In Liège, a group of men gathers every day in a café situated near the steel factory which once reigned supreme. They play cards in a warm atmosphere but that hardly masks their quiet desper... Read allIn Liège, a group of men gathers every day in a café situated near the steel factory which once reigned supreme. They play cards in a warm atmosphere but that hardly masks their quiet desperation. All unemployed, either because they can't find work like Patrick or because they ha... Read allIn Liège, a group of men gathers every day in a café situated near the steel factory which once reigned supreme. They play cards in a warm atmosphere but that hardly masks their quiet desperation. All unemployed, either because they can't find work like Patrick or because they have been made redundant like Robert and Jean-Pierre, they try to forget their lot in the wa... Read all
- Awards
- 1 nomination total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The film is beautifully photographed, and has a gritty sense of realism and dark sense of humor, along with a deliberate pace some may find off-putting.
This isn't a heist film about action, but rather about hopelessness, poverty, and moral choices. It isn't afraid to let us feel ambiguity at what the men are doing, at the same time creating characters that can't help but elicit our sympathy, and make us wonder, "at what point does society create its own criminals"?
There are some weak spots – the men are almost too perfect a cross section of the down-and out; the young man whose schooling and hard work have left him nowhere, the unwanted man in a wheelchair and the middle aged man phased out for someone younger. I'm not quite sure I buy them as friends in the first place, but once I accepted that slight contrivance, the film worked well on all it's levels; character study, political tract and crime thriller.
It reminded me of something Sidney Lumet might have made in the 1970s. For my taste, that's a good thing.
The movie could be depicted as a "social" thriller if not a socialistic one that has the merit to dig up questions buried away by our sometimes inhuman society. What would you do if you had no perspective, no money and only dreams to be shattered? What would you do if the system was not allowing the possibility of a better life for some or redemption for others? What would you do if your more and more precarious life was being pushed that close to the edge? Would you react or would you fall? "La raison du plus faible" provides us with an answer by telling the story of these men who will believe again that a dream is feasible and who will take arms to get the money where it is and steal it because they believe this is their rights. This is also a story about choices where everybody takes his own responsibility; a story where there are no bad guys but no good ones, a terrible story made of laugh, tears, blood and sorrow .
Slow at times but served with an outstanding cast and a cinematography perfectly matching the protagonists lack of escape , "La raison du plus faible" remains a movie to be seen A movie that seems to whisper: "continue to dream or die"
Did you know
- TriviaVisa d'exploitation en France # 112095.
- Quotes
Jean-Pierre: You're an idiot.
Robert: I know, you already said that.
Jean-Pierre: But here you're so much an idiot that it's worth to say it twice.
- SoundtracksUna lacrima sul viso
Written by Bobby Solo (as Roberto Satti), Mogol & Bobby Solo (as Lunero) (1964)
[Note both instances of Bobby Solo are left here as they reflect the credit.]
Details
Box office
- Gross worldwide
- $1,055,063