played by Hayden Panettiere of Heroes fame) who is off-limits.

He's forced to look deep into his roots when his grandmother whom he's never met leaves her house in Shanghai. The identity conflict that arise from being born in one country but raised in another is what I call the 1.5 generation problem. The first and second generation of immigrants identify with their country of birth, either the old country or the new one, but those of us that are in between are uniquely cognizant of both cultural pulls. It's not so bad in Canada where this is nearly the norm nowadays, but the monoculture in the US and the pressure to choose tribes puts a lot of stress on someone like Liam or I imagine, the writer, David Ren, who are both Asian and American and neither. This struggle is brought out sensitively, naturally and is touching without being overly sentimental or preachy.

I hope this film what Double Happiness and Sandra Oh did for female Asian-Americans (actually Canadian - she's from my home town) and acclimate Hollywood to a multi-faceted realistic male Asian lead. In any case, regardless of the political implications, this is just a good, enjoyable romantic comedy about a young man finding himself and well worth watching.

This movie wasn't what I was expecting at all when I sat down to watch it. It looks like they're marketing this as a light romantic comedy, which it is in a way: it's very very funny and romantic. But behind the comedy, there's layers of sadness that reminded me of Woody Allen at his best. Ken Leung's Liam might be the most complex character since Travis Bickle in Taxi Driver. Here's a guy who can't really emotionally connect to anything - his family, his Chinese heritage, women, maybe the world. All he really has is his friendship with a free-spirited girl named Adelaide (Hayden P) who tries hard to get him to emotionally open up. Except she's only 16 and he can't be with her anyway. His father (Lo Pan), who he blames for his mother's death, calls him one day and tells him that his grandmother left him a house in Shanghai. So he decides to go their to sell it and make some bank.

That's the basic set up, which is conventional enough, but what is intriguing is every decision Liam makes throughout the rest of the movie. He's impulsive, impetuous, and relies solely on Al Pacino/Scarface type gut instincts. Even though he intellectualizes throughout the film, it's as if he doesn't trust himself nor his conclusions.

For example, there's a scene towards the beginning where he's drinking with a buddy of his. His buddy points out a cute girl at the bar, and Liam completely blasts her, calling her fake. Then at last call, when he's lost his buzz and the emptiness and loneliness of life has crept in, he starts to talk to this girl, whom he takes home. Later, she's lying next to him, making small talk and a tear runs down his face. It seemed shocking to me at first, but after a moment I knew exactly why he has crying. The scene was handled very delicately and very few actors could've pulled it off. This is such an interesting character that you can watch him eat a meal for an hour and not get bored.

Hayden is cute and charming. Her character is a dichotomy of maturity and playfulness, often at the same time. There's a scene at the end with her that's almost heartbreaking. J D Moore is hilarious as a writer who's fascinated by the opposite sex. I guess the weak link here is Kelly Hu, who's perfectly satisfactory, but her performance lacks depth. Also, her Chinese accent seemed to go in and out at times.

The best part of the film is the dialogue, which I guess is the thing that made me compare this to Woody Allen.

The movie is not without flaws. As mentioned: Kelly Hu's performance, the subplot with Byron Mann's character at the end (I won't spoil it) seemed contrived, some stilted dialogue by the river (or where ever they were), the scene where they first meet is slightly unbelievable (Beverly Hills teenager taking the bus?) although their relationship was developed well.

I'd say this is love or hate type movie. You will love it if you liked: Lost in Translation, Garden State, old Woody flicks, Little Miss Sunshine and other quirky indie comedies like that. Few things in the plot may not be believable for some, but I doubt anyone would say this isn't entertaining.

Regardless of some of the stereotypical female characters, unrealistic situations (i.e. white girl picking up Asian guy on a bus), this movie explores some very real issues and important themes.

One of the reasons i think this movie has been taking a lot of flak for its characters development is its the first of its kind to have a Asian American MALE LEAD who DOESN"T fit the stereotypical molds. So obviously, lots of things are unrealistic. But lets examine why they seem unrealistic and seemingly improbable. It is because its never been portrayed.

Media defines culture. Music, movies, literature, art, these things are what defines culture, so obviously anything that happens in the world that can be attributed to any of the aforementioned mediums has credibility and realism, and anything that does not seem improbable. But we have to remember, HUMAN BEINGS write literature, create art, make music and direct movies. WE are in control of what defines us, and i think this movie does a great job in creating a NEW definition of what normal Asian Americans can be like, again it is a movie, so its hypothetical. Does anyone not watch spider man? Again the point is not about whether its realistic, because it is, i've seen it and i've been where this character's been, the emotions that are portrayed are very real, and if your not Asian American, or are not 1.5 generational Asian American, then you simply do not experience this cultural identity confusion and you probably will not understand this movie. But for those who fit the description and can identify with ken leung's character, this movie contains very real emotions, and of course we should be the ones that like this movie. it is kind of a movie about Asian Americans.