The House of Usher

The physiotherapeutic Jill Michaelson (Izabella Miko) has difficulties to date since her beloved Rick Usher (Austin Nichols) and his twin sister Maddy (Danielle McCarthy) left her without giving any explanation. Out of the blue, Rick calls her to tell that Maddy has died. Jill decides to travel to the House of Usher to attend the funeral of Maddy, who was her best friend in college and saved her life, and has a cold reception of the housekeeper Mrs. Thatcher (Beth Grant). When Jill is leaving the house, Rick invites her to have dinner and tells that Maddy and he have neurasthenia and is hyper-sensitive. The love is rekindled and Rick asks her to stay until the next weekend. Along the days, Jill makes love with Rick and is haunted by the ghost of Maddy. Sooner she discovers the dark secret of the cursed family Usher.

"The House of Usher" is another version of the short story of Edgar Allan Poe. The screenplay develops the drama and romance of Jill in a very slow pace but the resolution when Jill finds the bonds in the Usher Family is rushed and confused. The Polish Izabella Miko shines in this film and I look forward to see her again. My vote is four.

Title (Brazil): "O Mistério da Casa dos Usher" ("The Mystery of the House of the Usher")

There really isn't much story here, so it is hard to imagine how this film can be retold. However, there is a twist in this retelling that makes for some interesting imaginings.

It is a Gothic tale with a very wooden Austin Nichols as Roderick Usher, a man who is dying, and dying to continue the family linage, and the curse as well. Izabella Miko, a really hot choice, is his old girlfriend brought back to complete his mission. She is caught in his web, although one has to wonder why, as he has no charm whatsoever.

She tries to escape once she discovers the awful family secret, but it is to no avail. It is only through the intervention of the creepy housekeeper, Mrs. Thatcher (Beth Grant), that she has a chance. Mrs Thatcher hates her, so it's hard to see how she will escape.

That's pretty much it. Like I said, there is not a of of story in this creepy Gothic by Edgar Allen Poe. It would probably be better to see Roger Corman's version.

Or, you could wait later this year for the gay version.

The 2006 House Of Usher film (as opposed to the countless other versions, most recently in 2008) is dull as all hell.

Plainly put. Not much else to say. It's far too bland to even bother typing a review. It's a shoddy little piece. Relatively faithful to the original story, but a bland and tiresome film regardless.

Move on. Buy something interesting. Like, I dunno, Blood Monkey- which I might review some time in the next few weeks.

Since an IMDb review requires 10 or more lines, I suppose I really must elaborate: The film is tosh. It's trash. It's garbage. It takes the dry classical texts of Poe and vacuum seals them, taking out what little life remained from the distinctly dated original works. It borrows only the most obvious aspects of the story, ignores subtlety, and pisses on the livelier bits of the original story. I'm hard pressed to care about it, and even more pressed to write a review for a film so utterly pointless.

Curse it. Curse it back to the burned out pit it most inevitably came from.

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In this very serviceable thriller, a young woman named Jill hears from her former lover Roderick. He and his sister Maddie, her best friend when the three of them were at college together, disappeared suddenly from her life several years ago and she had not heard from either of them since. Roderick tells her that Maddie has died, and asks Jill to come for the funeral.

Roderick suffers from an illness that makes him sensitive to light and touch. He is a novelist and writes at night, wearing gloves and headphones to drown out sensation. He frequently communicates through typewritten notes that bear the Usher seal, weighty symbol of the burden of the Usher legacy. The novel he is writing parallels the happenings in the house, and he won't let Jill read it, saying that he isn't sure yet how it is going to turn out.

Roderick asks Jill to stay because he needs her, but she only gradually discovers his full intent. Austin Nichols is the restrained Roderick to Izabella Miko's translucent but determined Jill. Both are well cast in their roles.

The opening music and the repeated warnings of the housekeeper are a bit heavy-handed and the film might have done better to let the story unfold without them. The second half of the film has lots of plot twists that make for great after-viewing discussion. The artistry of the filming earned this film the best cinematography award at the Boston Film Festival where it premiered.

I recommend seeing this movie (but not alone!)

I, for one, thought it was a solid, Gothic tale that sad, high school girls will absolutely adore. Izabela Miko and Austin Nichols are great as the star-crossed, darkly romantic leads and the mood and tone throughout the entire film. Art direction is good and the cinematography is well done. The breakout role has to be Beth Grant, who really is a delight as the rigid, creepy disciplinarian assistant. Now, if you are looking for an adaptation of the classic Poe tale, then you'll be disappointed. It's a re-imagining, not like Baz Lurman's ROMEO & JULIET. Instead it is very influenced by Hammer films. All in all, I would consider it a good DVD to check out.