Sukeban gerira

I'm really torn between this movie and Criminal Woman: Killing Melody, both of which are in the Pinky Violence box set. They're both really good, with the stories being similar (gangster girls go for revenge against the Yakuza who did them wrong) and they both have Miki Sugimoto and Reiko Ike. But I think this movie gets an edge, 'cause in this one the girls are part of a BIKER GANG. And the all have TATTOOS OVER THEIR LEFT BOOBS. Which is so effing cool.

Here we get Miki as the leader of a biker gang from Shinjuku who go to Kyoto and end up taking over the girl gangs there (the scene where the girls face off and do their gangster "who I am" speeches is really cool). Reiko Ike is running around as the sister of one of the local Yakuza and won't align herself with Miki and her crew but serves as kind of a "big sister"/authority figure to the girl gangs of Kyoto.

Eventually Miki and the girls get on the bad side of the local Yakuza boss and the girls hit the road to meet up with Miki's boyfriend, a boxer in training down the coast. He gets himself murdered by the Yakuza as a result and it becomes time for Miki and her crew to make up with Reiko and get down with some revenge.

What I really dig about these movies (as opposed to the "Battles Without Honor and Humanity" movies my boyfriend is always bringing home) is that the female leads have some dimension to them that you wouldn't normally expect in an "exploitation" film. I didn't really like Miki's character at first (she was bratty) but I actually felt it when her boyfriend got killed. Up till then she seemed kind of a like a one dimensional power junkie bitch with cool sunglasses, but watching her meet and fall for Michitaro Mizushimi and her grieving at his death filled her out and made her feel like an actual woman. You know, complicated and conflicted.

In fact, as an exception to "action" movies the one-dimensional characters in this film are all men. They're simply greedy or sadistic or horny. Which I'm not saying is a good thing. It's just a nice change of pace.

And did I mention the tough-ass tattoos?

These films never tend to disappoint me - and GIRL BOSS GUERILLA is yet another enjoyable entry. Filled with tits, ass, violence, and sleazy/funny situations - this is definitely one for the exploit fans out there...

A rival girl gang takes over after a mini-battle against the local girl gang. The girls get on the bad-side of the local Yakuza gang when they start pulling jobs and cons in the Yakuza territory. Of course the girls ain't going' out like no suckaz...and the war is on!!!

Plenty more going on it GIRL BOSS than the above - too much to really get into in a short review. Tons of nekkidness (though of course no full-frontal - this is a Japanese film after all...) but it doesn't matter cuz this one is just so much fun. Not as "splattery" as some of the latter pinky entries - but plenty of hot Asian female flesh to feast your eyes on - along with an interesting and entertaining storyline. Some real classic scenes in this one (clap-train, anyone???) and will DEFINITELY appeal to the pinky and sleaze fans out there. Don't miss this one. 8.5/10

... because of the moments that are supposed to be funny, but just come off as juvenile instead. If those parts were taken out, this could be a great film. Stick with "Criminal Woman: Killing Melody" instead.

The idea of a Japanese biker gang comprised of females is a good one, but they don't do enough "criminal" activity to be believable, though their attempts at blackmailing are pretty fun to watch. The soundtrack is good (except for that song by that awful hippie singer), and the fashions are top notch, but that humor kills it. I'd expect that in some bland Hollywood comedy, but not from this genre.

If you do like this, you'll love "Criminal Woman: Killing Melody." That's almost a guarantee.

I'm a great fan of Pinky Violence flicks, and "Sukeban Gerira" aka. "Girl Boss Guerilla" of 1972 is another sleazy and great example for this awesome Japanese Exploitation subgenre coming from the great Toei Studios. The film, which revolves around an all-female biker gang, stars two of Japanese Expoitation's greatest and most ravishing sirens, Miki Sugimoto and Reiko Ike in the leading roles, and once again features a lot of stylish sleaze that no Exploitation lover should consider missing. The beautiful and tough Sachiko (Miki Sugimoto)is the leader of the Shinjuku-based 'Red Helmet' biker girl gang. The tough girls, who have trade-mark tattoos on their breasts come to Kyoto in order to take over other girl gangs. After a while they get in trouble with the local Yakuza... While this is not necessarily one of the greatest Pinky Violence flicks I've seen (the absolute greatest of all are the "Joshuu Sasori" aka "Female Prisoner Scorpion" films with Meiko Kaji, and there are a number of other truly brilliant entries to the subgenre), it is definitely a very stylish one. Miki Sugimoto is once again stunningly beautiful and extremely cool in the leading role of tough girl Sachiko. So is fellow Exploitation goddess Reiko Ike, who plays Nami, a former gang leader who refers to herself as a 'lone wolf' and is the sister of a local Yakuza. Director Norifumi Suzuki is one of the most prolific directors in the field, most memorably with films like "Sex And Fury" of "Terrifying Girls' High School: Lynch Law Classroom" in his repertoire, and he once again did a great Job with this little gem. "Girl Boss Guerilla" is very comedic in the beginning, and it gets very sleazy later. It is not nearly as gory as some other Pinky Violence flicks (such as "Zero Woman: Red Handcuffs", for example), but it gets pretty sadistic occasionally (as usual for the genre, there's quite some torture and lots of sweet revenge). A sleazy and immensely entertaining film, "Girl Boss Guerilla" comes along with a funky score, and stars two ravishing stars of Japanese cult-cinema, Miki Sugimoto and Reiko Ike. Miki and Reiko alone would be reason enough to see this film twice, and "Girl Boss Guerilla" even has a lot more to offer. Highly recommended to all my fellow Exploitation fans!

Good Japanese cult film with everything a cult movie needs: girls on motorcycles, cat fights with exposed breasts, nuns (also on motorcycles and with exposed breasts), groovy 70's music, and plenty of BDSM. The girls are really hot, especially the lead, Miki Sugimoto. My cult arch-nemesis, Reiko Ike, is also in it, but she's not too bad here. She doesn't get naked and her hairstyle hides her chubbiness. The film is exciting and fun, though it does lack drive. The plot takes a long time to emerge. My favorite part is when a folk singer puts his fingers to his guitar strings and it emits piano music. I'm still kind of glad that I haven't purchased the Pinky Violence set (I'm getting the discs through Netflix), but this film almost would have made it worth it.