No. 2

I saw this movie last night, and was very very impressed with the quality of the shots, the genuine actors, and the awesome writing of the film. Such an authentic combination of humor, drama, family ties, history, and culture, it made this movie truly worth watching. It's not often that you get a "nz" film that has you glued to the story the whole way through, so Number 2 stood out because it managed to do that. And even though I recognised some actors from NZ TV show's, they were enough in character in this film to let me see them as their new characters.

A genuine story, with a great local cast. it exceeded my expectations. I would recommend this movie to anyone, and I look forward to seeing what other great work Toa Fraser brings to us in the future!

There are films and there are films with a soul. No. 2 is a film with a big soul and needs no special effects no big budgets or big names to be a big little film.

It takes the time that is necessary to tell a story so unusual in nowadays cinematic landscape, a story that makes the audience feel and touches the souls of those who are willing to listen to it.

There are wonderful performances of several actors to observe and No.2 shows how a wonderful script has no need for a big budget. It's not a tearjerker or going for the easy laughs, it's not a black and white movie but shows the shades of grey that make life life.

I laughed, frowned, had tears in my eyes, cringed, smiled and felt touched so many times.

It is one of these films that can be distinguished from the majority of films by its ability to make you feel and that somehow cause your whole being to be uplifted by the time you leave the cinema.

It's one of the films that linger and hold the audience so captive that only after the credits have been rolling for quite a while, the first people start to reluctantly file out of the theatre.

A rough gem but a gem nonetheless. Slow going at first, as you wonder what it is with these people. Is there any hope? Has this extended family (apparently) totally lost their way in life? Then as you learn bits of the family history, the high walls and broken bridges separating the family start making sense, and you can see possibilities of reconciliation.

Ruby Dee plays (magnificently) the Polynesian matriarch, living in Mt. Roskill, Auckland NZ, for most her life, who knows what's wrong with her scattered cantankerous family and can see the one path that just might set things right -- a little "tough love", Polynesian style. Even though no one else can see the sense in it, they obediently carry out her demand for a family feast in the backyard, to happen that same evening, at which she will announce her successor. All must attend, even those who never come round.

Preparation for the improbable feast involves everyone, and in the process forces communication that's been avoided for years. But they pull it off, because after all, Mama may have lost her marbles but she is still the matriarch. The result is memorable, and validates her foresight.

The film is also, by the way, a great glimpse of suburban New Zealand life, Samoan (or Tongan, not sure) style. See it just for that, and enjoy the story too.

I had the opportunity to view this film at the Sundance Film Festival. It is a touching story of family ties, those that have been broken and attempts to bind them together again. This movie handles family conflict in an honest and realistic manner. Beyond the family struggles lies the tension of modern ways clashing with the strong cultural traditions of the South Pacific islanders. The film looks at how an indigenous group of people debate the mores of their ancestors. We are reminded that what binds us together is more than just rituals and customs. This film has a solid foundation in its direction. It reflects the quality of film making we are becoming accustomed to from New Zealand ala Whale Rider. The acting is from the heart, you will believe this ensemble is actually a family. It is beautifully shot and takes advantage of the characters' energy and emotion rather than relying on the natural beauty of the land. It is not to be missed.

A different culture than mine, this was an eye-opener. Tradition counts, feelings do, death is a departing and part and parcel of everything. And so everything turns into a big celebration and tying together feast including pig, trees, foreigners, music and naturally mishaps and power struggles. Features the epic "Bathe In The River", a very moving song by amazing New Zealand musician Hollie Smith and the Mt Raskill local people choir. This film forms an important link in New Zealand film lineage as it is one that portrays a very important happening in an 'island' family living in Auckland's 'wild' west suburbs. We get to experience a largely different and unknown culture right in the middle of a 'normal' suburb. This is Auckland, the city with the world's largest Polynesian population.