This film is saved from being a sentimental tearjerker by the performances of the wonderful cast. Set in a children's home in northern Russia, just as the long winter gives way to a miserable wet spring, the story is an absorbing tale about a little boy who tries to find the mother who abandoned him as a baby. While almost Dickensian, the home is run by kindly people doing the best with what they have, which is nothing. Mostly losers, conscious of the fact that they never reached their full potential, or even half their full potential, they try to cope with the collapse of order in modern Russia.
The children are mainly left to their own devices, especially the older ones who resort to petty crime and prostitution to survive. Little Vanya should be able to read, but no one seems to be teaching the children, they just exist.
Other than the standout performance of Lolya Spiridov, in the lead, the ones who caught my eye were the home's director, who looked as if he had been born a dissipated alcoholic, and the assertive baby broker known as "Madame" who would be right at home selling condos in Florida, the sweet faced red-haired Irka, who sells her body to truckers, and the tragic mother who tries to late to find her child. She marched around in furs with wads of bribery cash, reminding people that she could be very generous in return for information.
At first I could not understand why Russia would allow a film showing a dark underside to be made, then I realized that it was an indictment of the women who "lose" their children at railway stations and otherwise neglect to raise their children, and the practice of foreign adoptions for money.
Definitely a film to see.
